Harlequin piecing it together

the_seated_harlequin_1923
The Seated Harlequin 1923 Painting by Pablo Picasso

The Harlequin can’t remember.  Harlequin patchworks a quilt.

  • RR 1 Box ?? Clearwater, Kansas
  • ???? Independence – Wichita, Kansas
  • Jerusalem, ISRAEL (dorms)
  • ??? Ash – Hays, Kansas
  • 2505 Cardinal Drive – Wichita, Kansas
  • Penndel (Langhorne?), Pennsylvania (apartment complex)
  • 5711(?) N. Athenian – Wichita, Kansas
  • Glen Elder, Kansas
  • Heidelberg, GDR
  • Somewhere near Orme & Edgemoor – Wichita, Kansas
  • Portland, Oregon
  • Sellwood, Oregon (duplex)
  • 11?? Willow Drive – Wichita, Kansas
  • 508 N. Belmont – Wichita, Kansas (son & daughter born)
  • ???? (house) – Grand Rapids, Michigan
  • ???? Cornell – Grand Rapids, Michigan
  • L—– Switzerland
  • Alt—- UK
  • 1151(?) Hermitage – Grand Rapids, Michigan (son born)
  • 350(?) S. Clifton – Wichita, Kansas (son born)
  • New Hope, Pennsylvania
  • 3028 E 2nd N – Wichita, Kansas

In no particular order.  Revisits.  Can’t remember much.  Side streets, neighborhoods – nothing is familiar.  More apt to recall where friends or lovers lived than “self.”  Makes a list:

-Baxtrom – Welch – Kremenak – Kruse – Evans – Lathrop – Keil – Allen – Erickson – Welch – Rose – Martha – Neel/Franklin – Krieger – Fall – Bond – Franz – Jones – Hartig – Russell – Griffin – O’Callahan – Farha – Goldbarth – Coleman – Harder – Reffner – calls them “foundational relations” – friends and lovers slewn together.

May as well include family – origins – surnames:

Alberts * Fishers * Kresins : Filberts * Foos’s * Deutsches

And those with whom he converged DNA: Wells / Grovers ^ Linds / Zogelmans

Or those with whom he co-habited: Lathrop – Beckman – Linnebur

Considers the places stitched in/with:

CO, CA, NY, MA, MS, VA, FL, KY (Berry), AR, OR, TN, NC, SC, AL, OK, TX, NM, UT, AZ, ID, NE, WY, MT, WA, DC, WV, ME, CT, NH, DE, PA, MI, IL, MN, NJ, NH (Hall), VT (Buechner), NV, MO, GA, KS : Switzerland, GDR, Hungary, Holland, Syria, Egypt, Italy, Mexico, UK, France, Canada, Czechoslovakia (no more), Austria, Lebanon

the co-created organisms: Tristan, Aidan, Ida, Oliver

and domesticated mammals: Cracker, Andromeda, Nicodemus, Gizmo, Zorro, Tippy, Freddy, Indigo, Scarlet, Max, Zazie – probably more…

self-selected (!?) identities:

Dostoevsky, Giacometti, Kafka, Lispector, Cixous, Blanchot, Nietzsche, Jabes, Beckett, Wm. James, CS Peirce, Lorca, Wittgenstein, Rilke, Pessoa, Schiele, DF Wallace, Kozelek, Musil, Fernandez…and those lying in wait: This Will Destroy You, Vila-Matas, Marcus…Harlequin has inscribed in his flesh.

Might be useful to make a story.

The way things are – with everything falling apart, coming undone, wearing down or out, dwindling in function – calls for such measures – i.e. fitted to new purposes, given new life, repurposed, renamed, remixed, restored.

Making lists against memory.  Visiting / revisit.  Trying.

It’s coming apart.

He’s worked long in this manner.

Something breaks or dies, goes defunct…fix it with change.

