The Unknown and Unnamed recalculates and barrels on…

“& knowing from

the look of the others

that a panic has come

into your own eye

to know yourself only

as an instance

-Ron Loewinsohn-

            Am I indeed no/w/here – is this a place to founder?

Are you here too?  Now?  And what might that mean?  (Or is that already to abstract, extract, exit to a changing no/w/here?)

I have my concepts.  I have my doubts.

I am unidentifiable, no/w/here.

If you happen to find me (or dis-cover?) would you please point me out?  Just a gesture will do.

You can use the simplest sign, that concept, just a dash, a briefest line – “/”.

Or a slapdash curly loop to momentarily contain it all in, all of that malleable nothing with thousands of experiences passing through: .

Loop-the-loop-de-loop go the organs and wires, the pores of the flesh, the nerves and the neurons, the veins and cells…

I am bewildered.

I think I am a concept.  (I thought I was a verb).

I get the joke!  “I think” – I am a verb.

So runs the conception.

Selah.

The ?/’I’ Barrels On…(the Unknown and Unnamed recalculates)

 

Empty concept or full flow, he advances (advances?) – he verbs.

Verbalizes.

He acts.  The marking concept, the tiny scratch – ‘/’ – goes on, regardless (of my regarding).

No/w/here.

This is IT.  (was IT and becomes so again) as ‘/’ act.

This unknown, unnamed subject/object absent presence moves like a filter screen being swished through a tub of air always tagged “IT,” (if this were a game).  Is IT?

Beginning from no/w/here and heading there too, and always at once…

it’s downright unsettling!  (literally – there is no settling or pause!)

I find (without actually locating a thing, even a speck or a fragment, not “conceived”) I am always no/w/here, and that no-place is always (ALWAYS) changing, moving, different(ly).

Unknown(-able?)  Unnamed(-able?)  Unlocated(-able?)

            Homo Scribus (homo-anything!) – person-as-verb – erases as it writes, deletes as it constructs, falsifies as it truths, acts in its passivity,

ever equaling the equation at zero!

(no/w/here)

I’ve gotta steer clear of math, of physics…I don’t compute!

“Some Blind Alleys: A Letter”

Should you have the time…and it requires a bit…I would love to hear responses to the following essay by E.M. Cioran from all you interesting minds I observe!  Thanks –

“Some Blind Alleys: A Letter”

-E.M. Cioran-

New Ekphrastic Works from myself and Holly Suzanne!

New verbal/visual work from our studio at home!

http://ekphrastixarts.com/2012/05/08/a-portait-of-an-us/

It rains…complicating equations, understand? (for the Unknown Unnamed)

[please bear with these ramblings…they are taking shape…and each stumbling advance leads…i promise…:)]

Standing in rain.  Under rain.  Understand.

Unknown, unnamed, still wet.  Still cleansed.  Garnering names…

One.  Other.  Wet one.  Lost one.  Un-one.  More.

Hearing one.  The replier.  Seeing one, seems, seams, semes.

No/w/here: under rain, understanding some thing(s).

The wet can flood and drown, or cleanse and caress.

Can surround, come down, or buoy and uphold.

Understanding rain.

One water-name, countless individuals.

Unknown infinity, possibly.

Unnamed – an incalculable number of names – possibly.

The Writing One and the One Who Reads.  The One-Standing-Under-Rain and The One Rain Falls Upon.

The One Reaching the Other and The Other Receiving One.  A One Necessary Other for joinder and boundary, their rift and cleft, the possibilities.

If “to understand” counts as knowledge, he is many-known and many-named as he engages, encounters no/w/here.

[if w always presents we]

so that without w there is no-here and no now.

N/amed

O/ther

W/e

+/= here.  now here.  how here.  now here.

He realizes this direction is constantly unknown, even at its end.  If he can know it is raining, he cannot know how many.  And whenever it ceases, the water will be elsewhere, other-wise.

The Thinking One.  Confused Other.

He is unable to inscribe or translate even a fraction of his names in a single no/w/here…which are not singular, ever.

