The Death of Knowledge – Complicit Communication

The Complicity of Communication: The Death of Knowledge

Death Knowledge

Perhaps we talk what we “know” to death.  Is that in the definition “to know”?  To shrink, reduce, fit-to-one’s-size, assimilate?

Is communication inherent complicity?  The effort at taking a complex and messy, wholistic, excessive, leaky, mysterious and comprehensive lived-experience and rat-tat-tatting away at it with letters and sounds, symbols and utterances toward some acceptance, some convergence of ‘meaning’ necessarily equaling its crucifixion, its disappearance, its waste?  If we manage to twist and contort it to language have we wrung it of reality?  Making a different one?  A communicable one?  A humanly manageable one?

I know (for one) that when I seek to inscribe, assay, proclaim or declare “what happens” – as soon as some assent or understanding seems achieved I sense the evisceration of the expression.  Whether it’s descriptive, imaginative, poetic, academic or pragmatic…forcing it, wrenching it, seducing and eliciting it (sentencing it) into vocabulary, into dialogue, into verbiage…leaves me with a variant experience than the one I sought to transfer.

I mean this…we arrive at…this.  I feel, perceive, desire this…it comes out hackneyed and damaged.  Holy crap!…this occurred! – Can I just say?  Will you let me tell? – and then…what proceeds is an entirely different occasion…a wounded, striated, cut and assembled collage that never equals the issue.

Convergence.  Its own beautiful, extravagant phenomenon.  But not quite expression.  Not quite translation.  Not quite… Always saying more than I intended and less than I meant.  Always saying less than I intended and different from what I meant.  Language.  Open, flexible, ambiguous, gargantuan…and limited, boundaried, sensible, requiring…

I try, tried, keep trying.  And never.  Each utterance a signing off.  Each proclamation death-sentencing its sensation.  Each squeezing toward the dictionary, no matter how scrambled and undone, redone, invented, inverted, still wringing the beauty to beast.

I said I love you.  It came out conditioned.  Assented to.  Agreed.  & Compromised.

I said I want you.  Interpreted “if…”

I said I am… emitting particulars and contradictions.

I said I wish… conditioning demands.

I wanted to say.  To sing.  To whisper.

Vocabling calm and certain and saturation.

Sounding like need and fear and some small evil.

Echoing an anxious desperation.

There is this……..which verses that……and do not equal.

So I am alone

As are you

and then this

between

and same

and different

mix –

some third business –

contorted angle

wound and rendered

wrapped about

and wriggled

writhing

&

struggling

to be

near

what it

is

I love you.

Social Media Space

https://www.facebook.com/pages/Articulating-Experience-with-The-Whole-Hurly-Burly/1507331726208608Articulating

in case you want to join me there as well…

Quotation / Interpretation

“To read a distant text, distant in space, time, or conceptual world – is a utopian task…The task is one whose initial intention cannot be fulfilled in the development of its activity and which has to be satisfied with approximations essentially contradictory to the purpose which had started it…”

– Ortega y Gasset –

“In that sense the activity of language is in many particular ways utopian: One can never convey what one wants to convey.”

– A. L. Becker –

“it is deficient in the sense that it says less than it wishes to say, 

and it is exuberant in the sense that ‘it says more than it plans’

This utopian characteristic of language is a source of flexibility that results from signs that are simultaneously deficient and exuberant.”

– Yair Neuman –

communication utopia

“Whereof one cannot speak…” More Writings Unearthed

this repeated event of searching for blank pages only to find potential fertility in those already filled…

entries uncovered from March 2015

silencio

“WHEREOF ONE CANNOT SPEAK, THEREOF ONE MUST BE SILENT”

-Ludwig Wittgenstein-

HO SCIENCES, LOGICS, TECHNO-LOGICS AND MATHEMATICIANS!

PROGRAMMERS, DOCTORS, PHILOSOPHERS & ANALYSTS!

You have your discourses and discoveries, practices and spheres of operability!

