A Far Story – Samuel Beckett

I wait for me afar for my story to begin, to end, and again this voice cannot be mine.  That’s where I’d go, if I could go, that’s who I’d be, if I could be.

– Samuel Beckett

Beckett - Stories Texts Nothing

Nos. 3 & 4, Texts for Nothing by Samuel Beckett

it doesn’t get better than this…unless it’s more of beckett

Alias Alone

“it was neither the cradle nor the grave of anything whatever.  Or rather it resembled so many other cradles, so many other graves, that I’m lost.”

Samuel Beckett-

The silence.  The separation.  The solitude.  This is not novel, not uncanny, not even irregular or unexpected.

Betwixt Alias & Laramie, in fact, it would not be unusual for 1-3 years to pass without interpersonal communication.

The interruption, irregularity, or stretching intermittence of intimate interaction (current parlance “intensive interaction” – what they’re calling genuine conversation these days – a sort of treatment or therapeutic method for the autistic or ‘disabled,’ – akin to the ‘Talking Cure’ of psychoanalytics past) wasn’t really odd or unexpected or otherwise for Alias…merely unfortunate…he accustomed to his cycles and wishes, routines and desires – never mated very well with the world-at-large…his surround.

Still somehow Laramie’s “off” was different.

Perhaps.

No matter.

Alias driven back to Kafka, Beckett, Jabes, and other authors of silences whom he’s long aspired to – wishing (not so secretly) that he might require only some genuine solipsism or solitude, a kind of retreat or reversal from the cultural logorrhea (social media posts, artist’s talks, professional blogs and listservs, tweets/tumbs/grams & feeds) –

incessant reports on one’s self

– disgusting yet enticing,

If other humans ever happened to ‘like’ or ‘follow,’ ‘share’ or ‘pin-it’ or – could it be – actually care?

Alias entering thickets alone.  Laramie “off” (in every way his ‘right’).  No human (living, warm, alive, and responsive).  Alias turns to the ‘mind’ (texts, images, memories, dreams, literature, language, art, thoughts) – in any case or scenario – some abstracted cerebral, cognitive-capacity, the Human Imaginary.  The Pretend.

Meaning.    God.    Religion.    Truth.    Santa.    Satan.     Logic.     Math.

His pet feline “Luna(tic)” and fractured Chihuahua “Gizmo” as company.  And printed literature.  Recorded music.  Playback audio-visual-cinematography.  Machinic animations.  Pornography.  Movie.  Television.  Photographs.  WHATEVER.  Virtual Realities in the place of persons.

Attempts to stay alive, carry on, delude oneself that meaning and reason and experience and expression had validity and representation, communication and comprehension, and so forth.

To “keep calm…& carry on.”

Breathe.

Or…whatever.

Laramie: “OFF”

and

Alias: (“ON”)?

never the twain shall meet?

well, occasionally

(he says, he thinks, he imagines, she says, someone hopes)

The HUMAN (Alias surmises) – ‘an interminable thinking-speech,’ Alias think-speeches, “surely I read/heard/saw/overheard that somewhere.”

It’s Alias alone…free(?), unfettered, allowed, supposedly “ON”

Laramie – “OFF,” Alias sighs.

(and therefore no way to ‘think through’)…

***********************************

Point is, Alias thinks as he murmurs and walks along, there is no meaning, purpose, or point to it all.  “Think-writing” Laramie once called it (re: Alias’ poetry) – “simply inscriptions of progress, er, process…languaging what happens in your miniscule portion of the world (as you know it).”

Think-writing, write thinking, “fuck you!” Alias thinks (writes).  “How can one think without someone or something to think ‘off’ of or ‘with’ or ‘in relation to’?”  Alias grumbles – “yet you’re ‘OFF,’ gone, along, beyond, and so remains me, it, this ‘against,’ ‘in relation to,’ this withless ‘with’ (all versions of the same) ANYthing, EVERYthing, NOThing.”

Something!

“OFF” said Laramie, he

said to Alias, “simply ‘OFF’” like a switch, a light, a life, a dream, a thought, an inception of memory, an hope, ON/OFF, ON/OFF, there/gone, here/gone, you/I, yes/no,…’OFF’ said Laramie, he said to Alias that day, that last day, that latest traversal, that…

…dream,

imagining, encounter, hope, wish, Alias imaginary…

———————————-

…because no one cares, and there is surely no reason to (Alias ruminates).

