Alas, Alias

kitty-litter

“Cat litter,” the last thing said, and something about that abandoned bicycle, a child’s bike, deep red, repainted, left askew on their lawn for days.

Those were the last things.  The last things she said.  And so he’d begun to move about much more carefully.  Timidly some might say, an amalgam of caution and care.  Ever tender, aware that things break, or tear, spill, or fall apart.  End.

But then Laramie, his sister, mother, the kids – some entities seem to persist, so few and so stubborn, inexplicably, threatening almost, as if an accumulating disaster, an heavier withdrawal.  He doesn’t know what to make of it.

Abandonment crushes all scales and statistics – but pebbles and dust, foundations and roots still remain.  Persistent.  Resilient.  Irrational.

Like a sloth he repaired to his desk, as delicate and slow.  He took up a pen with his head in his hand.  He was lonely, alone but for quiet, sweet silence, and branches and birdsong and wind, autos and dogs.  Not quite quiet.  Not quite alone.  But abandoned, far as he could surmise.

He wrote.  Rather drew.  Looping lines that were shaky on paper.  Tried to make his operation more smooth.  It failed.  He shakes now, does Alias, from drinking and smoking, aging and grief.  From perspective.  His perspective.

A rattling undone, an erosion.  He sighs.

A bike, and “cat litter,” then gone.  Others had left for much more and much less.  Litanies of reasons of wrongs are so easy with humans involved, never mind the ‘weight of the good.’  Can’t compete.  Won’t compute. There are mistakes, and effort involved – both are failures, no matter the theories or talk, no matter their universality.  He was wrong and a failure, which equals abandon no matter the words they produced.

Alas, Alias.  A depression.  An outlook that colors the field, but it’s charcoal.  No matter the ‘whom’ it will bleed, run them dry, and disfigure.  No one’s withstood it for long, for all of his kindness and passion (devised to distract from the swallowing dark, or the primer – his base coat is death).  He’s alone.

Not a Laramie, mother, or kin.  Without doubt there’s no lover, no friend.  Just a man and his books and incessant grey thoughts, and a pen.

He begins, looping lines…forming “Cat litter,” the last thing she said…

Bike

Alias Impassive

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Alias awakens to disquiet.  Comprehension out of joint.  The motions, the motions, but nothing complies.  He does not feel so he touches the knee of his son.  Yes, he seems to be there.  Words with their sayings and tellings aren’t meaning.  Perhaps he hears.  Feels he doesn’t have pants on, but perceivably they’re there.  Goes to bathroom, masturbates, conjuring images of his love.  Disconnect.  He is not sure that he is here.  Or where it is he is.

Not the trees, not the road, not his car.  Many things are missing.  Not his thoughts.  Not pets, not postal service, not sky.  He’s come unfastened.

The motions, the motions, he makes coffee.  The motions, the motions, he showers.  But did he use shampoo?  Deodorize his pits?  Remember the drop of cream?  Are those his feet?  Walking into work they all take notice.  Is he bleeding?  Checks his hair, his face, his clothing.  Is he stinking unawares?  Deactivated and decoupled, unable to correlate.  He’s in his chair.

He’ll go for water.  He’ll check again.  He’ll look through letters, notes, to-dos, he’ll use his fingers.  He seems inoperable, confused.  They’re noticing.  He hasn’t spoken.  He puts on music.  Sits again.  He looks at language, hears some sounds.  He’s not authorial, nothing gives direction, nothing issues commands.    Disjointed and isolate.

He tries to sleep.  The dreams don’t follow, the eyes don’t rest.  He is confused.  He is detached.  He looks at pictures, attempts a memory.  Everything is near and quite intangible.  Everything is distant.  He cannot cry.  He cannot feel it.  He isn’t thinking anymore.  Something is unhinged.

The motions slow, the motions blur.  Not conscientious.  No recognize.  It seems there are duties.  It seems related.  It seems forgotten or never begun.  He’s too much there and not enough.  Unavoidable and out of sorts.  He cannot hide and there are others.  He tries the motions, and the motions, and they’re still without sound.  He can’t compute.  Head in his hands on his desk.  His eyes are burning.  He can’t find pain, locate discomfort.  No ability to take account.

He pushes objects.  Cuts his palm.  He walks again.  The motions, the motions.  There is no wind.  The sun pervasive.  He sees some plants.  They are not there.  They have not grown.  He is alone and everything knows this.  Dissociated.  He’ll try again.  What will he try?  He’ll try the motions, he’ll try the motions.