You designate your domains through terms and definitions –

What is allowed and disallowed.

Vowed and disavowed.

Then silence.

EXPERIENCE

Whoever’s drawing lines of this and that, of here or there, of yes and no.

Whomever feeds the fuel of contradiction, against the singing speaking styles.

Whoever revels in dichotomy, clarity and divisions –

DIVERGE and then stay silent.

In complexity you must not speak,

on recursion and convergences be still,

traversing intersects and margins,

knotting nexuses and networks,

these zones your symbols will not call,

fringes disciplined discourses unable to name, locate, determine (undermine?)

WE UNDERLINE

AND HIGHLIGHT

HERE

REVEAL in complex approach – our work of ambiguity – perplexing and puzzling, unfathomable and obscure – in-determinate we sing, in language hard to cipher, discourse discomposing and dispossessed, polyphonious and multi-vocal, holding harmonies in dissonance

sing-speaking over/under/with

**********************************

Whereof can I speak?

I speak of pie.  Fruit pies.  My mother’s.  Yet I cannot speak, for I have never figured out how they can be the way they are.

I sing to love.  Great love.  Experiences and events so totalizing in kind that one fears one will not survive them.  And then does.  Yet I cannot speak to it because I am unable to account for it, explain it, or…

WRITING MEANS CLIMBING THE STEPS OF OUR LACK

-Edmond Jabes-

as if the aim of writing were to use what is already written as launching pad for reading the writing to come

9 Notebooks

In an act of rebellion and a kind of self-serving exorcism or slate-clearing (what blog is NOT an attempt at an entity’s expression, communication?), and facing the duress of weeks burdened with commitments and inescapable responsibilities…[in other words]…I intuit I am encountering a “time” (weeks / months / foreseeable futures?) that I deduce as laden – somehow preordained – for preoccupations of employment, previously established obligations – freighted with encumberances complexly negotiated…[under pressure I compose]…and so I search for a project [as is my way] that is FOR ME[?] (something autotrophic, self-cannibalizing and nourishing at once, individually comprised and contained) an insurrection and defiance honoring self [so I surmise] facing compulsion…

…and I unearth these 9 Notebooks…all aborted undertakings from the past 12 months…via which I propose to mount mutiny by posting all that seems potentially warranted in them [upon re-reading as if the first time, long forgotten]…toward little other purpose than for purging, opening, erasing – a clearinghouse of efforts – that might evolve toward some novel substitution, unforeseen modification, development, emergence…

“this is what directs him to learning – where he may encounter fragments of his own existence,

fragments that are still within the context…”

– Walter Benjamin on Franz Kafka – 

9 Notebooks

There will be stories, concepts, poems, characters, reflections, essays…and ephemeral scraps like these…

  • think feel – attune to meaning – reflect and refract
  • befriend your body, take care with your mind
  • be gentle, be open.  move fluidly, breathe
  • go alert to your dreams
  • wish more than hope, walk don’t run, run sometimes
  • be careful of rules, they’re always changing, it’s the nature of the rule, the measure, the standard
  • keep your eyes and ears open, along with heart and mind – only let things close into pleasure and pain – and that more of a wince
  • don’t be afraid of your story – write and rewrite it, edit and revise, revise, revise, and write it again

An attempt viewed in incompletion

sad skeleton

Impromptu

Arid time and things, they pass

Erase, not quite, deteriorate

Inexact as well, but depleting

Depleting.

Depleting.

.

Not exactly end, ending

Never a beginning

Ever picked up midstride

Midstream

Only ever in the midst

.

Tiring then,

Worn down,

Depleted, she said,

Exhausted,

.

and yet what from?

From what is he so tired

unto ruin?

What is ruin-ed?

What never was?

Perhaps.

.

Always midstride, then

Nearer to the end

this depletion

Depleting

.

nothing

Begun ever

Certainly nothing

ever completed.

Always midstride,

and nearer to the end,

incompleted, and

depleting

Depleting

.

