The Songs I Do Not Know (1)

“Tell me the songs you don’t know.”

Dan Beachy-Quick, Of Silence and Song

“–knowledge is made by oblivion.”

Sir Thomas Browne, in B-Q, Silence & Song

clips, or snippets,

the known as partial

notes

signifying

the experienced

gesturing

hymning (nearly celebrating)

its reverse –

everything

unknown

i didn’t know

the sounds of

as they were

always changing –

ever never

.

so i made noise

my shapes

transparently novel (novice)

windows

framing, marking, visibling

all i do not know –

every word an icon

view-finding

all it’s not

.

Image

Sound

Landscape

Intention

Meaning

Clarity of

.

definition

None

.

thus every song i sing

i sing of what i do not know

or hear or dream or feel

i think

but do i tell of songs

i do not know

or sing not knowing?

.

would i recognize

unknown

song?

do i?

sing?

.

it’s hard to tell

meaningful questions

from questioned

meanings,

meaning

tones

notion

her eyes

the water

sky

adroit

wonder

or passion

.

not known

i sing.

On Being Other

On Being Other

(after Heidegger, on Holderlin)

 

Broken off from origin: gods, family, homeland.

Early switched direction – turning back, against, since.

No belonging.  No church, no community of mortals.

Reliant on the peaks and the abyssal.

No lasting love, but efforts toward convention –

when giving up –

even offspring, domesticity,

varietous employment,

almost friends.

No lasting commerce, always in-between,

feeling resistance and restraint,

constraints of discipline and need,

of longings, love, and lust.

Searching Other

fueled by others – across the times –

creators of the peaks and their abysses.

Oscillation.

Not yet rational, it commences –

undone in the unknowing, uncertain constant flow

generates turbulence toward an opening

or a gap, some kind of fold –

“run up hard against the unsayable.”

the closing line is a quotation from Heidegger’s

lectures on Holderlin’s poems “Germania” & “The Rhine”

Laramie & Alias & possible ways to end

Not Found
Not Found

“Just find a way through to an end,” Laramie thinks, fallen there, and hurting.

“the void is waiting for vocabulary,” Alias reads, and ponders alone what the void might be comprised of.  “Perhaps the void is composed of perhapses,” he writes, “combined with some organization of relations we are incapable of imagining, cannot begin to fathom.  Awaiting and constraining possibilities, likelihoods and unforeseens in a kind of complex and chaotic equation or balance.”  Irreducible, inexhaustible, and unsayable, he marks on the wall-sized whiteboard in his office.

“If I figure how to end…make it to an end,” Laramie whispers, hoarsely, internally, excruciatingly, silently.  He cannot sense his horse, nor smell the fire.  It will begin to rain.

“Perhaps,” Alias cursives at his desk, dire, lonely, remiss.  “Perhaps each motion, feeling, thought…perhaps the shaping of an ‘a’ instead of an ‘I,’ perhaps this particular curve or flutter of line, this pen rather than another, the way it sits in my hand, perhaps the letter-to-word conjured depends on so much more than I can conceive or dream: smoke rising to atmosphere in some African desert; a precise selection of neurons inhibited and allowed in my body; the varying flow of blood and calculus of cells active in my thighs, my ankles; the trajectory of wind – its velocity.  Perhaps what registered itself in my synapses and muscles 17 years ago is playing out in curves versus straight; what she said; or his coughs in the night.  The amount and location of sperm; exact army and height of each dandelion stem; the president’s breath; engine ignition in China; the current temperature of Jupiter.  Perhaps.”

Laramie works to focus on his breathing, attempts to concentrate his eyes.  Seeks localization and diagnostics of injury.  His vision is “impaired.”  His legs have gone numb.  Some liquid burn fires through chest-shoulder-arm.  He cannot wriggle his fingers.

“Perhaps every ‘moment’ or movement, influence, decision, activity, intention, expression truly depends on everything else – EVERYTHING…since ANYthing occurred – however that may have become.  And the motion of my arm, its difficulties, my emotions and thinkings, what I am able to perceive, just as much participates in the perhapses and perchances as EVERYthing else – directs them accordingly while equally or ratio-reciprocally affected and determined by.  Some inexhaustible, irreducible, assemblage – unsayable from my specified and fluctuate limitations – my finitude, but imaginatively infinite (perhaps not) in chances-are,” Alias furiously scribbles.

