Rich Sunday Lineup

The Endless Short Story – Ronald Sukenick
An Alchemy of Mind – Diane Ackerman
Wittgenstein, Language & Information – David Blair
The Helmet of Horror – Victor Pelevin

It promises to be a very good day!

ELSE – Erasure : Beginning

Erasure

It will have to be something new, you think to yourself, beginning.  What’s been done before is already present.  All the brief and poignant things gathered.  Already processed and past-eurized.

Heroes are made, families described.  Every aberration.  Otherwise we wouldn’t know, would we?  So much sex and images, and the inner lives of children.  Histories and sciences, and the nothing that affords, beyond.

New probably just means different, you say, using old words already.  If it’s a word it’s definitely been done.  Or an action.  Dreams and thinking too.  Which leaves you with little, if not naught.

You once composed a text of tinntinnabuli – it was fascinating to you.  Also a fugue of sorts, even a classical symphony, all in words, one in the twelve-tone scale.  Little matter with a missing orchestra.  Fit snugly into your drawers.

The series of anthropomorphic fruit.  What they felt and how they perceived, from rind to seed.  Even the veins in their fleshes, bruises, and each distinct and delicious juice.  Cycles of life, inevitability of change, sprout to rot.

Who cares?

Yet it’s what you do.  Identify moments and make them stories to exist.  Wrapped in the tangles of problems, sentence-wriggle-thread your way elsewhere.  A place that looks like knowledge.  And sometimes feels.

Like mathematicians with their unknown variables – it’s the ocean you swim, an amoeba almost.

You sought after mastery but found it banal.  Meaning didn’t make any sense.  You turned to hypotheses, but not the wilder the better.  You had to squeeze through gaps, hoping for openings.  A friend called it spelunking, and it did seem dank and cold and blind.  Often.

Restatement is not what you’re after.  Nor refining.  If thinking is digestion, you order an autopsy and strange foreign parts.  Intake as transplant.

Distinctive takes a while, but quickly regurgitates style, and you’re back to remarking, remembering…remorse.

Today you’re dissecting an Else.  Not again, or if\then, or more, but the Else.  What else? you say.  You don’t know.  But it lies here dismembered, deconstructed on your desk.  It’s pretty messy.  The pieces aren’t going to fit, even though you’ve studied jigsaws and puzzles.  Inventing new ones feels like metaphor or code, a twiddling thumb to decipher, something no one has time for even if they wish they did.

It will have to be something new to count as satisfaction, you consider.  And you take up the large eraser.

Lost in the World

            Lost in an inscrutable world and running out of time.  Always running out of time – don’t you feel it?

We try to describe it to each other – what we experience, perceive, how we learn to survive.  We call this – in varying levels – relationship.  Depending on the amount of explanation and exposure, cataloguing “acquaintance,” “stranger,” “family,” “friend,” “lover,” and the like.  A kind of measure.  Recognizable connection or estrangement.

But the world is inscrutable, as are we, thus we name ourselves “lost.”  “At least we’re lost together,” some said, but others thought we’d find out more apart, in other words “split up and look for clues.”

What would the clues be for?  From whence this idea of “clues” to be searched?  I wonder this.  Did someone somewhere “find” something indicative of something really “else”?  Other than this world and we in it?

I meet one of us who “has a feeling.”  She has this “sense,” she says, that there really is an Other – something or someone truly outside of this barely discernible world we (at least) found ourselves and other things in.  I ask her to describe the feeling and her ensuing language reminds me a lot of feeling-collections I also have gotten from time to time.  Without, I might add, ever considering them Other-worldly.  What is to account for this?  These are the sorts of discussions we wanderers have.

How might I recognize a clue?  Where did the idea/referent/template for such a signifier originate?  Martin found an interesting, that is, noticeable pattern on the shell of a turtle.  It appeared roughly to resemble little squarish shapes of wood we use to count by or play games with, sometimes even to carve on and trade for fruit or grasses.  Martin thinks this might indicate that the shape we use for wood was natural – inherent in the world – purposeful.  Not coincidence or accident, but a sign or clue about “the way things are.”  There were 16 of these rectangular shapes on the turtle’s back.

“Why would you think that, Martin?” I asked.  It is curious and fun to find similarities in the world – between people, smells, shapes, sounds and colors – all sorts of things – but why wouldn’t we notice like or familiar things in new situations?  To make it feel, well, less inscrutable?  That way we could learn about the unlike, describe the difference.  This, at root, was what I understood by the word we used, or called – “learning.”

