Alias (inside) – a writing diary

This is long, and really, perhaps, does not belong here.  Reading through notebooks to find references to Alias and Laramie in order to continue the trail or trace of them… I happened upon a set of pages that seemed like something under or inside the emergence of Alias and thought it might be interesting to some.  Or, just something to not lose to memory, but archive in this auspicious and fragile space.

Czech-Marionettes-wooden-joker-czech-marionette-puppet-3.7ac6

Do I think this is my last probable chance (at 45)?

If so

              (it’s undecided, presently)

then this would = my final

composition

                          (undecided)

What would I tell you – you few that have made the time worth being?

T, A, I, O, S, K, H, J, perhaps J.  Arvo Part, certainly Blanchot, Pessoa, Bronk, Dostoevsky, Kafka, Jabes, Cixous, Rilke, William James, Schiele, maybe MK.  Assuredly TWDY, Bach…well, too many to mention.

            Whom else?  Whom else, really?  Dad?  Mom?

In any case – the children, H – H because truly the past two years demonstrated an adult, freely-selected relationship in a way surpassing but only referenced by S, V, PJ, perhaps, no, perhaps J – what H has explored with me re: the world and life really I’d only imagined before.

Therefore – indecision (as ever).

IF the “best” experiences rise up out from the worst (often), out of ‘end(s)’ – beginnings surprise, then how can I know (as I age) if a better-yet does not exist?

It becomes a decision of ‘enough’ or not.

A personal decision.

If I can only imagine repetition with variation, and I’m already tired and starting to ‘ail’ – then the logical decision is to stop.  To peace.  To quiet.

As re: T, A, I, O (my children) – in EVERY case what lies ahead is far beyond repetition with variation – much unknown, much novel, much uncharted territory to experience.

As regards H, and adult self-selected relations of emotion/passion/intimacy – probably (seems to me) little could surpass…only possibly in elements, but – enough?

That is the question – always

Keep living?

Stop?

If “stop,” no more.  Yes it will effect, hurt, harm, perhaps enable – the others (T, A, I, O, M, D, J, H, etc.) but I won’t be aware of that anymore.  It’s just DONE.  OVER.  SIMPLY.

If “keep going” – then demonstrating a care/concern/attention for the others’ lives – T, A, I, O, etc…) that THEIR lives are worth staying alive to see, and that – who knows?! – maybe my own life still offers more truly worth experiencing.

Perpetual conundrum, weighing lives – my own little one versus a host (however small) of others – it would seem theirs count for more than mine (alone).

Hard to say.

I guess we’ll all find out tomorrow what “I” decide.  Not ambitious to keep working just to feed and pay bills.  I have little confidence I’m capable of making something world-enhancing.  But as a parent, a friend, etc., it doesn’t feel fair to make the decision without considering their preferences as well.

I like to think I don’t like to be selfish.

I would live in the country.  Woods, preferably, mountains not too far away.  And rain, plenty and regular rain.

There would be hours in the day.  Hours for loving, hours for reading, for working, for learning, for play.  Enough hours.  Hours to think about the hours, the learning, the loving, the play, and hours to think the hours writing.

I’m aging.  Hair, beard, muscles, flesh all going long.  Mind.  Long(ing).  Time, not so.  Seems shortening, shortened, fore-shortened…by the hour.  I wish for hours.  For time.  For children, partner, places, books.  For human.

She would be there.  Close, somewhere, sometimes.  We would wander, would work, would learn, play.  Would be there, away.

The children would come.  Would visit, report, eat, learn, work, play.  Sometimes we would laugh.  Sometimes perhaps weep or cry.  Contact.

Wood would be sawed.  Water drawn.  Yes it hurts now – knees, shoulders, joints, bones.  Slowed.  Steady, almost.  Still dark but peppered, frosted with gray.  I’m aging.  Tired.  Memory almost all made up already.  Thought always seems new, possible.  Touch.  Strength.  Sound.

Hours.  Gone ever so soon.  Thought, then paper, then feeling begins (or the other ways around?), then gone.

The pen.  The paper.  Lust.  Flesh.  Language.  Learning.  Where is the time?  Too much required for each daily need.

A joker, a harlequin.  Another, another.  Another other in the midst of me.  Mottled mangle, Alias.  Running out of time.  Running down the times, the memory, the full flesh of desires, its theory and knowledge, its aspects and affects.  So very many aspects.  Hand gains speed, cursive loops thin to lines.  Skimped satisfaction.

I like it to take time – loving, learning, working, play.  But the hours grow thin.  Shortcuts, swerves, abbreviations, tastes.  Hints now.  Breezes.  Nostalgia.

Growing monument – what cannot be said – will not – the ineffable – unsayable.  Ungrasped.

How though, to here?  Piecemeal person.  Farm labor, religion, sport, education, family.  Plains, harvest, accidents.  Mountains, Mexico, Europe, lists.  Music, poetry, philosophy – earliest companions – a few pets, kaleidoscope of selves, the river, the sky.

Deaths.  But no death here (yet).  Just on, scrappy, incisive, insecure, haphazard.  Books.  Remiss without mention of books and relentless ache for books and ‘broads.’  Women and words, the headstone says.  Women, words, wisdom(?).  Nature.