Washing machine, body parts, relationships, parents.  Tools or appliances, activities and paths… rather than forcing some obedience to its past or presence – alter the context (as large as it needs to be – micro to macro) round about it, until its usefulness is assuaged or established, regained or reconstructed.  Until it makes sense – AS-IS-NOW.

“Presently” includes all of above.  His body – losing ‘shape,’ gaining aches, kinks, and torsions; doorways and windows, paint and light fixtures; machines and vehicles grinding down – leaking, cracking, and broken; dwindling desires of his partner; increased independence and mystery of his offspring…nothing quite capable of ‘control.’  Employer threats of performance and reviews; family tensions of politicized faiths; stamina shot as both parent and friend; patient lover and male…

…all it requires a new mythology – some new scaffolding – structure and content and aim.

What story is.  What languaging is for.  Imagine – abstraction and dream.  What neuroses.  Subject and author and plot.  Continuous revision – the edit and pulp and rewind.  We cut and paste and press ‘new.’  File, document, folder, image: LIFE.

We rename.

There is story and language and code.  Writing and saying and message.  Harlequin’s not the first to say “I think by writing” and perhaps he will not be the last.  Some perspective invented, some objective fabrication, some construction of a feeling of reflection, recount.  Grappling after what is getting lost.  A dream that a ruling, an external, can be seen or encountered, manipulated and tested.  If an accounting exists, there is material (reality) AGENCY to work WITH, THROUGH and ON.

Harlequin forms words.

Yet there are none that he ‘makes’ – just borrows, revises.  Uses, shapes, and arranges.  Gives place.  Inscribes in some ancient tradition – it’s “writing” – using marking or code in conventions.  Absorbing idiosyncracies into generalities.  Depending on a community that shares such signs – can lend, agree, and interpret.  It’s fragile.  Insecure and uncertain.  There’s no meaning.  Like the earth – writing just IS.  To be taken and changed, charged and made and appropriated.  Dis-card-ed.

What was a ‘card’ but token carrying message or code?  In-formation – letters arranged.  Who knew – and why – and how?  Doesn’t matter.  Undone.  Broken and over and through.  Electronic currency now – if this you can even decipher (decode).

Letters, stories, and language.  Harlequin marks on a page – sets of signals.  The cells, the emotions, the organs – signals and signs.  Tired and old and afraid – always dying.  Since day one, always dying – fearfully.  How It Is.  He remembers and prays (in a way) – a communication with the dead – mediated – to the Beckett, the Kafka, the Dostoevsky.  David Foster Wallace, Hegel and Marx.  Maybe Nietzsche, Deleuze or Blanchot.  And the ladies: Lispector, Cixous and Dickinson.  Doesn’t matter.  For Harlequin, all a part of the same realization – it comes, it ages, it goes, and it’s gone.  Human living.  Human life.  Just what is: How It Is.

Labor, relation, and trial.  What is being?  Labor, relation, and trial.

He succumbs.  Is succumbing.  Is tearing apart.

A story makes of it what it will.

You can have your knowledge – facts or theories, experiences and concepts – but the stories reason and resemble them.  Lend them ambiguity and occasional senses.  Possibilities.

Perchance they go together like this.  Or like that.  Or another way.  Stories.  Sanity.  Something.

Something becoming – a linked set of symbols in an ecological order.  Stories try experience on for fittings.  Until it fits.  Until it tatters, or is otherwise overused or outgrown.

Becomings and undoings.  Compositions and deletes.  All the edits (on the fly).  Survival.

And bowls of cereal are not allowed.

Ida_Cereal
found sign created by daughter

 

“Machines alone have realized that sleep is no longer permitted”

Machine

“machines alone have realized that sleep is no longer permitted”

– W. G. Sebald –

I haven’t slept.

Sometimes, in a dream, it feels like “it occurs to me.”

Trying to create a lesson plan for graduate students in the College of Education, I want to tell them why internet research / database searching / source evaluation seems so complex.  I take a hammer, a wrench, a tomahawk.  I bring a plow, a harness, a sewing machine.  I show a steam engine, a telegraph.  I think about them.

