The Return

Within the hallowed halls of Powell’s Books in Portland, OR with a next-to-nothing budget is not an easy thing to be for book-cravers. Β But it also picques the selectional impulse somewhere thrumming in our genetic bands. Β Survival of the “fittest” given current conditions and some self-observation through excruciating choice.

What came back with me:

what did not , purely due to economic constraints, and set aside at the last possible moment (at closing):

equivalency finds for my wife:

mary frank Richter - Lines

now to prepare pictures of those immaterial experiences – the fleeting profounds – that happen as we go

to be posted soon

Accompanying me home

“For my father, the road had to wind uphill both ways and be as difficult as possible. Β Sadly, this was the sensibility he instilled in me when I set myself to the task of writing fiction. Β It wasn’t until I brought him a story that was purposely confusing and obfuscating that he seemed at all impressed and pleased. Β He said, smiling, “You made me work, son.” Β He once said to me in a museum, when I complained about an illegible signature on a painting, “You don’t sign it because you want people to know you painted it, but because you love it.” Β He was all wrong of course, but the sentiment was so beautiful that I wish to believe it now. Β What he might have been trying to say, I suppose, thought he never would have even thought about it in these terms, was that art finds its form and that it is never a mere manifestation of life.”

-Percival Everett-

compliments of:

Systems Everywhere

On the Dissimilarity of the Similar (excerpt) – Viktor Shklovsky

Excursion

we’re heading off to visit children and family in the Pac-NW for a week +…not sure how often I’ll “get back again” to ze blog, but aside from my amazing wife, I’m taking these….

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Happy Trails….

Of Objects and Artefacts

Friday Fictioneers, April 26, 2013

Copyright-Claire Fulller

I stepped up to read.Β  I.Β  Stepped up.Β  To read.Β  Probability, readiness, obligation.Β  The ambiguities.

A body, emotive, sensitive, intentional – in an environment that includes me.

In a state.Β  For an activity.Β  Motional, potentially controllable: possessions, perceptions, cognition.

A circumstance, a situation.Β  Complex phenomenon.Β  Elaborating, extending, enhancing.

Time and place replete with past, present and future.Β  Here, now.Β  Ordinary, occasional, simple things – processes.

Being, doing, sensing.Β  Thinking, feeling, seeing, saying.Β  Behaving.Β  Acting, changing, being created.Β  Existing.Β  Having identity and attributes, symbolizing.Β  Relation is all.Β  The relations of relations.

We interact.

N Filbert 2013

Welcoming Others : Inside

β€œwe fill pre-existing forms and when we fill them we change them and are changed”

-Frank Bidart-

Refractions on Fiction

Reflecting on fiction as representation, as presentation, as inquiry, investigation.

About how little I care – re: ideas – the freedom of impersonal investment – when a piece is duly fictional.

After the days spent composing Signs of Love I’ve only thought of how I haven’t thought of it since it was posted.Β  Johnson’s theory of perception, the professor’s thoughts and ideas, Monte or Margaret, Frank or Lars – how they none of them reflect on me.Β  How I didn’t have to worry how they came across or sounded, what positions or actions they became – what they represented – it wasn’t me!Β  Who does battle with a shadow?

So often, the stringy stream of conception-reflection-creation-manifestation seems to pull heavy parts of the self along with it.Β  Dark or slimy residue.Β  As if a reader who took issue, questioned or challenged a something that I wrote or language I expressed as fiction were in fact addressing some aspect of ME – rather than an open work of invented text.Β  Suppose, for instance, my wife reads a piece and follows it up with β€œso you’re saying that life is more difficult because of me?!” or a random visitor commented β€œhow could you think or say this?!”  When in fact, of course, I didn’t – Lorraine did, or the professor or husband, writer or sand crab or whomever the character that acted or expressed it did.Β  Ask them then?Β  Another way of saying – β€œask yourself.”   That’s what I as a writer continually have to do.Β  Language comes out, forms an idea, or a behavior is described and I have to wonder at it – is that indeed what the voicing thinks or wants or does?

Like a painter with their lines and colors, textures and strokes: what belongs once something has been marked there?