Unable to keep up with 1/8 of the 9-year-old,

worrying the 10, the 17, the young man

fails the partner

fails the weather

failing his own mind

            own dreams

            his own body

.

ideas

.

Depleting

.

Always midstream,

frozen in place

nearer to the end

this present

Depleting

.

Would like to write it out

Write it off

Pick up again

Declare a start

But he can’t

or won’t

.

Nearing the end,

Never getting there,

(near completion, never that)

only begun and that just barely

joined midstride

nearer to the end

simply depleting

.

Inexorably

.

Without fail.

The one thing without fail.

The one absolute success.

The one almost-completion:

.

depletion.

Depleting

.

Always midstride

and nearer to the end –

very much like dancing

on bleeding broken legs

FYI – in margins

Although nearly silent, or, too busy to conjure and compose, or…

I have not given up, having not ceased,

somewhere in the mix of these,

somewhere between voices…

ASPECTS OF WRITING

For (every?) New Year

Greetings all.  I realize something now.  I realize (today), I realize, sitting in the sun of a Winter in Kansas, on my porch, in a rocker, alone, a side-effect, a remnant, remainder, myself… I realize that I have long dreamt of leaving some legacy, of making some mark, of contributing to the world – the natural world – the world as made up of plants, animals, landscapes, elements, humans… the world dizzied with combinations of atoms and molecules… and yet… and yet… I realize it was all about love – all about being realized by being loved, and realizing meaning in loving – NOT leaving a literary legacy, NOT producing interesting and intriguing offspring, NOT making art or language or objects that would outlast me – NO, no, no…  Simply recognizing that I exist, existed, am existing in the world of another, and that the world exists, existed, will exist for me – by my affection and attention to its nuances, details, and differences – its specificity of my attention, attraction and resolve:  LOVE.

I found this entry in an old journal, a blue oversized Moleskine soft-covered journal, and found (years later) that it still seemed to speak for me… but as I typed and edited it I realized that it has been outdone, realized, accomplished, in the FACT of BEING LOVED and BEING ENABLED TO LOVE… and so all the hopes remain, all the purposes and visions, all the projected communications and connections… but in a context rearranged, reapportioned, reinvented – that of MEANING derived from LOVING and being LOVED.  Thanks to my vibrant partner and accomplice, inspiration and reward – for taking the grave gravity of production and transforming it into action… the pinched acuity of competition and accomplishment into offshoot, accumulation and extraneous luxury – that the hopes, dreams and ideas / ideals of a human existence might be translated into freedom, grace, and potential benefit or gift – possibility rather than necessity; offering rather than identity; potentiality rather than desperation – a giving in distinction from a grasping : so I might still possess similar hoping without the fear and trembling, without a sense of pointlessness, without a perception of failure.  LOVING – intricate maneuvers of helping and healing, intimate operations of interaction and reciprocation, finely detailed activities of acceptance and reception – the sigh, the breath, the pulse of BEING… change me.  Change and change and change me.  As a parent, a man, a partner, a person.  Thank you dear love – a wonder, a woman, an incredible human – a person: full and becoming, so generous, so tender, so affirmative and kind, so rich and creative, inventive and becoming, so new – I love you.  The world is different now.  Its meaning, its point, its aim, its occasion.

This old and rediscovered writing has distinct meaning… because you, and life, and love, and… an evolving and differentiated “I.”

Jacobsen - thought series

I am using the blue notebook with a blue pen to complement.  Why?  Because you asked.  You said “everyone wants to know.”

In other words, if it’s going to count for what matters, it has got to be specific and special – set apart, somehow more final, more complete.  I’ll use it for the whole – for photos, drawings and more – all the blue notebook in blue ink – for you.  Because apparently, “everyone wants to know.”