Having always wanted, desired, craved (it might even be said) to be some strange, unrepeatable and unique (or recognizable) combination of human/person/lover/writer/philosopher/musician/writer/virile male and sensitive, omniscient (no, not ‘omniscient,’ not ‘all-knowing’ but ‘all-considering,’ ‘all-comprehending’ and ‘-allowing,’ ‘understanding’) homo sapien.

There is never any reason (Alias considers) that he should (in any way) be special, “special,” and yet, and yet…

There’s no smidgen of doubt (Alias i. e. Harlequin, piecemeal patchwork of human male – a man, a father, son, parent, professor, laborer, home-owner, some-time partner, friend, teammate, band member, student, child-like adult, mature-seeming child, and so forth…animal, patron, caretaker & guardian, public, customer, businessman, blah, blah, blah, descriptor, descriptor, word, word, term…) that Alias i.e. Harlequin, in relation to Laramie James Backstagger, in relation to J, J, K, T, A, H, O, I, Sam, Franz, Helene, Clarice, mom, sister, dad, daughter, cat, dog, cow, instructor, stranger, landscape, realm, city, genre, language, world…

wanted, even craved (it might be said)

being “special.”

Alias Harlequin.

Alone.

&&&&&&&&&&&&&&&&&&&&

A thousand shades from cynical to fine…

…medium nor method, mechanism nor machine matters…

…it’s simply the persons involved…

…the choices they make…

….ways they behave…

…what is made of it…

….making and interpreting…

…given the day, the moment, the situation…

…without matter or evidence or reason.

The world happens.

And then we die.

And then world continues.

Happens (for us) (me) (Alias) (Laramie) (you)

No more.

The equations very, VERY simple.

Here & Gone

Heaps of trouble in between

Self-causation

-regulation

Autopoeisis

 

 

Alias (outside) – more from the notebooks

harlequin-with-his-hands-crossed-jacinto-salvado-1923

Alias “boyfriend,” alias “daddy,” alias “instructor,” alias “friend.”  Alias “person.”  Alias “student,” alias “son;” alias “scholar,” alias “man.”

Alias “Alias.”  Always additional roles (or functions, behaviors, responses, and on…)

I.e. disciplines: philosophy, sociology, science.  Alias “arts” and “humanities” and “lover” and “partner” and “parent.”  Alias “human.”  Alias everyone.  I.e. no one.

Alias Ignatius Evgeny Harlequin, a simple human pattern, sample, example, i.e. so-far-survivor.  It’s nothing, really, but something enough to write.

“His” body distinct in the way of all bodies, but matching no cultural icon.  “His” mind above average – no matter.  Mattered/matters little, just a human.  Related to others in lieu of dependencies – that “human” is not a species that can live on its own.  Therefore at least elements of an immediate surround are, well, ALWAYS, essential.  Genuinely.  Utterly.  Whether air or land or water; people, chemicals, fuel.  No human exists without others.  Simply.

Therefore (i.e.) even the meaningless, unnoticeable Alias Harlequin could not survive without a surround.  But might his “surround” survive without him?  On this query, Alias’ presence (and present) is hung.

Alias (inside) – a writing diary

This is long, and really, perhaps, does not belong here.  Reading through notebooks to find references to Alias and Laramie in order to continue the trail or trace of them… I happened upon a set of pages that seemed like something under or inside the emergence of Alias and thought it might be interesting to some.  Or, just something to not lose to memory, but archive in this auspicious and fragile space.

Czech-Marionettes-wooden-joker-czech-marionette-puppet-3.7ac6

Do I think this is my last probable chance (at 45)?

If so

              (it’s undecided, presently)

then this would = my final

composition

                          (undecided)

What would I tell you – you few that have made the time worth being?

T, A, I, O, S, K, H, J, perhaps J.  Arvo Part, certainly Blanchot, Pessoa, Bronk, Dostoevsky, Kafka, Jabes, Cixous, Rilke, William James, Schiele, maybe MK.  Assuredly TWDY, Bach…well, too many to mention.

            Whom else?  Whom else, really?  Dad?  Mom?