Hold them.  Turn them about.  Consider what you can do with them (if you know how).  Surmise what you can do with them (if you don’t know how).  Lots of things.

Humans devise stuff in concord with their environment.  Stones to stumble on, to throw, to hunt with, to pound.  Sticks to slap, clack, burn, poke.  Maybe carve.  Maybe paint.  Maybe write.

What we devise have certain rules, operations, constraints.  Remember the first time you wielded a hammer?  Learned to turn a doorknob?  Fitted a screwdriver to screw?

There’s a learning curve.  Adaptation.  Practice.  Change.

Try archery.  A piano.  Knit something.

Simple tools.  Fire.  Rock.  Wood.

Mud.  Sand.  Clay.

Try them.

So we figure out things that might be done with them.  Things to do, make, say, or think.  Certain things are more efficient.  Certain ways.  Certain hows.

We practice and experiment.  Devise.

I am 45.  Until I was in my teens, my fingers had not touched a lettered keyboard.  In high school I had a class for typing (on manual typewriters).  As a pianist I excelled.  My homework depended on the legibility of my handwriting through graduate school.  By 1993 there were computers in the “typing room.”

You don’t have to know how to write now.

I watch the pencil or pen move along lined paper.  What do I have to know in order to do this?  How can I make the marks turn out like this?  Dexterity, control, care, effort.

Handwriting

Alphabetic literacy, knowledge, craft, semantics, semiotics, grammar and so forth…

Turn the hammer in your hand.  Tighten the wrench.  Use a pushpin. Take up a fork.  Operate a knife with steak.  Raise the glass.

“Tools,” perhaps, technologies – technics and techniques – with their own sets of rules for our cognizant bodies.

Pull out your phone.  A swipe, some taps, a certain way of holding.  Understanding icons, visual literacies, kinetic craft, operational knowledge.  Know-how.  Complex.  Astounding.  Dexterous.  Intelligent.  Think of all the things you need to know to work that small device.

We devise.

And then adapt.

Diagram the innards of a personal computer, a Smartphone, a tablet, a scanner.  Imagine the adaptation required to operate that machine.

SOC

Think networked information.  Big Data.  If all our images, texts, conversations, correspondences, budgets, ledgers, laws, entertainments, plans, designs, models, experiments, applications, programs, art…(and so on) are DIGITAL / digitized… then algorithm’d and interfaced, softwared and connected… NONE OF US KNOW WHAT IS THERE.

The machines to which we dump, turn-over, DEVISE, inform, enTRUST – the artifacts of our living – because it is too much – no ONE (person or institution) catalogs, lists, calculates, organizes, arranges, assigns – THE MACHINES MUST DO IT BECAUSE OF THE SCALE and PACE…

NOBODY KNOWS WHAT IS THERE

Stacked algorithms and protocols select relevancy and value; similarity and related; significance and import; primacy and rank.  We operate.  And barely.  How do we guess the coding of its imputing?  How do we wrangle the keywords?  Information coming from anywhere at anytime into any port…what are the techniques, dexterity, knowledge, grammars, semantics, decoding, crafts – analytics?? – (at least as complex as the machine we diagrammed – times powers of 10 for all the machines involved!!) in order to locate our NEED; QUALITY; ESSENTIAL…?

In other words – we turn over.  We devise these concords of things – and revise ourselves according to them.

Internet_map_1024.jpg

Internet map

You’re guess may be as good as mine.  What is in there, where it is, and how to access it.  We use a Smartphone for many more things (at once) than a hammer or pen – while we and it are being used by systems larger than any of us altogether.

Systems of devised systems – we have no hope of controlling.  NONE of us.  Nor all of us.  We are entangled: mutually dependent – and subordinate.  We DON’T KNOW.  We DON’T KNOW.  We don’t know.  We’re IN the weather completely.

This is rough, when you also have a propensity, passion, or interest to know.  Subordinating oneself to a system is hard with a developed desire for autonomy, freedom, liberty.  As far as I know, at the mercy of was not a Sapient evolutionary goal.  Yet here we are.