Mom and dad ask in their roundabout, passive-regressive surreptitiously accusatory way, as is their fashion – kindly and quiet, ever with a look of care and concern, yet secretly shouting their “what is wrong with you!?” “What is wrong with US, that you…” and on and on and blah blah blah…

My memory isn’t like that the first five years of life…that I pretend to remember.  But all is mostly smells and sounds and light from there.  Trees and grass and dirt, how brightness gleamed and glanced and filtered through, with times of wind and rain.

Not that you care… I’m fairly certain that’s not what is being asked for, not by you, by my sibling, children, or lifetime of “friends” and “family” – whoever, wherever they’ve become.

You’re the livewire – and perhaps the children – perhaps they will want to know, at some point, perhaps not.  Perhaps everyone’s already figured my story – diagnosed and prescribed me.  Perhaps.

Be that as it may, I’ve thought long and hard, reviewing what I thought I knew, how I felt I felt, what it seems I’ve seen, and so on, and decided, for you, for you, really, and maybe a little of a bit for myself (curiously) and a percentage for my kids should they ever seek to know or wonder, or have need of psychological freedom, or give a shit about who or why… I decided to use this damned blue notebook with matching pen and try to learn just what I think about it all, mostly because, as you put it, “everyone wants to know” – (and WHO might this “everyone” be?).

Should I start with the hands, the head, or the heart?  I suppose the limbs and loins will come into play as well – god knows the guts and the goiter.

I remember an opening.  A time I was touched, in the rain, and my suddenly skin, my obvious self-enclosure – as opening, margin, and veil – a fabric of me, and a screen.

I wanted to make a difference, you see.  Make something, I don’t know, construct an element everyone could hold on to.  Take in hand, heart and head.  Keep or repeat as needed.  Something like that.  I knew I wouldn’t last, none of this, none of anything.  “The center cannot hold” sort of deal.

I ought not begin there.  They’re all wound up together like knots – the head looking down, arms wrapped around, concealing and revealing the heart, the guts, the loins and moving limbs.  I can’t take a one without other, thinking and feeling about it, my actions, ideas, and sensations all.

Perhaps I’ll pretend.  (Just what you’ve all loved so well about me – to discover pretense – how I’ve molded myself to imagined desires).  I’ll pretend I’m an aged man seated on a stiff wooden chair, children / grandchildren gathered all about me – a specimen or model – something to be taken apart and examined.  I lift off my shirt and my body is read – questions asked – we all get somewhere in this way.

jacobsen - thought series1

Let’s see – here – along the shoulder – a self-portrait by Egon Schiele (self-tormented asylum brother) and a snake that is eating its tail.  “Le Ouroborous,” I  hack out – “don’t you know it?”  Sign of doctors, ingenuity, medicine and art – creation, destruction intertwined round and round.  Self-devouring while birthing its form as it alters.  The mastication and regurgitation of “I.”

A young one might say “what’s that? – the curlicues and elaborate spiel?”  Garcia Lorca I’d sigh.  Yes.  The grand leaping bugger of light.  He’s yellow and lemons, crickets and birds!  You know the stuff that sends you!  Portal moments of sight or song and ‘wham!’  all the crap pelted into your brain and body get shaken and stirred together like surrealist still life.  Incongruity making sense.  Opposites attracting, no, better – look at your aging mother and I – a juxtaposed spectrum, paradox and carnival!

They say that you wanted to know.

Yes there’s Kafka, Blanchot, Cixous and Lispector.  Jabes and Beckett now seeped in my veins.  Dostoevsky, Bakhtin, Rilke.  Gods and angels, drink and demons all carved in the skin of their names.  Nietzsche and ridiculous happiness.  Wittgenstein and the torment of words, of meanings, of none.  I’d be a working inscription, at surface.

The corridors – head, heart and hands.

Are you sure anyone wanted to know?

The sounds of piano?  Coaxing the keys in steady patterns – mimicking rain; or poems – yes, we forget Giacometti’s “Man Falling” – a perpetual stumble on the back of my hand, hoping neither knew what the other was up to.  But they did and they do – I see that now – all parts of same body, stretched with same skin.  Poems as stripped-down sculptures, some essential chants or song – just a gaze or a wisp of caress.  Droppings of blood.  Miracles that something remains after we’re through with our twisting and grasping.