Names rain when he looks, listens, feels.  Attends.

Ecstatic One.  Diluted Other.  Watery One.  Solid Other.

Who?

Unknown and unnamed begins to understand, standing under (and in) no/w/here’s rain.

Muchly known, muchly named, ennui

in-we

he goes on…

standing under rain,

in the middle of,

no/w/here.

An Ekphrastic Exploration of Two

Attempting to get our new collaborative site at wordpress off the ground! Bear with us and enjoy as we build! Thanks

a rambling meditation

Composure

Unknown and Unnamed Undoing: the swoon and the swarm (a kind of mathematics to be continued in rain)

Unknown and Unnamed experiences: the swoon and the swarm

 

I hadn’t remembered it like this (trying not to remember).  That all of it got into you.  That all of it came out!

Immersion.  Enthrallment.  Ecstasy – words that come, to mind.

That if en-joined, then out-sourced.  Becoming indecipherable – like epistemology.

A moment’s rush, for example.  I encounter – which encountering looks like insertion and abstraction on me.  I move toward, feel it out, then back off and observe.  Active, passive; a swing, a rocking boat.

This is different.  Inundation, a flood.  Unable to say what’s mine, what’s not; who’s me, who’s you.  Unable, frankly, to say, at all.  Only be.

Motion, reception; injunction and release.

Think sky-diving: that decision to jump, trusting something, someone will hold together as form in all that air.  Like diving the deep blue sea, compression surround, that some element will remain intact without ground or solidity.

It works that way.  Give and take, see and saw, this uncanny to and fro of body, perceptions, breath.  Eyes contact then fog to some self between.  Fleshes – distinct and specific – now con-fused.  Who’s sweat?  Who’s secretions?  It’s sticky, yes, like that – a gluey bond.

Then the wave, the distended moment – incalculable clockwork – where all borders and boundaries seem lost, some extended and mutual sigh or moan within which the voice is other and the same without identity.

The swoon of it.  The swarm.

Dizzying rush of blood as warmth or wind; eyes roll back, also in, but not to my darkness.  As if limbless or prosthetically invented, my body grows – grows yours or ours or contracts to another covering, but inside-out.

As if leap or let go were no longer options, but instinct.

As if hot and cold – undifferentiated – some something that must define pleasure –

as in emptiness, fullness

the yin, the yang

a cellular entanglement

The swoon, the swarm

emerge

But what?  Or whom?

And what occurs in the median?

Who were that?                                                                                                       What was those?

The swoon, the swirl, the swarm.

            No one effecting.  Effected.  What does that indicate?

Nothing, essential to event – if nothing, than an absence utterly imbued.

A radiance, evocation,

like a sleeping brain on dreams…

with-you, the unknown gets no/w/here.

Whatever the constants, coefficients and variables, given the operator as convergence, the equation = whole,

where the w stands for we,

without which none – (“hole”).

Affecting substance…no one gains currency…necessity (no 1, but at least 2)… and then – ?

No one, unknown, unnamed, no/w/here as 0+O

where O stands for other

in this case, you

O requiring as much as I

inferring – ?

you can’t have 1 without anOther

but where anOther occurs must be at least 1 (other)

even if unknown, unnamed

in order to be lost and found in the joining

the immersion and enthrallment

the ecstasy

new poetic attempt at Spoondeep

NW Filbert's avatarSpoondeep

The Heart of (the?) Matter

 

There wavers the mark –

the sign, representation,

the relation to its referent,

in a shimmering package

like a thread or seam or

cleft.

“I”

“it”

“to be”

implied in a neutral subject (object)

or reified verb-ally,

it substitutes,

stands in,

makes present,

re-present,

re-presents (ad infinitum)

via the traces –

the text.

This is the mystery

at the heart of it,

being.

That language represents

us

while we language

to represent.

Our present speech

always passing

with the texts of what’s dead

always present

here, and now.

N Filbert 2012

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I, in instances of jell-o

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I, in instants, divested

 

Let me put it this way:  I find mysterious pockets of habitual thinking functioning like cradles of jell-o.