How shall we adapt to these devices?

How shall we then live?

Begging your patience at year’s end…

Who is Writing

The year’s end approaches.  Writing by hand grows slower.  In need of practice.  The ubiquitous milieu of technology.  A differing technology, and our relation to it.  Our co-evolution with it.  My father’s handwriting is beautiful.  Still.  Differentiation of the digital.  Digital purposes.  Digits accustoming to tapping, percussive, losing their ability to flow, to caress.  I squeeze this pen too tightly.  As if in fear of losing.

Embedded in each loss a gain, development, adaptation, transformation.  Slowness for speed.  Close- for hyper- (reading).  Ambiguity for binary.  Sloppy for distinct.  Mystery – machinic.  Unique for uniform.  Elegance to efficiency.  What is communication?

Interesting to me, easing my grip on the pen, recalling, desiring, hoping, [nostalgia]…

…it occurs to me:

Habitude.  For years, approaching the blank page [paper] – began with “in the beginning was the word…” an “as if,” as if the void, emptiness, blankness of pulped tree afforded emergence, ex nihilo, some everclear clean unknowing evolution out from inchoate.  Trace and track from complex disorder toward infinitely specifiable order.  Each session a composition of the new…

I am struck by the assumption.  Presupposition of potential: that ANYthing might blankly begin (already, like bicycling, shoulder-elbow-wrist-hand and its particular angles operating this ink-stick picking up pace, stretched and loosening, reaching stride).  Presumption of absence, emptiness, a universal glory of “From nothing: This.”  I create.

Happens no more.  Reviewing the increasingly sparse occasions (with age and responsibilities) I am able to operate with technologies of paper, pen and hand-i-writing over the past few years of employment, reading, writing, parenting and relationship…the fundamental (as in foundational, originary) manner of approach…to composition, inception, expectation, hope and desire…is significantly altered.

The fidelity to languaging remains.  That belief, commitment, conviction and trust that ordering the disordered – shaping absence, mattering energy – still transacts secrets into reveals, fabricates meanings of mysteries, is an activity of arbitrary author-ing/-ity; that experiencing’s a processing of signs, of signaling and symbol – that invention, discovery and behavior = complex activities/adaptations of interactive dynamic systems interlocking at multiple scales – inexplicable, indecipherable, far beyond observation or comprehension – and that action or activity actualizes SOMEthing = something unknown, unforeseen, “free” or “new” or potential simply via the inter-, intra- activity of operationalizing with an environment – IN it, part and particle, (that all ‘moments’ eventuate this)…and yet,

There is difference.  Cermonializing, greeting, risking the activity of encountering, engaging, marking a blank page (against death, in hopes of being, realizing desires, imagining, etc.) no longer invokes “In the beginning…” or “word…” somewhere/sometime along the living this transmuted into “Who is writing – ?”

Space-time carved, empty notepad placed, pen inked and ready, and only the sensation, the amorphous geography of a question emanates – Who is writing here now?

No more an assumption that Someone prepares to express, incise, inscribe.  No more presumption that given the space and the time “I” am an entity full of content waiting for production.  No more Someone with Something to process, work out, or to say…

Simply – “Who is this coming to write?”

And any word will do.  Any mark.  But not just ANY word (although also that) – whatever word(s) come to occur between the living – the instrument – the surface – and said ACTIVITY, INTERACTION, RELATION becomes its own answering.

In the “opening” – questioning and answering are one and the same: RESPONSE and ABILITY.

Writing, a certain sort of what might be culturally convened ‘creative writing’ – for me has become a constituting behavior/action of RESPONS-ABILITY.  Given the temporary knot of my organism-in-its-environment or context…what inscribes here represents my ability to respond within it, at this time.

Who is this writing? replies in the writing, and also takes shape as a Who in the writing.  In A beginning (inception of a specific way of acting) is neither Word nor Who but a bothness occurring in its occurrence…

Who is this writing?