Is this what you wanted?  Does it explain – anything?  I doubt it.  Hardly think so.

Read on.

Here at the ribs.  The cracked and the lumpen.  There was a time.  Times I thought maybe risking and danger – a reach at euphoria – some panicking life – might make one feel much more alive.  How do you think you all got here?  Desperate plungings into the unknown, oh dear ones, like mad scientists messing around in the lab!  The edges of cliffs, clinging to limbs, insecure at wits’ ends, going for broke.

And break we did.

But just look at you fertile seedlings, good eggs.  I never meant to be rough with you all.  To risk what is fragile in you.  Ribs, here – cave and cage for the heart.

I can still breathe you.  Charred and chortled, this was one great pleasure – to know I was breathing, in-spired.  I know you all despised it, and it caused me to smell stale and rotting, but the rush of smoke down this pipe here into the bellows of slimy flesh…that let me know I was taking it in, not an automaton or senseless machine – no, I was hearing, seeing, tasting, smelling – BEING – I could feel it in my ashen lungs.  Sometimes it hurt.  What we ingest.  But it really goes in and visibly comes out – everything – for good or ill.  I needed to know it tangibly.

Why? you ask, why?

Look at the cranium stooped and weighed down.  That sucker was a burden of liquid fire.  All curled over like that the entirety of my life – looking in, at, in.  What’s there?  How does it work?  For “whom”?  When?  Is there even a why?  Examining, dreaming, recording and imagining – listen – say it back, say it forth, combine and copulate, shake it and stir – use that heavy weight, whirr whirr chrrr and whirr.  Profile the shape of some jagged question mark, dotted where the heart must be.

And look at it now, nearly buried into the chest.  It happens.  Weather-systems, signsponge, it all will run its course.  It once was aimed upwards and outwards, into fantasies, hopes and abstractions, and for years I kept it aimed straight ahead – horizontal, seeking directions – but slowly and surely its drug down toward the heart, pulsing muscle, plug for the cords.  Everything up and away, everything out there or behind, it’s all happening here – in the mix, filtering through, circulating the circuitry of head, heart and hands – latching up or breaking down in the system.

What was it you wanted to know?  Limbs and loins, head and heart, I’m acknowledging and exposing, affording view – I’m aware description does not explain a thing – the wonderful views of science still unable to explain…

The waste gets processed below, legs running away now knobby and stiff.  But there, clinging in its corner like a core – my erratic, agitated, beating beast.  Entire web of inexplicable drives and energy, fears and misery, desires and dread – my heart.  Does this explain it?  Does this explain anything?  What anyone wanted to know?

Gasping there like the mouth of a landed fish, pulsing purplish like an aroused member – my heart.  If I poke and coax it, tear at it or wring it onto this blue notebook in blued blood – will it explain?

Here, whomever, look.  Here it lies, cheats, and steals.  Here it gives and it aches and breaks.  Here it prolongs and stops itself short.  Pulpy mass of living meat – humana – the am therefore am.  Take it, read it, test it – heal it if you wish or can.  I’m open.

Is this what you wanted?

What everyone wanted to know?

Black Blizzard

Celldom, continued

cy_twombly_untitled_d5624727h

(click image for work-to-present)

I’ve fallen asleep to the written word spoken for many years now.  As when you allow your eyes to relax and the world doubles and then goes hazy, I find written language spoken, or sometimes even spontaneous monologues or conversational chattering to blend like the pitter-pattering of rain.  This young lady alternates between Fernando Pessoa, James Joyce and Macedonio Fernandez, occasionally inserting a poem by Rilke, myth from Borges, language of Sabato or Blanchot.  I’ve requested Laurence Sterne and Chuang-Tzu.