Alias motions with his hand.  It comes undone, it does not signal, there is no shadow.  Too much shadow.  He looks around.  There are the others.  They seem to wince, to look too much, to look away.  There is no commerce.  There is no passage.  He sits again.  He hears a sound.  He thinks the hearing.  He tries his luck.  There is no luck.  He wants to realize.  Anything.  Something.  Perhaps.  Maybe.  Motions, motions, motions.  He is not moving.  Things are vacant.

Alias impassive.  He tries to speak.  No one to speak with.  He works at thoughts.  All misremembered.  He’ll try again, he’ll try the motions, keep at the motions, the motions.  All the motions he will try.  He has no purpose.  The motions fail.  Vacuous and without intention.  Was only trying, was just to see.  He cannot see it.  The motions fail.  He moves again.  Things are dissolving.  Disestablished.  Without relation.

He calls the dog, he has no voice.  There’s no response.  He is within a vast alone.  He is not happy.  He is not sad.  He’s unaffected.  He tries the motions.  He tries again.  After all he will stop trying.  Sometime later he’ll give up, but now he tries.  He tries the motions.  He tries again.  He is disquiet, and without end…

Alias Alone

“it was neither the cradle nor the grave of anything whatever.  Or rather it resembled so many other cradles, so many other graves, that I’m lost.”

Samuel Beckett-

The silence.  The separation.  The solitude.  This is not novel, not uncanny, not even irregular or unexpected.

Betwixt Alias & Laramie, in fact, it would not be unusual for 1-3 years to pass without interpersonal communication.

The interruption, irregularity, or stretching intermittence of intimate interaction (current parlance “intensive interaction” – what they’re calling genuine conversation these days – a sort of treatment or therapeutic method for the autistic or ‘disabled,’ – akin to the ‘Talking Cure’ of psychoanalytics past) wasn’t really odd or unexpected or otherwise for Alias…merely unfortunate…he accustomed to his cycles and wishes, routines and desires – never mated very well with the world-at-large…his surround.

Still somehow Laramie’s “off” was different.

Perhaps.

No matter.

Alias driven back to Kafka, Beckett, Jabes, and other authors of silences whom he’s long aspired to – wishing (not so secretly) that he might require only some genuine solipsism or solitude, a kind of retreat or reversal from the cultural logorrhea (social media posts, artist’s talks, professional blogs and listservs, tweets/tumbs/grams & feeds) –

incessant reports on one’s self

– disgusting yet enticing,

If other humans ever happened to ‘like’ or ‘follow,’ ‘share’ or ‘pin-it’ or – could it be – actually care?

Alias entering thickets alone.  Laramie “off” (in every way his ‘right’).  No human (living, warm, alive, and responsive).  Alias turns to the ‘mind’ (texts, images, memories, dreams, literature, language, art, thoughts) – in any case or scenario – some abstracted cerebral, cognitive-capacity, the Human Imaginary.  The Pretend.

Meaning.    God.    Religion.    Truth.    Santa.    Satan.     Logic.     Math.

His pet feline “Luna(tic)” and fractured Chihuahua “Gizmo” as company.  And printed literature.  Recorded music.  Playback audio-visual-cinematography.  Machinic animations.  Pornography.  Movie.  Television.  Photographs.  WHATEVER.  Virtual Realities in the place of persons.

Attempts to stay alive, carry on, delude oneself that meaning and reason and experience and expression had validity and representation, communication and comprehension, and so forth.

To “keep calm…& carry on.”

Breathe.

Or…whatever.

Laramie: “OFF”

and

Alias: (“ON”)?

never the twain shall meet?

well, occasionally

(he says, he thinks, he imagines, she says, someone hopes)

The HUMAN (Alias surmises) – ‘an interminable thinking-speech,’ Alias think-speeches, “surely I read/heard/saw/overheard that somewhere.”

It’s Alias alone…free(?), unfettered, allowed, supposedly “ON”

Laramie – “OFF,” Alias sighs.

(and therefore no way to ‘think through’)…

***********************************

Point is, Alias thinks as he murmurs and walks along, there is no meaning, purpose, or point to it all.  “Think-writing” Laramie once called it (re: Alias’ poetry) – “simply inscriptions of progress, er, process…languaging what happens in your miniscule portion of the world (as you know it).”

Think-writing, write thinking, “fuck you!” Alias thinks (writes).  “How can one think without someone or something to think ‘off’ of or ‘with’ or ‘in relation to’?”  Alias grumbles – “yet you’re ‘OFF,’ gone, along, beyond, and so remains me, it, this ‘against,’ ‘in relation to,’ this withless ‘with’ (all versions of the same) ANYthing, EVERYthing, NOThing.”