To explore.  Internal, external, outward, inward bound.  Sciences and arts.  Creativity and logic.  Psychology, anthropology, complexity and chaos, nihilism.  Literature and lust.  Words and women.  Matter and mind.

I’d have quiet mostly.  No mouths to feed, no herds or pets or things to tend.  Nothing to care for.  Hours.  Hours to tend.  With mind intact, a library, papers and pens.  And lonely land, mostly cloudy, cool, drizzly, wet.  And legs to stand on, arms to haul.  Eyes to see, please keep these eyes a-seeing – yes they’ve heaps of assistance – but please not a final fail.  Not the inner darkness, nor colorless clouds.  Hearing first, before vision.  If the vision is gone – ?

Breath.  Biosemiosis.  The sign and signal of being – a body for meaning.  Complex.  Confused.  Barely contained.  Unspecified.  Though wobbling to, fro, sound, precept, percept, interpret, sense.  Hope.  Hope of vision, of sex, of knowledge, health – something, something – beyond, more, still…

Alias sighs.  Perhaps beautiful still, but soiled and tired.  Undone.  Who is this one?  Which one?  How.  Who this be?  Alias i. e. Harlequin.  Unnameable, the attempt to name, creating traces of not-these.

“man is but a patched fool”

-Shakespeare, Midsummer Night’s Dream, Act IV, scene i

An Open Letter on Statistical Analysis

Stat anal chart

I used to shy away from Statistical Analysis as a means to meaning.

Now different thoughts occur.

Last night my daughter was struggling with 5th-grade division problems that involved endless remainders…

I used to be really uncomfortable with the “why?” of mathematics…

…last night I found it fascinating, as if it were opening entirely new sets of mysteries and unknowns to me trailing off as it did, like endless reflection and inquiry.

QUERY 1: “WHY?”

rodin-thinker-detail-upper-body-right-side-landscape-view

Common enough thought for a philosopher.

Seems to me the “good philosopher” (effective, useful, usable, relevant) consistently ponders and inquires into the Affect and Effect of whatever is under observation or scrutiny.  What / How / Why / Where / & for Whom does it “mean” that we’re Doing / Being / Knowing this or that or what-not.  Anything, really.  Anything at all.

STATISTICAL ANALYSIS

Which got me to thinking…

what/how/why/where/when/for-whom do all these infographics, demographics, assessments, quizzes, ticked responses, reviews, # of views, feedbacks, “likes,” “unlikes,” and so forth “mean” for our Doing/Being/Knowing?

(what’s it all mean, Big Data [pronounced “Big Dadda”?)

QUERY 2: “Huh?”

confusion diagram

WHAT MATTERS TO YOU?

The question that drives, allows, enables any help a “philosopher” might be able to foster…

AND HERE COMES STATISTICAL ANALYSIS!

(the philosopher asks)…

For the moment, just…just-now, here, this-when…

WHAT WOULD YOU SAY MATTERS MOST TO YOU IN YOUR LIFE?

**************(Stop.)************

************(Breathe.)***********

************(Ponder.)*********

Let’s check out your personal statistics (YOU’LL have to do this part of the work – observation, comparison & contrast, open inquiry & interpretation)

statistical control chart

for instance…WHAT things do you nudge toward qualitative analysis or quantitative analysis?

A few simple questions regarding:

  • time with children/partner/self/nature/friends/world (in relation to) time at work?
  • time scrolling Facebook / browsing internet (in relation to) time gazing at / listening to / caressing / doing-being-knowing-with your loved-ones?
  • time realizing time-tested wishes or longings (in relation to) accepted responsibilities?
  • time reading/moving/resting (in relation to) time watching/viewing/receiving
  • pleasurable time (in relation to) suffering time

and so on….

[or how well do such things mesh up / converge / resolve, etc?)

(finding ways statistical analysis might mean)

bodyaffectchart

and then, of course, there’s the more totalizing EXPERIENCING of such analysis / account / record / actuality [REALITY]…

Aha-moments

…at least ONE way a statistical analysis might MEAN?

(and a humane use of philosophy?)

(science & mathematics?)

(humanities & arts?)

INQUIRY

  • WHAT MATTERS MOST TO YOU?

(maybe think of 3-5…rank them?)

  • HOW DOES THAT RELATE TO A STATISTICAL ANALYSIS OF YOURSELF?

(keep track of your minutes / hours for 3-5 days)

  • WHAT DOES YOUR ACTUAL BEING / DOING / KNOWING REPORT ABOUT WHAT MATTERS TO YOU?

(compare.  contrast.  assemble.  interpret.  reflect.)

CREATE.