Say couple’s therapy is called for: I consciously feel gung-ho, pro-choice, empowered by trust and intention and reciprocal hope.  Our determination, our hope.  But the rear half of my skull, the scape my subject lands in, I realize is slicky, silently and squishily snuggling into a jello-y bed of “there’s something wrong with me.  I’ve got the problems.  We’re really trying to figure out why I’m so hard to live with; how my moods impede relational success and happiness; my fears – intimacy.  If the truth were told, my spouse is acting graciously and sacrificially in order to get me help.”  It’s as natural as instinct for me to believe I’m a burden, a difficulty, a special case.

The endless desires of youth.  Our adolescents seem never to be satisfied (perhaps aren’t even “meant” – biologically, psychologically, socially, developmentally – to be), rarely “up” for family events or participation in chores, games or outings.  Seem preoccupied with themselves and their wants and preferences, shifts and swerves.  Rationally – I sense the raging hormones; the violent ego-mania seeking a code, a reflection, its own DNA; the psychoses of self/other, boy/girl, love/lust and so forth – upheaval and growth!  But my torso is wiggling and sliding itself into the slushy comfort of “I have no idea how to guide these kids!  Who am I to parent and protect, encourage and inspire?  I’m just as fragmented, uncertain, conflicted, aroused and cynical as these guys!  No way I’m good enough, strong enough, wise enough, and so on… unqualified to father, even at directing myself!”

The list goes on – as reader, writer, artist.  As male, friend, laborer.  As handyman, citizen, spouse.  As mind, as body, as conglomerate selves:

How does it come so natively to cuddle in, automatically, unself-consciously and familiarly into negative perceptions, fraught with inadequacy, victimhood and failure, with no perpetrator(s) to blame?

Ideologically, philosophically, linguistically, aesthetically, psychologically, and so on, I can adapt party lines and mottos of health, truth, justice, fallibility and courage; equality and imperfection; becoming and process,

but wherever this social solidarity is not called-for or aimed at, this prompting to blend toward community or “normalcy,” my actual mind-body-complex demonstrates an incredible proclivity to nestle and burrow into a gooey surround of personal suspicion and doubt, misgivings and cynicism…like a worm to mud, or a fossil its imprint.

What the I/eye prefers.

How we see what we see.

How something – something – (but what is it?!)

contradicts mind’s understanding and body’s sensation/perception/evidence and goes its own hellbent way in whatever direction it selects!?

I-cipher.

I-estrangement.

I-observer,

                                                            for instants,

for instance.

The Unknown and Unnamed Hears and Replies

Running into Melodies, Lyrically

(the unknown and unnamed hears and replies)

 

Or picture it this way: a runner yearning to the tape.

Arms flung back as if flagged by a gale, chin and neck making way for the shoulders – a pure strive.

And rushing against, past and around…force and flow.  Learning the body by all that surrounds, through which it hums and throbs.

The air is full of waves.  The waves are full of particles – particles agitating, dancing.  Or the fragments are waving, threading this way and that – streaming and winding – I feel it.

Over the curves of my shoulders, the chorus.  Deep in my belly – the bass and the drum – caverns of mind.  The ticking, the singing, the whispers and thrums.  Brass flowers into blooming curlicues, echoing labyrinths – my ears.

In such a wind the eyes will close, and the legs will strive and stride.  No matter my position, in the medium of music, I am always moving forward, setting forth – possibly sailing, possibly struggling with every ounce – but making progress.

It glances off the elbows, reverberates the bones.  Fills the mouth, stuffs the nostrils – can make it hard to breathe.  Sound.  Shuddering loins and quaking knees, a tremor-massage, a tumbling.  A sleep.

I lean in.  Becoming a shaping of waves – reaching, aching and out of breath.  Receiving the blast and caress.  The force and the flow.  I listen, I feel.  I am drowning, aware of each inch of my skin.  I am falling in flight, my organs engorged.  I am musically shaped as a man.