Here and There

Threw this one together quickly…not sure it can be kept up with in its leaps.  Apologies.  But I made something.  Thanks always Friday Fictioneers

grapevine

Blue Walls & Vines

The blue of the walls was brighter than sky, made peaceful by children’s playthings.  The Other was far.  Another place, other time.  Among grapevines and meadows.

Both worlds had clouds.  I remember.  It takes time to conjure this up.

Her sky and those vines reminded me where I was – in a room full of chatter, chaotic with toys.  One is peace; one is peaceful.  Both are fraught.  Both are ripe.  There’s a difference.

We had hoped that it wouldn’t be great, but would carry.  And it does, in its longing, its loss.

Both are fraught, both are ripe.  Both are lovely.

N Filbert 2012

The Secret(s). The Key(s). For Everyone. The Next One.

“He opens Nothing, with a nothing key” (Macedonio Fernandez)

 (Arkadii Dragomoschenko) “Everything begins as an error of vision…”

 

            Time.  How it fluctuates.  The excruciating and seemingly eternal wait…and that which occurs suddenly.  Whether it exists or not, we live on its terms.  Experienced, as with everything, to varying intensities.

Interruption.

Arrival.

Topical, temporal, terms.

Age-old commonplace: does movement (spatial) fragment a continuum (temporal)? or does some urge toward continuance (temporal) spawn diverse actions (spatial)?  Chicken or egg?  Or chicken in egg withwhile an egg in the chicken?  Choose your poisons.  Or not.  The terms preside.

 

When are we most apt to accede to the passage (spatial) that is (of) time?  Alternately referred to as “aging,” “progress,” “growth,” “erosion,” “deterioration,” “process” and so on.  Some quote/unquote “motion” variously rendered (perspectivally perceived).

Serial designations.  Arbitrarily “first,” “second,” “third,” “last.”  “Beginning,” “middling,” “end” (-ing).  Sounds and rhythms (consonant-verb syllables) tick-tock du-thrum heartbeat breath clock gesture

Everything marking something.  But what?

“Signs kill things” (Fernandez).

I hold a nothing key.

It’s a sign.

It unlocks the mysteries.

The secret heart of being.

All those questions.

 

If you’d like to know, I can begin writing them down for you.  For my duration here.  Or find them yourself (the keys, the mysteries, the secrets at the heart of existing) – simply add a question mark to every thought, dream, emotion, hunch, word, sight, sound, sense or reason that occurs to you.

Which will leave you withIn.

Smackdab in the center of it all.  Ever-presently.  At always.

 

WITH/IN will synonym you, so that you will be.  Always.

?

            The wise are correct when they say that everyone has access to the (nothing) key.  The slender cracks in the thresholds doors, available indiscriminately.  Received the same way you take language.  Inbreathed.  Freely (you have been given) freely (you receive).

 

From knee-crease tracing the calf to the fine-pointed ankle bones is a passage, preferably a smooth and easy one, knowing age and growth.

As she departs, time stretches into space; when she arrives all compresses.  Only machines are regulated (for a time).  Heart’s skip, muscles seize, organs expand and contract.  Movement is erratic.  Composed.  Fluid.  Harmony and dissonance make melody.  A sentence.  A phrase.  Selah.  Gaps.  Seams.  A nothing key.

 

?

            Do you get my meaning?  Meaning is an interrogative juncture.  Is all.  The nothing key to open it.

 

We tell by our surroundings, i.e. specific spaces at particular times (or vice-versa), i.e. contexts and structures that hold us…allow us recognition, description, difference.

In other words, hiking in the Rockies is not taking dictation at an office desk.  But both mark something, at varying tempos.

There are no true clocks.

Or standard times, any more than we all may inhabit the same location.

Or enter the same stream.

 

Only meaning to say I am hoping to open a door with my simple key.  A possibly operative threshold.

Into the secret heart of things…

?

“why does an intense mental state happen?  Why does it pass on to others?

These ‘whys’ do not exist: this is how it happens, and that’s all.”

-Macedonio Fernandez-

 

Holly is having a dickens of a time getting there – but she’s on her way! Wish I could see the show – if you’re in Toronto – please check it out!

Holy Longing

First Love in 79 words (+ commentary by Papa)

What begins in desire, for Therese, is experienced as yearning, vague and fierce and embodied.  Like smoke writhing through her muscle tissues, a sudden carbonation of her blood.  So she prays and seeks the spirit, concave galaxy she hopes is large enough to receive her unnerving drive.  She moves that way, shimmers, shakes and passes on.  Out.  To where?  Preacher says to paradise, momma says to hell for too much writhing, too much lust.  Preacher likes the ways Therese seeks.  (Papa says it’s all perspective).

N Filbert 2012

79 word epic

An Epic in 79 words

In the beginning was the word, and the word was god and became human in the dialogue between, imagining; imagination becoming the domain of the humangodword – that subject/object constituting between or the recognition of being – that is, difference, fluctuate identities, change-charting actions of passing marks reanimated with each kenosis and subsequent in-dwelling, in other words, words began the perceiving that learned us something like self, necessitating others to be being, i.e. recognizable in varying contexts, backdrop origin…language.

N Filbert 2012

Results

The Results in 79 words

The brothers knew it wasn’t right, what they had done.  Though Alfred had thought it was, before.  Not now, though, no one would argue the results.  Were bad.  Were harmful.  Would be difficult to live away, if ever.  Ends were so unlike their means, and either could be culpable.  The boys knew that now, blaming as they did each other, by which I mean, themselves.  Stuck with it, the consequences, are also new beginnings.  Arden took the cue.

N Filbert 2012

For Image-lovers

Interim Figure
Bill Jacobson

Check out Gypsy Wall!

http://gypsywall.wordpress.com/2012/07/17/taking-note-rememory/

Survival

Survival in 79 words

He composes within the disaster.  Step one is to mention his life.  As it goes.  For the record.  Just in case.  Reassembling rubble is only one form of resist.  But not timing, nor space.  Step two is to edit.  To search what remains.  To look for a memorable trinket.  One rarely finds something precious, or treasure, but one man’s junk…because there aren’t any rules of the game.  Evaluation, correction, such fickle appraisals, are the process of finding step three…

N Filbert 2012

a blessing

Gabrielle's avatarthe contextual life

At a time when publishers are concerned about ebook pricing, many believing that going below a certain dollar amount devalues both the book and the author (a theory I am sympathetic to), an intriguing project from a major publisher is taking place. Forty Stories, a labor of love spearheaded by Cal Morgan, publisher and editorial director at HarperCollins, is available today as a free ebook through all major retailers.

In January of 2009, Morgan started an online community for short story writers called Fifty-Two Stories. As the name suggests, each week a new story would be posted for free on the website. For all you trivia junkies, Simon Van Booy’s “The Missing Statues” was first. From 2009 until the first half of 2011 the output was consistent. Then, in August of last year, something happened and only one story was posted that month. Someone would have…

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Weekly Photo Challenge: Dreaming

This one developed into a series.  My wife’s art works are all about the house and I move them here and there for various inputs/effects on my brain as I work…She recently hung a few encaustic pieces in our dining room where I have been writing due to the heat in our studio attic.  For “dreaming” I’d had the idea that I’d challenge myself with my Pantech phone and try to take some pictures of my head and smear it up without help from photoshop or other treatments.  It grew into a little series, beginning with her pieces and their slow consumption of my world.

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