[RESEARCH: it all depends on context]

and it’s all immersive EXPERIENCE

i-u-line_01-Context_click

(…used my lunch break for grocery-shopping to alleviate evening stress after work when I need to get the kids to multiple locations and events, and prepare dinner while hopefully interacting with them, witnessing their goings-on in the ONE place I can be at a time, while finishing up that revised CV I need for perhaps continuing employment in a position I actually feel suited to, find challenging, and organizing an upcoming theater production, parceling energy with hopes I might have some left for my prime concern: my partner, or maybe myself – isn’t that part of all of it too? – and the reading/writing/reflecting I’d love to do, acquiring plane tickets and maps for upcoming family journeys, counting breaths to relax, aiming for meta-cognition and emotional awareness so that I don’t miss, ignore, injure, need to exercise, plus the laundry and housework, and…)

why

all the time, is just the time you have

For (every?) New Year

Greetings all.  I realize something now.  I realize (today), I realize, sitting in the sun of a Winter in Kansas, on my porch, in a rocker, alone, a side-effect, a remnant, remainder, myself… I realize that I have long dreamt of leaving some legacy, of making some mark, of contributing to the world – the natural world – the world as made up of plants, animals, landscapes, elements, humans… the world dizzied with combinations of atoms and molecules… and yet… and yet… I realize it was all about love – all about being realized by being loved, and realizing meaning in loving – NOT leaving a literary legacy, NOT producing interesting and intriguing offspring, NOT making art or language or objects that would outlast me – NO, no, no…  Simply recognizing that I exist, existed, am existing in the world of another, and that the world exists, existed, will exist for me – by my affection and attention to its nuances, details, and differences – its specificity of my attention, attraction and resolve:  LOVE.

I found this entry in an old journal, a blue oversized Moleskine soft-covered journal, and found (years later) that it still seemed to speak for me… but as I typed and edited it I realized that it has been outdone, realized, accomplished, in the FACT of BEING LOVED and BEING ENABLED TO LOVE… and so all the hopes remain, all the purposes and visions, all the projected communications and connections… but in a context rearranged, reapportioned, reinvented – that of MEANING derived from LOVING and being LOVED.  Thanks to my vibrant partner and accomplice, inspiration and reward – for taking the grave gravity of production and transforming it into action… the pinched acuity of competition and accomplishment into offshoot, accumulation and extraneous luxury – that the hopes, dreams and ideas / ideals of a human existence might be translated into freedom, grace, and potential benefit or gift – possibility rather than necessity; offering rather than identity; potentiality rather than desperation – a giving in distinction from a grasping : so I might still possess similar hoping without the fear and trembling, without a sense of pointlessness, without a perception of failure.  LOVING – intricate maneuvers of helping and healing, intimate operations of interaction and reciprocation, finely detailed activities of acceptance and reception – the sigh, the breath, the pulse of BEING… change me.  Change and change and change me.  As a parent, a man, a partner, a person.  Thank you dear love – a wonder, a woman, an incredible human – a person: full and becoming, so generous, so tender, so affirmative and kind, so rich and creative, inventive and becoming, so new – I love you.  The world is different now.  Its meaning, its point, its aim, its occasion.

This old and rediscovered writing has distinct meaning… because you, and life, and love, and… an evolving and differentiated “I.”

Jacobsen - thought series

I am using the blue notebook with a blue pen to complement.  Why?  Because you asked.  You said “everyone wants to know.”

In other words, if it’s going to count for what matters, it has got to be specific and special – set apart, somehow more final, more complete.  I’ll use it for the whole – for photos, drawings and more – all the blue notebook in blue ink – for you.  Because apparently, “everyone wants to know.”

Mom and dad ask in their roundabout, passive-regressive surreptitiously accusatory way, as is their fashion – kindly and quiet, ever with a look of care and concern, yet secretly shouting their “what is wrong with you!?” “What is wrong with US, that you…” and on and on and blah blah blah…

My memory isn’t like that the first five years of life…that I pretend to remember.  But all is mostly smells and sounds and light from there.  Trees and grass and dirt, how brightness gleamed and glanced and filtered through, with times of wind and rain.

Not that you care… I’m fairly certain that’s not what is being asked for, not by you, by my sibling, children, or lifetime of “friends” and “family” – whoever, wherever they’ve become.

You’re the livewire – and perhaps the children – perhaps they will want to know, at some point, perhaps not.  Perhaps everyone’s already figured my story – diagnosed and prescribed me.  Perhaps.

Be that as it may, I’ve thought long and hard, reviewing what I thought I knew, how I felt I felt, what it seems I’ve seen, and so on, and decided, for you, for you, really, and maybe a little of a bit for myself (curiously) and a percentage for my kids should they ever seek to know or wonder, or have need of psychological freedom, or give a shit about who or why… I decided to use this damned blue notebook with matching pen and try to learn just what I think about it all, mostly because, as you put it, “everyone wants to know” – (and WHO might this “everyone” be?).

Should I start with the hands, the head, or the heart?  I suppose the limbs and loins will come into play as well – god knows the guts and the goiter.

I remember an opening.  A time I was touched, in the rain, and my suddenly skin, my obvious self-enclosure – as opening, margin, and veil – a fabric of me, and a screen.

I wanted to make a difference, you see.  Make something, I don’t know, construct an element everyone could hold on to.  Take in hand, heart and head.  Keep or repeat as needed.  Something like that.  I knew I wouldn’t last, none of this, none of anything.  “The center cannot hold” sort of deal.

I ought not begin there.  They’re all wound up together like knots – the head looking down, arms wrapped around, concealing and revealing the heart, the guts, the loins and moving limbs.  I can’t take a one without other, thinking and feeling about it, my actions, ideas, and sensations all.