My statement on file is that “only great literature might help me sort out what it is that is asked of me,” and that the mind ‘they’ or ‘you’ are apparently concerned with will only remain attentive and communicable if constantly  nourished by music, language and the visual arts.  Otherwise I’ll be shutting it down, I said.

“How does that feel?” you, they, say again.  “It thinks,” I reply, “it thinks…perhaps it approaches an ‘idea-feeling,’ as the godfather of novels put it, or ‘intuition’ as used in the history of aesthetics…but ‘feel’ still confuses me,” I say.  I need to rest.

I’m beginning to believe I’m caught up in some laboratory system.  Led through corridors, slept in cell-like-hotel-room-type spaces, fed a steady array of the food groups, allowed brief walks out-of-doors (always accompanied, but not all in lab coats).  I have relatively kind courtiers, but I don’t bother with their names, they/you seem human enough, and we all run similar gamuts of experience, as I imagine it.

Yet I don’t really understand why I’m here, or anywhere, for that matter.  Seems an experiment of mind-observation.  One fellow (always accompanied by two or more others) regularly asks me questions about what and how I am doing, what I have done, what I think of doing, have thought about, dreamt, (asking ‘feeling’ questions less and less, as it always throws me off my game, resulting in bewildered wordlessness).  Today he mentioned ‘memory’ while flashing lights along a bar or tapping on the backs of my hands while they lay on my lap.  It’s an odd sort of world to end up in, after all.  I said I remembered a waterfall, a pleasantness, that it may have been Gaugin or Courbet, that they might take me through a museum or find some books about that…He dropped in the ‘how does it feel?’ query again, or ‘where in my body does that memory register?’  What to say to these people?  “In the mind!” I grumbled, “it is only all in the mind – perceptions, sensations, ideas, messages…all my skin, limbs, nerves and flesh send their impulses through there,” I stated, “let me lie down now.”  And thus I am.

They claim this day is my birthday.  That I am allowed to have it “off.”  I believe you, he said, and left me a genuinely glorious stack of books someone fetched from the library.  “We’d still love for you to record your experience,” they added, “if you’d like.”  Create my experience is more like it, I thought.  Fabulate it into these marks on a canvas lacking color or texture, I thought.  Sculpt a word or two in two dimensions, black, white, and yet I do suppose it passes the time (whatever ‘time’ it may be, is).  Who brought me here?

The stack on the table comprises a fifth of this weeks requests I write out when they ask me my needs.  “Weekly” is a term they use, for some reason I accept it.  Exhibition catalogs of Cy Twombly, R.B. Kitaj, Corot and Courbet, Susan Rothenberg, Emil Nolde, Clyfford Still, Millais, Thiebaud, Gwen John, Sam Gilliam, John Piper, always a new Giacometti, the journals of Rilke, writings by C.S. Peirce, Lessing, stories by Brecht, and some medical studies on optics.

It is quiet.  I had asked for music by Max Richter or Arvo Part for my “special day,” apparently this was too much, or none could be found.  They, or he, uses the term “melancholy” a lot in reference to my musical tastes.  And of course inquire (in increasingly subtle terminologies) how that makes me “feel.”  Phrases like “how does that occur to you;” “what do you consider regarding this?” “what impressions do these stir” and so on.  “Make” me feel, hmmmm.  I draw ovaled circles for them, if I’ve a pencil, I have taken to shading them in from time to time, altering lighter and darker passages.

I can’t conceive what their interest might be.  My suspicion grows that it’s simply their job.  What can they learn from a circle besides what they invent?  Maybe it’s their task to confabulate patterns or conclusions, narratives or hypotheses from observing or investigating me, as if I’m a text or a painting.  The world is a strange place to endure.  I think there are very many rooms in this building – have I been misplaced?  From time to time I’ve thought I’ve caught other shuffling souls (I think they planted that idea actually).  It is quiet today.