I ponder the projection that making things seem more uniform might help us feel less “lost” or confused in our surrounding world.  So I might be expected to gravitate toward humans of the same height, weight, or hair color; that  make the same sounds as me, recognize the same shapes, eat the same objects, and so forth.  Somehow this practice strikes me as less interesting, ever running out of time (as we all agreed, once we’d broken our existence up into increments) and with so much unexplored and perhaps unknowable world still surrounding us all.

I take on the habit of investigating difference – I discover that finding similarities in my surroundings comes rather easily, nearly automatically, but aspects that are unique or defamiliar tend to more efficiently further my familiarity with the world.  It becomes a strategy not of looking for clues or surfaces pointing to something else, but simply finding else everywhere.  Even in the same “place.”  There appears to be no end to variance (even in myself) and therefore no static “same.”  I find myself always finding, discovering other in every moment, the differences forever expanding my knowledge of, but also maintaining my ignorance level of, the world I find myself in.

A perpetual state of wonder.

 

Inscribing Beauty : A Portrait of My Wife

On Beauty: A Portrait of My Wife

If I don’t write it, what reality does it possess?  What substance or content are a memory or vision?  Sound?  Fleeting concatenations – experiences.  Which is why I ask.  Like Dante or Cervantes, Homer or Herodotus, does not here a duty lie?

If no one inscribes remarkable things – they will not be remarked, thus no further remarkable.  But is writing a re-mark?  Are we indeed marked by perceptions – jumbled, edited and collated into what we call experience – do they leave some discernible trace like magnets in the guts of a computing machine – that might be recalled, rebooted, reformatted and marked again?  Or is that creation?  New traces born of the old?  What similarity – what identity – obtains?

If the scribe exists to codify – to translate vanishing occurrences into a relatively more stable domain – how should he select?  What criteria?  Whose testimony?  Should he, as artists of old, gather the evidence and forge, in his matter of medium, some combinatory new myth?  Take account of as many angles of appearance or observation as he is able, to contain and collage them into space like Cubists?

We call it “re-presentation” but we are crafting something new, something else.  The eye is not a camera.  Seeing, hearing, what we taste and feel are highly selective pro-activities – never catching a solid snippet or observing still life.  We develop according to what we expect.  Intuitive anticipation.

The façade of a building – you’ve already supplied it with volume.  Unseen.  The photo of your child – gains dimension and sound, perhaps even smell and sense.  Context invested.  Invented.  We cannot stop the alchemy from going on.  Nor would we really want to.  And yet – what might we preserve?

Suggestions?

This began as a portrait of my wife.  An impossible thing.  It will end still farther from its goal.  I meant to remark what has marked me profoundly, filled me of scars and traces, redirected my nerves and my blood, and I am left with the unexpressed, and these scribbled words of a man.

“What does it mean, to know it and not be able to say it?”

-Ludwig Wittgenstein-

Low – Majesty/Magic

I find this song endlessly stimulating and quite powerful – especially resoundingly loud 🙂

 

Brave New World

part of our weekly practice of participation in the lively community prompted by Rochelle Wisoff-Fields Friday Fictioneers – I encourage all to join!

Copyright -Douglas M. MacIlroy

Brave New World

Assembling for the task, we began.  Each in our strengths conspiring.  Tristan executed calculations which were pinpoint.  Ida concocted the sounds and the language we could use, boxing up the requisite books and emotions.  We counted on mama for the overall surround, a global view of the society – espousing natural characteristics and roles.  Oliver modeled the world and placed it on a bucket.  Everything was ready – needing only performative passion – a unified desire.  We waited for Aidan, lugging the chains that would keep us on course, to hold back entropy’s risk.  Leaving me to chronicle this family’s brave new world.

N Filbert 2012

Excerpt from the Book of Living Words

from Farther Away - Jonathan Franzen
from Farther Away – Jonathan Franzen

Unspoken Fragments

Through someone else’s blog award list I recently discovered The Dream Journal Today – a remarkable blog straightforwardly recounting dreams.  It has stimulated me to pay more attention to what my brain is doing in its “off-hours.”  The post regarding my longing for knowledge of my father is such a result, as is the following post, gathered through the past night.  I have the hunch my psychophysiology works over emotion when I’m out…something my waking mind deters.  Whatever the case, I have found the ritual to be as intriguing as working with photo-prompts to dislodge other-conscious concerns, and recommend it to writers everywhere as a kind of exercise in translation.