Perhaps I’ll pretend.  (Just what you’ve all loved so well about me – to discover pretense – how I’ve molded myself to imagined desires).  I’ll pretend I’m an aged man seated on a stiff wooden chair, children / grandchildren gathered all about me – a specimen or model – something to be taken apart and examined.  I lift off my shirt and my body is read – questions asked – we all get somewhere in this way.

jacobsen - thought series1

Let’s see – here – along the shoulder – a self-portrait by Egon Schiele (self-tormented asylum brother) and a snake that is eating its tail.  “Le Ouroborous,” I  hack out – “don’t you know it?”  Sign of doctors, ingenuity, medicine and art – creation, destruction intertwined round and round.  Self-devouring while birthing its form as it alters.  The mastication and regurgitation of “I.”

A young one might say “what’s that? – the curlicues and elaborate spiel?”  Garcia Lorca I’d sigh.  Yes.  The grand leaping bugger of light.  He’s yellow and lemons, crickets and birds!  You know the stuff that sends you!  Portal moments of sight or song and ‘wham!’  all the crap pelted into your brain and body get shaken and stirred together like surrealist still life.  Incongruity making sense.  Opposites attracting, no, better – look at your aging mother and I – a juxtaposed spectrum, paradox and carnival!

They say that you wanted to know.

Yes there’s Kafka, Blanchot, Cixous and Lispector.  Jabes and Beckett now seeped in my veins.  Dostoevsky, Bakhtin, Rilke.  Gods and angels, drink and demons all carved in the skin of their names.  Nietzsche and ridiculous happiness.  Wittgenstein and the torment of words, of meanings, of none.  I’d be a working inscription, at surface.

The corridors – head, heart and hands.

Are you sure anyone wanted to know?

The sounds of piano?  Coaxing the keys in steady patterns – mimicking rain; or poems – yes, we forget Giacometti’s “Man Falling” – a perpetual stumble on the back of my hand, hoping neither knew what the other was up to.  But they did and they do – I see that now – all parts of same body, stretched with same skin.  Poems as stripped-down sculptures, some essential chants or song – just a gaze or a wisp of caress.  Droppings of blood.  Miracles that something remains after we’re through with our twisting and grasping.

Is this what you wanted?  Does it explain – anything?  I doubt it.  Hardly think so.

Read on.

Here at the ribs.  The cracked and the lumpen.  There was a time.  Times I thought maybe risking and danger – a reach at euphoria – some panicking life – might make one feel much more alive.  How do you think you all got here?  Desperate plungings into the unknown, oh dear ones, like mad scientists messing around in the lab!  The edges of cliffs, clinging to limbs, insecure at wits’ ends, going for broke.

And break we did.

But just look at you fertile seedlings, good eggs.  I never meant to be rough with you all.  To risk what is fragile in you.  Ribs, here – cave and cage for the heart.

I can still breathe you.  Charred and chortled, this was one great pleasure – to know I was breathing, in-spired.  I know you all despised it, and it caused me to smell stale and rotting, but the rush of smoke down this pipe here into the bellows of slimy flesh…that let me know I was taking it in, not an automaton or senseless machine – no, I was hearing, seeing, tasting, smelling – BEING – I could feel it in my ashen lungs.  Sometimes it hurt.  What we ingest.  But it really goes in and visibly comes out – everything – for good or ill.  I needed to know it tangibly.

Why? you ask, why?

Look at the cranium stooped and weighed down.  That sucker was a burden of liquid fire.  All curled over like that the entirety of my life – looking in, at, in.  What’s there?  How does it work?  For “whom”?  When?  Is there even a why?  Examining, dreaming, recording and imagining – listen – say it back, say it forth, combine and copulate, shake it and stir – use that heavy weight, whirr whirr chrrr and whirr.  Profile the shape of some jagged question mark, dotted where the heart must be.

And look at it now, nearly buried into the chest.  It happens.  Weather-systems, signsponge, it all will run its course.  It once was aimed upwards and outwards, into fantasies, hopes and abstractions, and for years I kept it aimed straight ahead – horizontal, seeking directions – but slowly and surely its drug down toward the heart, pulsing muscle, plug for the cords.  Everything up and away, everything out there or behind, it’s all happening here – in the mix, filtering through, circulating the circuitry of head, heart and hands – latching up or breaking down in the system.

What was it you wanted to know?  Limbs and loins, head and heart, I’m acknowledging and exposing, affording view – I’m aware description does not explain a thing – the wonderful views of science still unable to explain…

The waste gets processed below, legs running away now knobby and stiff.  But there, clinging in its corner like a core – my erratic, agitated, beating beast.  Entire web of inexplicable drives and energy, fears and misery, desires and dread – my heart.  Does this explain it?  Does this explain anything?  What anyone wanted to know?

Gasping there like the mouth of a landed fish, pulsing purplish like an aroused member – my heart.  If I poke and coax it, tear at it or wring it onto this blue notebook in blued blood – will it explain?

Here, whomever, look.  Here it lies, cheats, and steals.  Here it gives and it aches and breaks.  Here it prolongs and stops itself short.  Pulpy mass of living meat – humana – the am therefore am.  Take it, read it, test it – heal it if you wish or can.  I’m open.

Is this what you wanted?