Who is Writing2.JPG

“When I write I escape myself, I uproot myself, I am a virgin; I leave from within my own house and I don’t return.  The moment I pick up  my pen – magical gesture – I forget all the people I love; an hour later they are not born and I have never known them.  Yet we do return.  But for the duration of the journey we are killers.  (Not only when we write, when we read too.  Writing and reading are not separate, reading is a part of writing.  A real reader is a writer.  A real reader is already on the way to writing.)”

-Helene Cixous-

The Dual Activity of the Properties of Erosion

Having traveled 2000 miles: Wichita – to – Carlsbad, NM – to – Guadalupe Mountains Nat’l Park – to – Presidio, TX – to – Big Bend National Park – to – Wichita in the past few days, I was privy to the glories of erosion.  What it builds, what it wears away.

My 10-year-old is studying erosion in 4th grade and reminds me that the current definition is simply the movement of material.  What dwindles somewhere accretes in another…

IMG_0896

and leaves or creates (absence or presence of absence?) some glorious ruins (or productions)…

IMG_0911

In an accidental synchrony, we traveled the paths of a favorite album of mine – This Will Destroy You – This Will Destroy You, and the following clip has long moved me, perhaps as much as any music ever has…

…ever reminding me of how I’d like my living dying to go…the movements and decaying – its constructions – the thickened gradual swelling of the deep good of being alive, punctuated by weighty whiles of thriving and ecstasy, momentous significants of loss or gain, as materials move and their relations alter / evolve / generate and decompose.  Its insistence and tocking inevitability.  The (hopefully) delta-like depositing of the full lot, spreading throughout, in its end…

Here’s to our living-dying onlyness…and wishes toward beautiful erosion.

 

Secret 2

i want never to encounter work I wish to edit

A little secret

i hope all that goes into keeping me alive, is worth it

Scrambled

I AM

Oracles

The Delphic Oracle that has guided philosophy – “Know thyself” – in Nietzsche (in my “reading”, opinion) realizes itself as “Trust thyself”: mine, articulate your experience: or (from Heidegger, et. al.) “start nearest”: perhaps even better – Notice the Nearest.

Tendency = looking past.  Going “large”, going “small”, searching causalities, progress, development, Time.  Being.

But no.  Always already “being.”  Always already a “that there” EXPERIENCING.  Once there, one might re-cognize (A-tension, attention).  (A new “there”).  And consider possibilities.  Partially, or collaboratively, present-ly, select some more-than (…), NEXT THAT-THERE.  (see Eugene Gendlin).

That’s something.  Could be labeled “awareness”?  Don’t know.  But something, certainly (? – is this possible?) EXPERIENCE: which perhaps synonyms to some potential degree – HUMAN BEING.

“We” don’t need Dasein.  In very many ways any word will do.  Nearest, native.  “I”, “me”, “Nathan”, “Rachel”, “Mark”, “Luanna”, perhaps beneath (before) that: no substrate: : That-there (I/you-Here) EQUALS.  Nearest.  Now.  Native.  (An archaeology of the generalized “we” – it’s ok).

Simply following thoughts, attempting attention, another “more-than” (…) BEING THAT-THERE (WHOM? – within).

Simple thoughts.  Drawing (?) near.  We (?) are such “beings” as might attempt/assent “to be.”  Strange, that-there.

(notes, 08.10.15)

other jottings spilled from the fuel-can:

“Dasein has its being to be, and has it as its own” –Heidegger

[The Unknowable Alive]

for each “kind”? of being (perception) I wonder if it is not “turtles all the way down” and so, perhaps, eventually, we just “be”?

(Paul Bains)

“THE QUESTION OF EXISTENCE NEVER GETS STRAIGHTENED OUT EXCEPT THROUGH EXISTING ITSELF” – Heidegger

Inquiry into existing: “How can we ask about asking?” in any meaningful way?  Access (Eugene Gendlin)

There is nothing that we “do” that is not what we “do.”  We cannot get around a corner and become something else/other.  Therefore we must content ourselves (or, it behooves us to) with being.  Ourselves.  Being.