Attempts to roll over.  Effort towards sky.  Finds himself clutching left arm, his legs akimbo but working into a ball.  Breath harsh and labored.  Sight unseen.  Somewhere far, separate, Laramie is suffering.  Finding a way to an end.

“Perhaps,” Alias drones.  “Perhaps deaths and births, seedings and desiccations, galactics and atomic behaviors, cheetah-screech and egg-breaks, politics and business transactions, theories and documents and artifacts, particular weights of the world and all of their unformed-formings gather every instant to become again, particularly.  Planar, scalar, interactive and recursive, never still, never stable, not quite patterned – ever potent, ever determined, ever possible, ever realized – EVERYWHERE + HOW + WHY + WHO + WHAT – always possible and continually actual – without possible worlds – just IS.  Just IS.  Just IS, again.”  Alias slumps.  Decides again to drink.  Looks at porn.  Longs for intimacy, for desire – to be craved, wanted and longed-for.  To be satisfying, satiating.  To be some whacky, untellable, sort of “enough.”  Wishes and wishes – 15,000 things.

Nothing now but distress, pang, shards, fire.  Something like the neigh or whinny of a horse.  A coyote yelp or yip.  Dying insects, a squashed ant.  Sparks fizzled in mist and wind.  Harsh, hard, and consuming.  Consumptive.  Agony.  Laramie unable to locate his body, his voice…himself.

data-rot
data-rot

Begging your patience at year’s end…

Who is Writing

The year’s end approaches.  Writing by hand grows slower.  In need of practice.  The ubiquitous milieu of technology.  A differing technology, and our relation to it.  Our co-evolution with it.  My father’s handwriting is beautiful.  Still.  Differentiation of the digital.  Digital purposes.  Digits accustoming to tapping, percussive, losing their ability to flow, to caress.  I squeeze this pen too tightly.  As if in fear of losing.

Embedded in each loss a gain, development, adaptation, transformation.  Slowness for speed.  Close- for hyper- (reading).  Ambiguity for binary.  Sloppy for distinct.  Mystery – machinic.  Unique for uniform.  Elegance to efficiency.  What is communication?

Interesting to me, easing my grip on the pen, recalling, desiring, hoping, [nostalgia]…

…it occurs to me:

Habitude.  For years, approaching the blank page [paper] – began with “in the beginning was the word…” an “as if,” as if the void, emptiness, blankness of pulped tree afforded emergence, ex nihilo, some everclear clean unknowing evolution out from inchoate.  Trace and track from complex disorder toward infinitely specifiable order.  Each session a composition of the new…

I am struck by the assumption.  Presupposition of potential: that ANYthing might blankly begin (already, like bicycling, shoulder-elbow-wrist-hand and its particular angles operating this ink-stick picking up pace, stretched and loosening, reaching stride).  Presumption of absence, emptiness, a universal glory of “From nothing: This.”  I create.

Happens no more.  Reviewing the increasingly sparse occasions (with age and responsibilities) I am able to operate with technologies of paper, pen and hand-i-writing over the past few years of employment, reading, writing, parenting and relationship…the fundamental (as in foundational, originary) manner of approach…to composition, inception, expectation, hope and desire…is significantly altered.

The fidelity to languaging remains.  That belief, commitment, conviction and trust that ordering the disordered – shaping absence, mattering energy – still transacts secrets into reveals, fabricates meanings of mysteries, is an activity of arbitrary author-ing/-ity; that experiencing’s a processing of signs, of signaling and symbol – that invention, discovery and behavior = complex activities/adaptations of interactive dynamic systems interlocking at multiple scales – inexplicable, indecipherable, far beyond observation or comprehension – and that action or activity actualizes SOMEthing = something unknown, unforeseen, “free” or “new” or potential simply via the inter-, intra- activity of operationalizing with an environment – IN it, part and particle, (that all ‘moments’ eventuate this)…and yet,

There is difference.  Cermonializing, greeting, risking the activity of encountering, engaging, marking a blank page (against death, in hopes of being, realizing desires, imagining, etc.) no longer invokes “In the beginning…” or “word…” somewhere/sometime along the living this transmuted into “Who is writing – ?”

Space-time carved, empty notepad placed, pen inked and ready, and only the sensation, the amorphous geography of a question emanates – Who is writing here now?

No more an assumption that Someone prepares to express, incise, inscribe.  No more presumption that given the space and the time “I” am an entity full of content waiting for production.  No more Someone with Something to process, work out, or to say…

Simply – “Who is this coming to write?”