What everyone wanted to know?

Black Blizzard

Compositional Caveat

Greetings any readers.  I wanted to let you know that I am quite aware of the imperfections of my recent series of draft blogs.  These are first draft typings that I am doing mostly to convince myself that I am not ONE thing (a graduate student) and to have an outlet for unrestrained creative work outside of my studies.  I apologize that I currently do not have the time, attention or energy to perfect them prior to posting – and beg your latitude and generosity in browsing them.  Being that they are first occurrences of these words and this strange little trail, I more than welcome any and all feedback as to what might capture your attention or what is off-putting about their style, content or formal appearance.  I thank you for your graciousness – perhaps more time will open for more careful production by the first of the year….

N W Filbert

The Lovers Encyclopedia: or, Notes Toward Unlimited Signs

Gilbert Quote

Notes on an Encyclopedia of Signs: or, Limited Vocabularies, Limitless Meanings

“Ever-newer waters flow on those who step into the same rivers.”

“All entities move and nothing remains still”

“Everything changes and nothing remains still … and … you cannot step twice into the same stream”

-Heraclitus of Ephesus-

“No man ever steps in the same river twice.”  No man ever steps the same into a river.  I believe that everyone, from time to time, aches to express what they mean.  We have experiences and we want to communicate them, and we experience a kind of veritable torment when nothing sounds, feels, expresses what we “mean” “quite right” (or adequately, authentically, completely, correctly).

How often this happens with joy, pleasure, desire, love.  There are 26 letters in the English alphabet.  We shuffle and arrange them, add and delete, realign and recompose, punctuate and intone, mark-up, highlight, capitalize, emphasize, crescendo/decrescendo, lilt, shout, whisper the sounds and shapes we have mediated them through in this wild, often urgent attempt to forge understanding BETWEEN, comprehension, connection… MEANINGS (whole-person exchanges) betwixt ourselves and others, and world.

Our bodies have limited surfaces.  Certain numbers of organs, neurons, veins, muscles – motions, sensations, pulses, breaths, hums and groans.  We TOUCH to forge BETWEEN.  Caresses, grasps, pushes, pulls and entanglings.  WE ACHE TO GET ACROSS – adequately, authentically, comprehensively, fully.

“I love this pizza.”  “I have never seen anything like this!”  “OMG – watch that sky as it changes, explodes, implodes, whirls, colors!”  “I have never experienced love like this.”  “You are the most beautiful person I’ve ever known.”  “This is my favorite song.”  “You are incomparable.”  “You are incomparable.”  Our experiences – each – are in some very real sense… INCOMPARABLE.

And space.  And time.  Matter and energy, or material / apparently immaterial.  Emotion and sensation.  Cognition and affect.  We are ALWAYS (all of us) stepping in the river, and the river is always (all of it) flowing.  EVERY instant is our constant moving IN and WITH the constant moving of the world.

It hurts.  I look at, listen to, interact with, FEEL toward, receive from, snuggle, caress, kiss, desire, weep, converse with my current romantic partner – aching every time to express how additive, emergent, unique, INCOMPARABLE these NOW-experiences WITH her vary from, extend, surprise, fulfill, astound, affect, estrange from any other – and bewilder my ability to communicate them… because I have said “I love this pizza” a million times.  I have lost my breath at the views from a hundred mountain-tops.  I have gasped at four crashing oceans.  I have whimpered from the all-over expenditure of orgasm many times.  My fingers have disbelieved themselves and been overwhelmed by a life of plants, animals, surfaces and human fleshes.  “My favorite pie” has happened again and again and again – never the same me, never the same pie.  Down to my cells, my molecules, my quarks.

My love and I have imagined a new symbology.  Each time we ache to speak our love we will scramble new squiggles, letters, symbols, scratchings in order to designate:  THIS IS NOT LIKE BEFORE – I know I said it moments ago – BUT THIS IS SOMETHING MORE/OTHER/ PARTICULATED and specific from that.  This is NOW-LOVE, new and familiar, distinct and embodying all the particles prior.  There are not enough symbols.  Not enough sense.

Mikhail Bakhtin and any number of other thinkers, artists, poets, anthropologists (von Uexkull, Heidegger, William James, Charles Peirce, Paul Bains, Erin Manning, John Poinsot, John Deely, Paul Kockelman, Humberto Maturana, etc. etc. etc.) have attempted to unpack this strange tangle.  Poets and writers throughout history (as witnessed via Heraclitus at the start of this little assay), musicians, painters, explorers, historians – HUMANS have suffered, hurt, ached at this paradox of limitation and adequacy for expressing WHAT I MEAN / WHAT’S HAPPENING FOR ME NOW / throughout the life of our species.

The gist of it:  our bodies and vocabularies are VERY limited in relation to the never-ending changing and flood and flow of our relation to the world and others.  26 letters and 20 digits, a circumscribable surface of skin, a rate of cognition, a dictionary of emotions… never the same human stepping in never the same river.  This is where Bakhtin, et. al. assist us.  What language we’ve agreed on, what musical forms and sounds, what movements we are capable of, what gestures, groans, inflections, pressures of touch, coos and growls, whispers and howls – YES they are woefully limited to represent the vast variations of each NOW experience – with THIS person, THIS landscape, THIS particular food, THIS hearing of a song, THIS sunset, THIS ocean, THIS child, THIS reading – we repeat and repeat and repeat (in a kind of repulsive ad nauseum).  We proclaim our love as powerfully as we know how… and find we wrote the same thing to another person in a letter 15 years ago.  We massage and wriggle and lick and devour in lovemaking in a way we mean to be so particular to THIS passion, THIS relation, THIS other – and it mimics our gripping and caressing and kissing and intercourse of many other times, other passions, other relations, other others.  It hurts.