Something!

“OFF” said Laramie, he

said to Alias, “simply ‘OFF’” like a switch, a light, a life, a dream, a thought, an inception of memory, an hope, ON/OFF, ON/OFF, there/gone, here/gone, you/I, yes/no,…’OFF’ said Laramie, he said to Alias that day, that last day, that latest traversal, that…

…dream,

imagining, encounter, hope, wish, Alias imaginary…

———————————-

…because no one cares, and there is surely no reason to (Alias ruminates).

Having always wanted, desired, craved (it might even be said) to be some strange, unrepeatable and unique (or recognizable) combination of human/person/lover/writer/philosopher/musician/writer/virile male and sensitive, omniscient (no, not ‘omniscient,’ not ‘all-knowing’ but ‘all-considering,’ ‘all-comprehending’ and ‘-allowing,’ ‘understanding’) homo sapien.

There is never any reason (Alias considers) that he should (in any way) be special, “special,” and yet, and yet…

There’s no smidgen of doubt (Alias i. e. Harlequin, piecemeal patchwork of human male – a man, a father, son, parent, professor, laborer, home-owner, some-time partner, friend, teammate, band member, student, child-like adult, mature-seeming child, and so forth…animal, patron, caretaker & guardian, public, customer, businessman, blah, blah, blah, descriptor, descriptor, word, word, term…) that Alias i.e. Harlequin, in relation to Laramie James Backstagger, in relation to J, J, K, T, A, H, O, I, Sam, Franz, Helene, Clarice, mom, sister, dad, daughter, cat, dog, cow, instructor, stranger, landscape, realm, city, genre, language, world…

wanted, even craved (it might be said)

being “special.”

Alias Harlequin.

Alone.

&&&&&&&&&&&&&&&&&&&&

A thousand shades from cynical to fine…

…medium nor method, mechanism nor machine matters…

…it’s simply the persons involved…

…the choices they make…

….ways they behave…

…what is made of it…

….making and interpreting…

…given the day, the moment, the situation…

…without matter or evidence or reason.

The world happens.

And then we die.

And then world continues.

Happens (for us) (me) (Alias) (Laramie) (you)

No more.

The equations very, VERY simple.

Here & Gone

Heaps of trouble in between

Self-causation

-regulation

Autopoeisis

 

 

Laramie begs “OFF,” or, what happens is parting

What happens is parting…

The incommensurable does not lie outside of language.  It is language.

– Werner Hamacher, Minima Philologica –

“Off” bothered Alias.  It aggravates Alias that Laramie only and simply, states and declares the term “off.”

Strikes him as unfair.  Short-shrift.   Foregone.  An easy conclusion.  A self-imposed or autocratic EXIT.  Cheap escape.

Conversation (that day) silenced (muted) and dulled.  It soured.  When participants elect not to speak their minds or piece, peace or conflict, new tensions are introduced.  Silence [chosen, selected, fought for (or against), willed] intentional silence effects scenarios like speech.  Withdrawal.

Alias tells him; ‘Refusal to speak equals a sort of speaking.  We are both ‘in it.’”

“Off.” Laramie repeated, simply, only, just “off.”  And, “the switch can be binary, non-complex, Alias, simply a choice – ‘I love you,’ ‘thank you,’ ‘I would prefer not to,’ – ‘no,’ – OFF – please allow me that.  I am tired.  You are my friend.  All is well.  It is good.  Life is hard.  Love is pain…OFF.”

The large, long, horizony cosmic swath of atmosphere containing and surrounding human interaction (in this case, in any case) snaps.  It fractures.  The environment (in this case, with the pronunciation of ‘OFF’) simply breaks.

There is quiet (as in) silent (as in) absence of sound, stillness of action, stasis of communion, of commerce, connection –

VACUUM.  REFUSAL.  A plea and a begging to STOP.  QUIT.  CEASE.  To not continue, to NOT go on.  A demanding request for an end.

Laramie states, speaks, invokes, complains, retorts, confesses, professes, declares and pleads and laments, quite simply, to his dearest, nearest and closest confidante, companion, friend and interlocutor – “OFF.”

Laramie chooses.

Alias wants to honor…

grieves, requests, rescinds,

carries on…

evoking ambiguity, anonymity, fiction and untruth.

The calf.

The finch and bluejay and weasel.

Deer, cow, pasture, thistle.

Friends and morning-glories.

The sun, the air; clouds and mid-day.

Company.

Revoked.