In any case – the children, H – H because truly the past two years demonstrated an adult, freely-selected relationship in a way surpassing but only referenced by S, V, PJ, perhaps, no, perhaps J – what H has explored with me re: the world and life really I’d only imagined before.

Therefore – indecision (as ever).

IF the “best” experiences rise up out from the worst (often), out of ‘end(s)’ – beginnings surprise, then how can I know (as I age) if a better-yet does not exist?

It becomes a decision of ‘enough’ or not.

A personal decision.

If I can only imagine repetition with variation, and I’m already tired and starting to ‘ail’ – then the logical decision is to stop.  To peace.  To quiet.

As re: T, A, I, O (my children) – in EVERY case what lies ahead is far beyond repetition with variation – much unknown, much novel, much uncharted territory to experience.

As regards H, and adult self-selected relations of emotion/passion/intimacy – probably (seems to me) little could surpass…only possibly in elements, but – enough?

That is the question – always

Keep living?

Stop?

If “stop,” no more.  Yes it will effect, hurt, harm, perhaps enable – the others (T, A, I, O, M, D, J, H, etc.) but I won’t be aware of that anymore.  It’s just DONE.  OVER.  SIMPLY.

If “keep going” – then demonstrating a care/concern/attention for the others’ lives – T, A, I, O, etc…) that THEIR lives are worth staying alive to see, and that – who knows?! – maybe my own life still offers more truly worth experiencing.

Perpetual conundrum, weighing lives – my own little one versus a host (however small) of others – it would seem theirs count for more than mine (alone).

Hard to say.

I guess we’ll all find out tomorrow what “I” decide.  Not ambitious to keep working just to feed and pay bills.  I have little confidence I’m capable of making something world-enhancing.  But as a parent, a friend, etc., it doesn’t feel fair to make the decision without considering their preferences as well.

I like to think I don’t like to be selfish.

I would live in the country.  Woods, preferably, mountains not too far away.  And rain, plenty and regular rain.

There would be hours in the day.  Hours for loving, hours for reading, for working, for learning, for play.  Enough hours.  Hours to think about the hours, the learning, the loving, the play, and hours to think the hours writing.

I’m aging.  Hair, beard, muscles, flesh all going long.  Mind.  Long(ing).  Time, not so.  Seems shortening, shortened, fore-shortened…by the hour.  I wish for hours.  For time.  For children, partner, places, books.  For human.

She would be there.  Close, somewhere, sometimes.  We would wander, would work, would learn, play.  Would be there, away.

The children would come.  Would visit, report, eat, learn, work, play.  Sometimes we would laugh.  Sometimes perhaps weep or cry.  Contact.

Wood would be sawed.  Water drawn.  Yes it hurts now – knees, shoulders, joints, bones.  Slowed.  Steady, almost.  Still dark but peppered, frosted with gray.  I’m aging.  Tired.  Memory almost all made up already.  Thought always seems new, possible.  Touch.  Strength.  Sound.

Hours.  Gone ever so soon.  Thought, then paper, then feeling begins (or the other ways around?), then gone.

The pen.  The paper.  Lust.  Flesh.  Language.  Learning.  Where is the time?  Too much required for each daily need.

A joker, a harlequin.  Another, another.  Another other in the midst of me.  Mottled mangle, Alias.  Running out of time.  Running down the times, the memory, the full flesh of desires, its theory and knowledge, its aspects and affects.  So very many aspects.  Hand gains speed, cursive loops thin to lines.  Skimped satisfaction.

I like it to take time – loving, learning, working, play.  But the hours grow thin.  Shortcuts, swerves, abbreviations, tastes.  Hints now.  Breezes.  Nostalgia.

Growing monument – what cannot be said – will not – the ineffable – unsayable.  Ungrasped.

How though, to here?  Piecemeal person.  Farm labor, religion, sport, education, family.  Plains, harvest, accidents.  Mountains, Mexico, Europe, lists.  Music, poetry, philosophy – earliest companions – a few pets, kaleidoscope of selves, the river, the sky.

Deaths.  But no death here (yet).  Just on, scrappy, incisive, insecure, haphazard.  Books.  Remiss without mention of books and relentless ache for books and ‘broads.’  Women and words, the headstone says.  Women, words, wisdom(?).  Nature.

To explore.  Internal, external, outward, inward bound.  Sciences and arts.  Creativity and logic.  Psychology, anthropology, complexity and chaos, nihilism.  Literature and lust.  Words and women.  Matter and mind.