Bakhtin et. al. indicate that the MEANING is limitless.  That in order to communicate, each BETWEEN must be understood in the Heraclitean sense – WE ARE NOT IDENTICAL to ourselves – ever – and THIS EXPERIENCE being had is NOT IDENTICAL to any other – ever – our means of expression, our vocabularies for communication, our bodily capacities and emotive apparatus ARE LIMITED… but the meanings we create interacting with the world are not.  The MEANINGS ONLY OCCUR BETWEEN and AS we (ever-unique and different) participate, interact, engage one another and world (ever-unique and changing) … To comprehend the sometimes repulsive, apparently restrictive and woefully repetitive MEANS OF EXPRESSION we have and its FELT INADEQUACY to the new, unique, differentiated EXPERIENCE WE ACHE TO EXPRESS – would rely on the mutual understanding that EACH EXPRESSION WITH  COMPOSES NEW MEANING.

Our efforts, compulsions, desires, tastes, affections, pleasures, joys, hurts – EXPERIENCE – IS AUTHENTIC and GENUINELY NEW and DIFFERENT every moment – the means we have of COMMUNICATING, EXPRESSING, CONNECTING these experiences IS LIMITED and REPETITIVE – but we need not doubt the LIMITLESS CAPACITY FOR MEANING SOMETHING FRESH, AUTHENTIC, GENUINE, TRUE that each of those repeated words, phrases, emotions, gestures, interactions have… because…

“Ever-newer waters flow on those who step into the same rivers.”

“All entities move and nothing remains still”

“Everything changes and nothing remains still … and … you cannot step twice into the same stream”

-Heraclitus of Ephesus-

We are a species of limited vocabularies, a constrained encyclopedia…

in a world of limitless meanings

let us trust one another.

-for Hallie

 

The 44th Turn

You ache.

You are older,

and beautiful,

in the way piles of gravel

surprise you

along the turnpike.

 

Those gathered around you

are increasingly less –

less in years, less in words,

and less in common –

saving the uncommon

tastes and thoughts and talents.

 

You still have books

and a dimming light

and more than enough love.

You eat, you drink, and make merry.

Some things you remember together,

almost

 

almost the necessary ones,

say a child, a lover, a poem.

There are gifts, a few –

those given you yourself

and to others –

“the allowance” –

 

allowing

care and celebration,

some sweet welcoming,

some join.

 

It’s alright,

she is here, beside you,

they are sleeping in their beds,

are scattered to the days,

are bleeding, are breathing

 

so much talk of labor

in our culture –

piles of effort

for finding peaceful paths,

to the country,

the cabin,

toward some freedom

to live.

 

We live.

Our days adding up

while counting down,

in strange measures –

now in years,

by the hours,

in moments.

IN THE MIDST

Moments: The reality of accrual and depletion, growth and diminishment

chicken-or-the-egg-550x550

“It is of the essence of life that it does not begin here or end there, or connect a point of origin with a final destination, but rather that it keeps on going, finding a way through the myriad things that form, persist and break up in its currents.”

Tim Ingold – Being Alive: Essays on knowledge, movement and description

            In the reading journal I keep, I record what I read each day in entries numbered according to my years.  For instance, today is Day 364 of 43.  Each day counts UP the days I have lived, simultaneously counting DOWN the days I have left.

If our weight in the world is conspired via our capacity for object-making, “perception,” – how we collate and identify active collective of particles, lending them shape and color, space and duration – in effect: “organize them according to our own purposes and facilities” – co-creating manageable entities with which we might interact and navigate life “sensibly” (body-minded)

then the “lightness” of vitality/movement/being comes from the constant (relatively frenetic) buzz and action of the unseen particles composing and constituting the scales we are able to perceive and conceive.

Does this sound workable?  I trust that I am a hive of vibrating, exchanging, bounding, colliding and connecting atoms/molecules/whatever, and that to certain interlinked bundles of material interactivities this can appear, be sensed, perceived, interacted with, as an apparently distinct “organism/being/organization of activities” constructing (or being constructed/perceived AS) almost a form, a differance, an “object.”

And likewise, and vice-versa.

Particles, drilled down or zoomed out in their interactivities and motion form ever-varying “wholes” (temporarily composed perceptible forms or variable entities).  Thus poets and scientists, thus Ovid and religions, philosophers…HUMANS…METAPHOR.  Taking various realities for another and one another, or, ALWAYS – in relation to.

Crossing and dipping, perceiving/conceiving, we are able to invent scenarios and subjects, conduits and concretions, whereby we are also able to communicate, invent, share, cognize imaginative possibilities for our temporary coagulates (or “life-forms,” ever active and morphing).  The tinier particles simply continue their trajectories and behaviors while their collaborated forms appear to be “born” (or formulated, occurring) and die (or dissolve, dismember, separate to join in other alignments, reactions and compounds).