Creeping through it.  trying (?) merely (fully?) to BE.  BE IN WITH AS WHAT – does he address how we have the capacity to imagine otherwise? (than being?) (Heidegger)

-Why do I consistently feel that I need/ought to SPARE others from my own “existing”?  that I might make my way somewhere somehow that would not tax them?

To read “such a quiet thing as thinking”: A we

The rigor of this program (for me) puts me in 9-10 hours of seminar/symposium per day, 7 days / week, and therefore very little time to process, do self-selected-readings, even journal.  At the same time, the strange reality that introduces – of an intensity and exhaustion I truly have never encountered (save perhaps in parenting and certain periods of intimate relation) – presses (prods?) me to adapt, alter, re-think.  So, in order to survive, when moments arise for me to work with a pen and blank pages, I am going to post them as a record, as much for myself forward, as for a witnessing from any of you.  As you can see, a certain blitzing of the brain/body incurs that confuses or disorients.  So this will be a kind of journal / personal notation space for myself (needing witnessed) until time passes and (I hope!) the plenitude of this experience seeps in, along.

Today I found an hour to scribble, and here is how it goes.  Drained, depleted, dissolute-feeling, I translated the first week into an expression around a too-much that exhausts, an overwhelm that empties.

To read such a quiet thing

(click title to view)

Uncannily (as many happenings this first week) – the evening’s lecture concluded with a translating of Maurice Blanchot – to the effect of: “we will maintain plenitude in (or unto) the nothing.”

On Articulating Experience

“The more ways of articulating human experience one knows the better.”

– Eugene Gendlin

I would like very much to say/write something today.  Something resonant and broad, something that would stimulate empathy, reflection, acute sensations, self-awareness and some renewed purposiveness toward what any reader might consider their own “good” and the larger “good” of the “world.”  That would motivate us to be more fully, attentive to what we most value, what we most wish to value; that would tickle, trigger and activate that within each of our experiencings whatever it is in us that occurs in those sweet, heartbreaking and perception-exploding moments in which we feel like WE matter, that the WORLD we participate in matters, that meaning is worth, well, Life…and that Life as we are living it, we live together.

But I haven’t the first idea, concept or “hook” to know how to do that.  I have nothing to say.  I have urges, wishes, passions, dreams and a kind of crushing, yearning hope – that we might focus a little, shape ourselves, choose something for ourselves and one another and act with and toward ourselves, one another and the world in ways and fashions that could soothe, nourish, calm, comfort, extend and enhance our collective experience of being humans in a world full of so many other things we depend and inter-depend and co-depend on and with.  Rather than our easy, disruptive, erratic, dissatisfying instinctual and common practice of reactingresponding, self-protecting, guarding, distancing, lashing out, closing in…separating, hurting and harming, frightened, cowardly and weak.

I don’t know where to start with that.  I would that I could write the experience of others, could find synchrony and sympatico with my friends, family and acquaintances, could articulate the complexity and depth, mystery and reticulated implicit intricacies of their experiencings: their pains, joys, desires, griefs, knowings & doubts, wonderings and certainties, histories and prognoses, lusts and woundings… that I might be so much more tender to them, embracing, receptive, unthreatened and inclusive, gentle and comprehending.

I would like so desperately to be able to articulate the human experience of the world accurately…yet I am always wrong when I speak another, always deficient even when I speak myself…

other things articulate as well…

sciences, arts, histories, events, activities, gestures, accidents, philosophies, medicines, practices, rituals and religions

here are a few sounds (and in this order!) that have articulated my experience, today:

and

remarkable “accidental” or “fortuitous” articulations…

along with The Jerusalem Address by Laszlo Krasznahorkai

the sorrow and struggle of my love

the energy and delight of local biology professors to their craft and instruction

the events and experiencings of a day….

Here’s to us all