I’d have quiet mostly.  No mouths to feed, no herds or pets or things to tend.  Nothing to care for.  Hours.  Hours to tend.  With mind intact, a library, papers and pens.  And lonely land, mostly cloudy, cool, drizzly, wet.  And legs to stand on, arms to haul.  Eyes to see, please keep these eyes a-seeing – yes they’ve heaps of assistance – but please not a final fail.  Not the inner darkness, nor colorless clouds.  Hearing first, before vision.  If the vision is gone – ?

Breath.  Biosemiosis.  The sign and signal of being – a body for meaning.  Complex.  Confused.  Barely contained.  Unspecified.  Though wobbling to, fro, sound, precept, percept, interpret, sense.  Hope.  Hope of vision, of sex, of knowledge, health – something, something – beyond, more, still…

Alias sighs.  Perhaps beautiful still, but soiled and tired.  Undone.  Who is this one?  Which one?  How.  Who this be?  Alias i. e. Harlequin.  Unnameable, the attempt to name, creating traces of not-these.

“man is but a patched fool”

-Shakespeare, Midsummer Night’s Dream, Act IV, scene i

Context of Alias Harlequin

Nobody

Theory of Bloom : Tikkun

Tikkun Bloom

Context for Alias Harlequin

from Michel Serres’ Troubadour of Knowledge

Serres - TroubadourSerres - Troubadour 2Serres - Troubadour 22

Librarian & Litterateur…

Makeover Day

I am not a scholar.  I know that now.

I am middle-aged.

I have pursued no discipline, field, or “area of knowledge” to its limits.

“Core literature.”

Librarian.  “Litterateur” (awful sound).  These.

Exploring fields: science, literature, philosophy, history, critical thought – through the “core literature” – the Canons of the Field.

Only so far.

Not to the ends.

What a novelist needs.  Knowledge a little beyond average, a little obsessive, a little “never satisfied.”

A librarian: able to discourse with “Scholars” in any field – enough terminology, vocabulary, “core knowledge.”

“Jack of all trades, king of none.”

Yes, that.

Librarian.  Litterateur.  (I don’t know what else to call it).

Me.

Degrees in Classical Music, Theology, Philosophy, Information Science, Art & Critical Thought.

It’s something.

But not “scholarship”.

Core Knowledge.

Trying to be human.

Trying to know what I need to know to be that.

Trying to be.

Wisdom

Ouroboros

“If there is any irreverence in my own work, I hope it is the irreverence I bear in mistrusting my own sincere self, which then sincerely mistrusts the irreverent me.  If there is a bottom to this, I think it is a life’s work”

-Mary Ruefle-

Education

egs

“You simply cannot learn and know at the same time,

and this is a frustration we all must bear.

-Mary Ruefle-

Eros – acorn/oak – Identity – Desire

It occurs to me.  Occurs to me that vocation / personal / public / private / occupation / romance / family / profession are not separate elements of some proposed “self” I might emerge with in day-to-day interactions / responsibilities / obligations / choices, but rather tangled and woven threads of the unitary multiplicity (singular-plural) that is “me”, or some continuously occurring/re-curring cursive/re-cursive individuated co-construction of living human life in the world.

So that: when I compose an essay, poem, article, research, letter, note, list, diary entry, story, etc…I am not precisely operative as one or another individuated-circumstance of my “self”, but rather a that oneindividuated occurrence/happening/event – evincing/emerging via this vehicle/form/instance in this case.

Composing a letter to my beloved today, I found “I” was also addressing my own feeling for the circumstances of my living, perception and reflection of my beliefs and attitudes within it, and aims or desires associated with my experience.  So I make it an “open letter” – a public enunciation – of my experience being such-that-I-am.

tree-of-life-cast-paper-by-kevin-dyer

I love you, Hallie.

I love you in ways that are very difficult for me to express.

*

Each aspect, experience, element of my reality – loving you/relation with you – always seems just out of reach of conveying, communicating.  Beyond.