Thrown on my back as from a jungle gym – panicked in the way of breath-smashed bodies.  Helpless then, disempowered.

Lying next to you in our warm nest of bed, nose and right eye microscopically near the flesh of your chest – the sharp distinction of its tattoo’s inky night and the blemishless cream covering your major pectorals.

I see it falling, the exploding crush of a thick plate of glass the size of a small wall and maybe four inches thick – variegated and stained – slicing and dicing my face with the stories you don’t share.

The night is full of phrases.  Intimacies shredded by the unspoken, the secrets.  A literal compaction of my face in bloodied fragments – the world a shattered windshield.

Sleeping fitfully you deliver direct language through the dark.  “This is wrong and this is wrong and this is wrong…with you.”  I don’t remember details, only that I’m broken like a vase of porcelain on the floor of an empty manor.

The decompression and drainage, the fracturing damage of all you hold apart.  Discommunication.  What is withheld.  The feeling of what happens when I supply the captions to your silence.

more_fractured_light_by_thescreamingid

“What is fiction after all, if not a kind of purposeful dreaming?”

-Jonathan Franzen-

Questionable

Spinning in a bit of ineffectual conundrum…what reaches the paper expands…

Does remarking constitute remarkable?

Do I discover value only when change causes difference?

Is recognition of closeness a result of disjunction?

What engineers a ‘train of thought’ – who lays the track?

Which is more creative – reading or writing?

When are thoughts and feelings the same?

Is language a metaphor?

Who asked you?

Does the talking stop at conversation’s end?

What does skin separate?

When does beginning begin?

Why is death?

What is meant by ‘same’?

Is there anything as dangerous as freedom?  Anything as certain as risk?

What  are the ingredients of making?

How do we identify?

Do emotions signify?  If so, what?  If not, why?

When?

What is gained by loss?

Are these questions rhetorical?  Essential?  Trivial?  For whom?

Who answers how and what kind of who does that make?

What?!?

Please feel free to respond to any or all of the above – wisdom/insight/hypotheses are warmly welcomed!

Very Inspiring

In the space of three weeks I have received 3 nominations for the “Very Inspiring Blogger” award here on WordPress.  I’m a little bit wordless.  It feels in me that inspiration works like a system of waterfalls.  Someone kicks the rock out of the way and the water flows, tumbles over one fall dislodging more obstructions, flowing on, saturate and soothing…on…  “When it rains…”  I am very thankful for these nominations / recommendations / kudos.  It is very inspiring to be considered inspiring.  Thank you: The Rag Tree, The Writer Site, and Words That Flow Like Water.  So, essentially, the award bounces right back at you – for its bestowal is so inspiring in itself.  To view my 7 things and the bloggers I nominate in kind, please visit my initial response: https://manoftheword.com/2012/11/23/reasons-for-thanks-inspiration/

Please take a look at my current blog roll as well – through these other bloggers I have come to follow many new blogs that promise to be quite inspiring, but don’t feel I’ve followed them long enough to contribute awards.  I would like to point out a few bloggers who have newly inspired me by their contribution of comments to my posts:

Simon H Lilly

R. L. Culpeper

Elena Caravela – an explosion of creativity I have followed consistently

Mari Sanchez Cayuso – her tangles of words (and images!) always unraveling potent internal realities

Petrujviljoen – ever active and compelling

Biblioklept – consistently instigative tidbits

Literodditie – fantastic and curious and quirky

This Blog Needs a Title – I thoroughly enjoy what happens here

Appropriately Frayed

 

Brainsnorts – always thoughtful and genuine

Okay, so it isn’t difficult to compile lists of inspiring bloggers in our community – and the happiness it brings is the fulminating trajectory of ever discovering more through awards like these – THANK YOU ALL!

Underneath is the meaning that it is meaningful to each of us – however small or distant these contacts and connections – that we each are offering ourselves and our work and welcoming those of one another – thank goodness and human capacity.

To paraphrase Dave Eggers (writing about David Foster Wallace):

“Which is, after all and conveniently enough for the end of this introduction, what an author’s seeking when he sets out to write – anything, but particularly a blog like this, a blog that attempts to give so much, that requires sacrifice and dedication.  Who would do such a thing if not for want of connection and thus of love?”

THANKS AGAIN – AND KEEP BLOGGING!