Thinking is a lucky pleasure of our particular combo-formulations, as love, emotion, felt embodiment, enmindedness, entanglements…

I am grateful for all of it: lovely purposeful accidents to sense, perceive, grow, change, become, decease, connect and disconnect…attach and release…combine and unravel.

IN THE MIDST of which…and this is where the trembling, shifting, unstable, particularly and elaborately conditioned partial perception “I” initially chose (in languaging) to begin…”in the midst of…”

but then I realized that MIDST might beggar a belief-explanation (theory) as to what I was beginning in the midst of…ALWAYS…this strange living process…and so I diverted through the above contingent caveat.

i.e. EVERYTHING DEPENDS.  On context, formulations, occasions, circumstances, surroundings, kind, type, species, conditions composing NOW.

There is some longevity to “sticking together” (successfully? Symbiotically? Interactively linked or bonded for some formal survivable persistence) but it’s all quite temporary (the place-time from which an opinion is held or conceived, promulgated…changes slightly with each moment, more in an hour, a day, each “year,” each…occurrence).

To say: all is active and contingent.  I.e. DEPENDS – on multitudes of very specific things, unseen tiny things, enormous systemic things, situations, arrangements being…”the case.”

A Hal Hartley film or a novel by Dostoevsky, the face of my child or the sound waves of song; the body and voice of my beloved…won’t have any “effect” “meaning” “sense” when my particles realign and this particular arrangement is “dead,” “decayed,” “reorganized.”

Activity is a curious thing.

Although we experience “age,” “knowledge,” “experience,” as a kind of “growth” or accretion, it isn’t very long at all in our formulating as a human before we become profoundly aware that our “growth” is an indicator of cessation, “progress” a sign of our undoing…dismantling, shifting, and changing.

This central comprehension of human systems – paradoxical tension, momentary accretion/diminishment – likely fuels much of the emotion, trauma, passion, energy, delight, grief, disturbances and elations of our particular species instinctual cognitively embodied behaviors.

Angst, joy, terror, hope – perhaps all of these reside in this mysterious yin-yang of coming together / coming apart AT ONCE and ALWAYS.  Each addition is a removal, each connection another breakage, each revelation a forgetting.  Each next accrues a last and never.

NOW – the pivot point of addition/subtraction – for human living.

I crave, delight, wonder, rejoice, and find my survival with each NEXT while grieving, losing, aching, suffering, and ceasing with each movement as well.

There is no choice in the matter (that I can see) – it happens.  Everything we do effects and disaffects inherently.

Rising indeed IS falling.  Growing IS diminishing.  Living truly IS dying, while our dying is yet living for something else…Reciprocal, ongoing, continuous realignments.  Any departure is a novel thing joined.

And thus, simply process, simply going-on.  Not “us” but it.  Not you, I, we, but the particles and universal systems, arrangements.

And we, in the midst.

Perhaps.  That’s how I’m thinking it today.

As I count up and down the days.

ouroboros

Scripture : Roots

Scripturient

“In the beginning was the word…”

“…and the word was god.”

Enigma.

My youth was spent immersed in a form of neo-fundamentalist, conservative, evangelical Christianity.  It would be difficult for me to estimate the number of bible readings, passages memorized, commentaries consumed, and sermons received during my first twenty-some years of life.

Twenty-some years later, libraries of world literature later, this particular phrase, passage, verbal construction remains like a haunting, a rule, a resonance and reverberation of the deepest sort – a kind of First Sentence that rises and echoes in me whenever I turn myself to writing.  A statement some whole of me attached to in presumptive belief and passion that constitutes, in its way, the work of my adult life.

In what “beginning” was the word?  And what was that word, are we to read this word as, literally, “god”?  Or are words themselves divine, godlike in their creativity and actionable functions?  In the full passage we read that the word is both “with” god and itself god…a quintessential meta-statement from whatever interpretive stance one selects.

In the beginning was the word [in beginnings words become?  In words become beginnings?],

and the word was with god [words that are with] and the word was god [words that are].”

            Religiously:  when humans spoke “god,” gods became.  Conception creating realities.  Referentiality – a term is attached to an object, idea, relation…and the object, idea, relation begins to become that term (and vice-versa, through public practice).

Words epitomize co-creation, collusion.  I am a tiny human organism, an infant birthed into a community of persons.  This community attaches a term to me: “Nathan.”  I grow into that name, define and fill it with characteristics, behaviors, activities, experiences…and, for my communities (the others I relate to) that word “Nathan” comes to mean my specific organism in the world.

Words are beginnings, are like relational diagrams, invisible cross-hatchings and webbing throughout lived experience as humans – inceptions of internal and external possibilities and limitations via their activity as connective linkages, as references and realities.  Every term is metaphor – symbol, signal, object – requiring its interpretant.  The multi-sided act: language.

So what began with language?  Language that joins with and is?

I suggest meaning.  Conscious participation, co-mmunication, reflective relating.

Religiously:  posit Supreme Being and it posits world.  Speak reality and reality speaks.  All a matter of relating, relation…communication…language.