The freedoms of fiction spread as I recognized the therapy-like patience and reflection I provide to characters and voices – to language – in texts (fiction or non-fiction).Β  I do not feel threatened by them, do not take them personally, neither when I read nor write them.Β  They are other – other matter, other contexts, other contents, other kind from me.Β  I am busy handling matter…piecing it together, painting over, scraping away, diluting, splattering, letting it run…open to what β€œfeels” or β€œsounds” right given the matter at hand – content, tools and resources.Β  Strenuously engaged, passionately even (at times), and also separate, observant, addressed as much by the work as it forms as addressing it onto the page.

Which got me to thinking – how much kinder might I be, even towards my β€œself” were I to engage what creates me as β€œother”?Β  We’re an oddly organized confabulation of matter and energy, after all, multiple diverse systems coordinate and constitutive, creative and adaptive toward a sort of dynamic organismic β€œwhole.”  My brain no more a β€œme” than my penis or big toe.Β  How often with sharp pain in my knee or some zany daydream, a nail needing trimmed or hair left in a brush, do I question, challenge or take issue with a personal self for such systemic occurrence?Β  I participate with, or have (am characterized by) knees and eyes and organs, but they do not equal me.

What if some kind of β€œI” (collective of natural dynamic and organic systems) listened to, read, inquired and engaged the contents, emotions, concepts, actions and instincts that occurred within as fictions engaged – as benign or indeterminate others – akin to characters or words in a story or play – organized matter with energy – rather than some sort of judgmental scrutiny so often readily applied to β€œMe”?

The β€œI,” the β€œme,” the β€œself,” the β€œbrain,” the β€œcalf,” the organs, veins, chemicals, liquids, cords and tendons, bones and tissues, the individual cells of me – all inter-relational organisms in themselves involved in a system I experience as β€œme.”  With recognition, suspended disbelief, detachment, passion and care granted as I offer my own and others manifest creations in language or image, movement or sound?

Attend to your cells and systems as characters and languages today – manifestations of being – not entirely your”self” – welcome all the others inside as well.

The Life of the Mind (or, Reading World)

Perambulating

 

Sickened and soothed by symbols, I set out.

Signals come and I perceive, I respond.

The I forms to the action.

 

With enough exercise, tissues tighten:

there are knots and strains and sprains

that need unraveling, massage.

 

I turn to music

buried deep within the signs

a way to loosen and undo

the stressing strands.

 

I unalign

and gain relief

spread out through many pathways,

any selves

allowed to wander their own ways

 

beginning at the edges of their ends,

filling margins,

taking borders,

easing outward

to become.

Β N Filbert 2012

Currently Reading

Greetings and so many thanks for those of you who take the time to investigate my works here. Β Our lives have been a bit topsy-turvy in the ekphrastic household – I’m adjusting back into another semester of Library & Information Science, Holly is busy practicing and painting and starting more graduate education in Expressive Arts Therapy, the kids are growing and struggling and succeeding and being beautiful young people in our world. Β All that to say I haven’t had the open spaces for creative composition that function effectively for creating new verbal connections – I’m sure they’re happening, I just haven’t had the time to attend very closely and note them down. Β I received a request to update my Currently Reading page, which I usually do 2 or 3 times a year, or as the books-at-hand protecting my desk/work area experience significant change. Β My “To the Library” post offered a number of new (to me) books that I’m currently intently poring through, and here are a few more titles this week:

and I’ll work on a refresher of my Currently Reading page soon!

Live Models

Notes on Fiction and Philosophy

(complete text linked)

Brian Evenson

I thickly recommend you print and mark up the entire essay, but to tantalize your imaginative mental taste buds, here’s a representative nuggety excerpt:

“Good fiction, I would argue, always poses problems – ethical, linguistic, epistemological, ontological – and writers and readers, I believe, should be willing to draw on everything around them to pose tentative answers to those problems and, by way of them, pose problems of their own. Β For innovative writers, I believe, philosophy is always best an errant affair, a personal and intense wandering, a series of tools that one can employ, move beyond, come back to; it is our ability as writers to stay curious, to borrow, to bricoler, and to adapt and move on that keeps us from becoming stale.”

Plunder

Items arriving today:

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and how I stay in school:

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keeping on keeping on

“Write about what you want to know”

-Lance Olsen-