I get some nifty ideas of what to do with my pen from Twombly today (puts me in mind of Mark Tobey), so I clutter up a page with scribbles until it’s a balanced equation of masses and gaps, much like my daughter’s…”What’s that?!” he/you asks excitedly – “your daughter?!”  “I’ve always imagined I’ve a family” I replied – “children realize.”

I lie down.

I wake realizing I’d never read of Twombly’s life.  He at least had access to crayons if I’m to believe the reproductions in this book, as well as ample unlined paper.  But I also quickly recognize that much of it is simply in pencil, yet it provides me with an almost emblematic understanding…like the mapping of eye’s movements they’re so fond of here.  Perhaps Twombly inhabited a space such as this as well?  This is a touch shaming.  No, couldn’t be, I detect oils or gouache underneath some of these.  How I adore his busy little stories – like scratch papers of a physicist or schoolboy doodles, notes to the self, etcetera.  I’ll copy some as my written reports the next few days and see what you/they make of that!

I lie down.

Celldom (continuation)

oval sketching

(click image for previous content)

            Unwittingly, I suspect, you or they have begun encouraging me to fantasize, concoct alternate realities, to record what “self-awareness” I might possess – in effect, to make art.  To use artifice.  Pretend.

As they frustrate with my mind, I sense them agitate, they request I try again to inscribe ‘emotional states or fluctuations’… what I hear is: “Be delusional!  Pretend you can be other than yourself and fabricate observations or reports of what you find!  Write for us from a realm of your imaginings!”

I write: “Magenta with a violet, a blackened green, a touch of white and several mixtured hues of blue.”  One morning simply “ultramarine.”  The view up is amazing from the window when I wake – another problem – what is waking, what is not.

At this point I begin to draft single-lined wriggles and ovals (as near to circles as I am able) – day after day – delivering these gestures as my only possible responses of non-delusional self-observation / “awareness.”

They transport me somewhere.  “Some place quieter, restful, pastoral and with the sound of water,” they say.  My only hope is thunderstorms.

Thunderstorms shake me through and through somehow.  I profess rainfall to be cleansing, charming, enervating and distracting, but thunderstorms really tear me away from things toward some other beauty.  I draw an oval filling the page (as much as possible given the argumentative shapes) with emptiness.  Is this what is desired?  Am I approaching an “expression” with this instrument?

Another day I attempt a square and rectangle, even triangles – all with single lines and full of nothing, but none of these standardized and recognizable forms seem accurate.  No self-portrait (is this what you’re after?) could be so distinct.  Perceivable.  “Only bits and fragments appear common among ‘selves,’” I say (regrettably), “unless there be love.”

They (you?) pounce on this – “love! Ah!  Might you tell us, write” (very different things of course) “more about what you mean by this?”

“Don’t get hung up on words,” I whisper, and I’m off again to silence.

**********************

            There seems to be no library here, yet if I request books they arrive from somewhere.  All a matter of electricity, buttons and money.  As long as they last, I suppose.  And at higher costs each year, I think.

Thunderstorms, then, in lieu of the other unknown (“love”).  Something about their breadth and depth, the long slow accumulation of elements from such vast distances and sources: the implausibility of their construction, the buildup…composition…complexity…the billions of collisions that activate the enormous releasings.  Thunderstorms suggest the miraculous in nature, the dangerous prospect of entities coming together…some awe-full beauty.

Provenances, directions, blusters and still points, specific conditions, temperatures, “fronts,” uncountable molecules, atoms, producing just this dynamic event/effect…

This day I make a spiral down the page.

Biologies, psychologies, humors and pleasures, emotions and moods, habits, likes, dislikes, abhorrences, opinions – these seeking common spaces, manufacturing convergent territories…a prisming trap.  Love must be a fantasy or delusion like self-awareness…circles within circles…lapping, overlapping, twisting round, across and through.  A wovenness.  A magnetism, I think I meant earlier – a lust of imagination – would not knowing another be as futile as knowing oneself?  I think.  Learning by observation, interaction, what you cannot but effect, cannot become separate from?

A woman reads to me at night.