World becomes via collaboration, interaction – made possible through efforts of mutuality and distinction: gestures, intelligible utterances, multilogues, dialogues – communication.

Possible interpretation: A god languages “god” into being.  “Unicorn,” “fairy,” “truth,” “quark,” “molecule,” “consciousness,” – invisible, imperceptible “realities” language (WITH) and then become (ARE).  Subsequently the commerce and exchange of the universe alters…

Each utterance brings new relations and thereby new “things/realities” into concourse.

I can believe that what begins in language (or, communication/relation/collusion) is MEANING (such a word as “god” itself).

I find, trundling through countless notebooks, pages, typescripts, letters and journals, that at the head of any larger work or endeavor I attempt is inscribed this personally indelible takeaway from my youth’s indoctrination:

In the beginning is the word

a thing that creates in being constructed

always co-constructed WITH something else/Other

and becoming something else/Other in its utterance and collusion

organism + environment = meaning

all reality resides in relation

all of these also words, beginnings, possibilities

In beginnings are words

and in words begins begins begins

ever forging relations into realities into relations

tying things one to another to another to another

in concourse

en route as route

Invisible Man Chronicles, cont’d

Click HERE for parts 1 and 2

2-xray handshake

III.

 

            Rattling bones, deep-falling diaphragm – through continuous sightings and encounters with “H” (“her”) these consistently occur – even over hours, days, and months.

            I might say that what characterizes our particular version of intimacy are curiosity and wonder and the ecstasy of discovery and finding – imbuing apparently abandoned spaces with vitality and imagination.

 

            A week later was a potluck for the visiting artist.  Small-talking with “her” in the kitchen – I felt inadequate to be occupying her time and “let her go” to mingle with the many I was certain were desirous of her indomitable and imaginative company.  I spoke with her partner, the farm-inhabiting-best-friend-artist-lady, and H sidled in.  There was much laughter (their minds are contagious and entertaining – as if the structures of adulthood and professional culture never quite ‘took’ or corralled possibilities)…around “her” my breath dissipates.  We’d both been hired as rural mail carrier associates with joint training to occur the week following; both commissioned to respond to this artist’s intimately relational performance work; both in love with abandoned places and their loss and decay – both committed to discovering lost or overlooked things. 

            There we were.

            I in poverty. 

            Day one of training sat us next to one another, her length and beauty, doodles and read-alouds from the training manual enthralling.  I worked to breathe and lived through my peripheral perception – registering her movements, hair, wrist, knee, hands, mouth pronouncing acronyms, quirky nervous habits, footwear, scent and clothing…

            She suggested (did she?) lunch together.  I’m quite certain that converged through a clumsy stumbling and fragmented semblance of conversation.  I had planned only banana and peanut butter on my budget – yet each day we went – for that amazing hour – somewhere I’d never been before in a city I’d spent over three decades in and around.  An abandoned hotel, a nature trail, small chain restaurants, of which one, perhaps, constituted a first “date,” as, after placing our orders, she removed to the restroom and I was left to pay the bill!  (Delightful things like that).

 

            Blessings.  I was gaining practice in “soaking in the good” – a strategy instructed through my therapy, and H was much better than I ever imagined, a remarkable alchemy of behaviors and body parts – co-constituting an unknown ‘ideal’ to my mind, sensations, experience and history.  I was dumbstruck, amazed, bewildered, befuddled – in other words – alive and in hope.

 

            I’d been asking her coterie of creator-friends to visit my home for fire or food or an art-making party – to no response or avail.  Everyone taking a read.  She agreed, then doubted, then declared she thought she might appear via an internet message.  Thus she arrived, of a Sunday afternoon in April, to my home.

             We parlayed and exchanged – art, family, friends, lives, plans, hopes, strategies, likes and dislikes, ideas and tears, meanings and lies and other truths.  I ached toward her – finding romance and desire and a periscope of loving peeking out, looking round, checking for safety.  It isn’t safe.  It’s unlikely, bizarre, fantastical : sixteen years between us and four marriages – her blossoming while I fade to grey, her popping with –larity, my struggling for place.  She asked me to sit next to her.

            The sides of our arms.  Legs.  Eventually fingers becoming entangled.  We talked staring straight ahead, caught in some astronaut training module machine, no gravity, no reference, dizzied and desirous, disbelieving and desirous, frightened and desirous, with just the right amount of belonging and estrangement, novelty to craft courage and excitement throughout our neural nets.

             We concocted funnel cakes of cinnamon and sugar, mustard, jalapenos and sausage.  They flopped and sickened, we laughed and she left.  I think perhaps we loved, even then, that day.  She left behind a bevy of hands from a book she created, by extraction.  Our hands were open, our minds and hearts, a letting-go, with patterns and a freeing, a dance: in common, in Kansas, in history, in hope, in commitments, in fears and neuroses.

             Letting-go.

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Reasons

Reasons why a novel, memoir, or longer work may never be “FORTHCOMING!” from me: whenever I begin to write I get absorbed in the activity of writing. I seem unable (after all these years) to force myself to craft characters or plots or descriptions… The characters are LANGUAGE, the plot is made by LANGUAGE, and the LANGUAGE only seeks to inscribe itself…