*

My appreciation, joy, anticipation, lust, desire, want, ache, gratitude, reception, pleasure, pain, fear, confidence, courage, adventure, dread, need, fondness, appreciation, hurt, etc… all seem diminished by, or unequal to, somehow MISSED, INACCURATE to my attempts at expressing, representing, sharing…

*

Wishes, dreams, philosophy and poetry all live in this realm: ruled by the “well, NOT like THAT!”  Or…always followed by a “what I MEAN is…”

*

Ambiguity, inexactitude, shortcoming, outstripping, seemingly hopeless and impossible – yet ALWAYS generating hope, desire, energy in the STRIVING and BELIEF.

*

Hopes, wishes, illusions, truth, reality, dreams, love, art, religion… all seem to depend on this strange commerce of energy.

*

discovered negatively, or via an absence or lack…Utopia – we only ever KNOW that “utopia”, “paradise”, is a sensed “longing”, a KNOWING-THAT-THIS-IS-NOT-IT.

*

Perfection.  If perfection is experienced (instances of ecstasy? Joy?) we appear unable to express/share/tell it!

*

Utopia, perfection, hope and desire – are each revealed by their “lack” or “absence” – their “NOT-IS”

*

Everything “ultimate”, “perfect”, “totalizing”, “whole” or “outstanding” we experience as UNIQUE, DIFFERENT, distinct and incapable of analogy or metaphor.
*

UNLIKE.  We know it negatively, according to what-it-is-not, and feel it positively – as something unprecedented, unexpected, novel, unique.  Anything comparable we realize – IT IS NOT THAT.  It is unknown, incomparable, we recognize it by it NOT being ANYthing else we have experienced – or only partially, tangentially, and contrastively (negatively)

THIS IS NOT THAT!

*

Which leaves us, then, in a realm unspeakable, unreferenceable, undrawable – a pure IS realm.

*

You, my beloved, ARE.  And ARE the occurrence or happening, the experience of, the REALITY (signified, significant) of a realm, experience, event, relation that is EXPERIENCABLE but not EXPRESSIBLE.

*

An exquisite sort of heartache for one devoted to the crafts of “expressing the inexpressible”, “saying the unsayable”, and so on.

*

Philosophy, poetry, hopes, dreams – ALL draw their CONTENT from what we KNOW “it” is NOT.  Attempt to use action, behavior, language, movement, thought and speech to draft original arrangements that might allow the unspeakably unique, unsayably novel, incomparably total or inexpressibly replete –

into the realm of expression, sayability, hint, token, trace, Reality, occurrence, activity, appearance or happening…

 and yet it is defiant, recalcitrant, resistant and intractable.

*

You provide me a life of exertion and effort, a LIVING of ATTEMPT – impossible possibilities – or their interaction – irretrievable, unrepresentable happenings and events, experiences

*

BEYOND…full, total, whole Real Experiences…

…LOVE, HOPE, FAITH, INTIMACY, RELATION, DESIRE…

*

NEED for a mad trust in Reality that never equals recognition, cognition, reflection or thought.  Intransigent to language – ever DOES NOT EQUAL,

and THAT is how we know it –

*

that it is Beyond-experience experiencing

Beyond-saying expressibility

Beyond-comparison analogy & metaphor

IN ITSELF OF ITSELF BY ITSELF

AN IS EXPERIENCE

*

You ARE.

*

It is amazing to/for me.  Unsettling, novel, inexpressible, unrepeatable, impossibly in-possible,

something total, whole and real

in ways that action / language / emotion and response can never be.

*

Such is my lot.  Happily?  Momentarily joyous, ecstatic, HOPE-fully…

so much “better” than all it readily-apparently is NOT.

*

And why I seek/work into poetics, philosophy, wishes and dreams…where experiencing surpasses expressibility…Reality surpasses its processing…love its ability to confess…

I love you beyond-this.

In some other-ing language.

I am.  Yours.

“Nathan”

Hallie thrift Love

p.s.  this is also a reason that these forms (philosophy, poetry, art, dreams, etc.) often read as “nonsense” or irrational – each an effort at translating totalities of experience versus “rational” expression or analogical/metaphorical transcriptions of experience.  Dreams combinate Reality…converge and reproduce whole happenings as “veritable” mash-ups; philosophy and poetry ache to stretch language affordances, or mate expressibility to totality…quite possibly irrational, even an impossible urge, but compulsive/erotic/desirous and humanly nature-al nonetheless.

In other words – if you “know what we mean” without knowing the meanings…we are coming nearer “it.”