And any word will do.  Any mark.  But not just ANY word (although also that) – whatever word(s) come to occur between the living – the instrument – the surface – and said ACTIVITY, INTERACTION, RELATION becomes its own answering.

In the “opening” – questioning and answering are one and the same: RESPONSE and ABILITY.

Writing, a certain sort of what might be culturally convened ‘creative writing’ – for me has become a constituting behavior/action of RESPONS-ABILITY.  Given the temporary knot of my organism-in-its-environment or context…what inscribes here represents my ability to respond within it, at this time.

Who is this writing? replies in the writing, and also takes shape as a Who in the writing.  In A beginning (inception of a specific way of acting) is neither Word nor Who but a bothness occurring in its occurrence…

Who is this writing?

Who is Writing2.JPG

“When I write I escape myself, I uproot myself, I am a virgin; I leave from within my own house and I don’t return.  The moment I pick up  my pen – magical gesture – I forget all the people I love; an hour later they are not born and I have never known them.  Yet we do return.  But for the duration of the journey we are killers.  (Not only when we write, when we read too.  Writing and reading are not separate, reading is a part of writing.  A real reader is a writer.  A real reader is already on the way to writing.)”

-Helene Cixous-

Meaning

From an email conversation I am involved in regarding human relation to technology…seemed to expose a who-I-am via what-I-concern-myself-with moment in my life worth sharing… and would love any/all comments, ideas, perspectives, regarding:

“I like that inference of thought…influence of larger and smaller systems interacting in our particular (as Lemke refers to them – “focal levels”) living.  I think from Heidegger onward that attention to the reciprocal or interactive influence of what we devise/make and who we are and what makes us continuously reshaping/constructing/constituting us IS a fundamental challenge/question Humanity is within.  This is why I am drawn to technesis as a human activity.  There is no difference from developing domiciles and agriculture, accounting and writing, language and representation in its holistic alteration of the species as there is with what we are within with the devotion to the “digital” – an oddly ubiquitous remediation of experienced matter-ridden-media into this ONE SORT OF ORGANIZATION/CODING.  A strange phenomena.  I think the nearest relative is “writing” and this is where Hansen (“Embodying Technesis”) and Hayles (“How We Think”) as well as Hodder & Ingold’s anthropological works help elicit perspective (& Kittler) on how ALL technological development (craft, architecture, invention, production) so foundationally EDIT us as a species… akin to geophysical change for all forms of biological life.  I suppose what I hope for is some small increase in awareness &/or experiment of capability for Human-kind to discern what amount of agency we may (or may not) have in relation to what we evolve and construct.  Is the system too vast – the biological motive too strong – to continue exploitation and networking (also increasingly representative of our fundamental relationality) – or are we a kind of thing that can affect larger systems in such a way that is transformative?  How small of a part are we, what are our limits of capability, do we have ANY genuine (actual) capacity to discern telos of larger systems… or not (trickles all the way down to personal behavior and ‘psychology’) – can we ever determine our AGENCY (collectively / personally / speci-ally)?  Or is it airy imagination and the activity of abstraction?

Sigh.  This is where I’m at…”

Accidents changing our lives

And how “by accident” it all turns out to be, to seem.  When impossible to parse the “whys” and details.  Circumstancing great scales of complexity.

*Why that was the season, the night, the event, some almost-invitation, I was compelled, felt a should in my organs and limbs, an unreasonable reason or needling urge-fit lasting just long enough, despite all of my fight and resistance, attempts at desistance, assailing with vodka and fears, yet I made myself go, or uncannily managed it, testing a public event… …and there YOU.

*Why today, remote reference occurs, through a link, through bibliography of an article mentioned in a webinar, as an aside, distant source, finally triggering [how was I free of obligation, conversation, some due project?] memory, intrigue and drive, a cumulative motive to step out and climb stairs, find LOC Hs, glance up (searching Garfinkel, his Relations in Public) and catch sight of Sarraute, her Uses of Speech, slender and black and pre-unknown to me, on a shelf up above and reach up and retrieve it and read it and breathlessly change…

Only so many persons and books after whom one is never the same (yes, that’s arguable), but those moments you know it somehow, at first sight, as it happens, within during, something you only can say is “profound” and “uncanny,”  inexplicably so, and indelible – beyond which no returning – and it’s you and this book among others

When we cannot describe, explicate…

And we wonder and shudder…

*

And we cannot remain…

Inexplicable

“Once-occurrent uniqueness or singularity cannot be thought of,

it can only be participatively experienced or lived through.”

-Mikhail Bakhtin-