Begging your patience at year’s end…

Who is Writing

The year’s end approaches.  Writing by hand grows slower.  In need of practice.  The ubiquitous milieu of technology.  A differing technology, and our relation to it.  Our co-evolution with it.  My father’s handwriting is beautiful.  Still.  Differentiation of the digital.  Digital purposes.  Digits accustoming to tapping, percussive, losing their ability to flow, to caress.  I squeeze this pen too tightly.  As if in fear of losing.

Embedded in each loss a gain, development, adaptation, transformation.  Slowness for speed.  Close- for hyper- (reading).  Ambiguity for binary.  Sloppy for distinct.  Mystery – machinic.  Unique for uniform.  Elegance to efficiency.  What is communication?

Interesting to me, easing my grip on the pen, recalling, desiring, hoping, [nostalgia]…

…it occurs to me:

Habitude.  For years, approaching the blank page [paper] – began with “in the beginning was the word…” an “as if,” as if the void, emptiness, blankness of pulped tree afforded emergence, ex nihilo, some everclear clean unknowing evolution out from inchoate.  Trace and track from complex disorder toward infinitely specifiable order.  Each session a composition of the new…

I am struck by the assumption.  Presupposition of potential: that ANYthing might blankly begin (already, like bicycling, shoulder-elbow-wrist-hand and its particular angles operating this ink-stick picking up pace, stretched and loosening, reaching stride).  Presumption of absence, emptiness, a universal glory of “From nothing: This.”  I create.

Happens no more.  Reviewing the increasingly sparse occasions (with age and responsibilities) I am able to operate with technologies of paper, pen and hand-i-writing over the past few years of employment, reading, writing, parenting and relationship…the fundamental (as in foundational, originary) manner of approach…to composition, inception, expectation, hope and desire…is significantly altered.

The fidelity to languaging remains.  That belief, commitment, conviction and trust that ordering the disordered – shaping absence, mattering energy – still transacts secrets into reveals, fabricates meanings of mysteries, is an activity of arbitrary author-ing/-ity; that experiencing’s a processing of signs, of signaling and symbol – that invention, discovery and behavior = complex activities/adaptations of interactive dynamic systems interlocking at multiple scales – inexplicable, indecipherable, far beyond observation or comprehension – and that action or activity actualizes SOMEthing = something unknown, unforeseen, “free” or “new” or potential simply via the inter-, intra- activity of operationalizing with an environment – IN it, part and particle, (that all ‘moments’ eventuate this)…and yet,

There is difference.  Cermonializing, greeting, risking the activity of encountering, engaging, marking a blank page (against death, in hopes of being, realizing desires, imagining, etc.) no longer invokes “In the beginning…” or “word…” somewhere/sometime along the living this transmuted into “Who is writing – ?”

Space-time carved, empty notepad placed, pen inked and ready, and only the sensation, the amorphous geography of a question emanates – Who is writing here now?

No more an assumption that Someone prepares to express, incise, inscribe.  No more presumption that given the space and the time “I” am an entity full of content waiting for production.  No more Someone with Something to process, work out, or to say…

Simply – “Who is this coming to write?”

And any word will do.  Any mark.  But not just ANY word (although also that) – whatever word(s) come to occur between the living – the instrument – the surface – and said ACTIVITY, INTERACTION, RELATION becomes its own answering.

In the “opening” – questioning and answering are one and the same: RESPONSE and ABILITY.

Writing, a certain sort of what might be culturally convened ‘creative writing’ – for me has become a constituting behavior/action of RESPONS-ABILITY.  Given the temporary knot of my organism-in-its-environment or context…what inscribes here represents my ability to respond within it, at this time.

Who is this writing? replies in the writing, and also takes shape as a Who in the writing.  In A beginning (inception of a specific way of acting) is neither Word nor Who but a bothness occurring in its occurrence…

Who is this writing?

Who is Writing2.JPG

“When I write I escape myself, I uproot myself, I am a virgin; I leave from within my own house and I don’t return.  The moment I pick up  my pen – magical gesture – I forget all the people I love; an hour later they are not born and I have never known them.  Yet we do return.  But for the duration of the journey we are killers.  (Not only when we write, when we read too.  Writing and reading are not separate, reading is a part of writing.  A real reader is a writer.  A real reader is already on the way to writing.)”

-Helene Cixous-

Something Becoming…Shaking a rattle

SHAKING THE RATTLE

“our fear: this is what we are made of: our weakness”

– Helene Cixous

“A flock of birds turning in the sky is doing something that people don’t know how to do: moving together, beautifully, without a leader or choreographer…I study ant colonies, and how they get things done without any central control.”

– Deborah M. Gordon in Lukas Felzmann’s Swarm

lead_manuel-prestl-der-vogelschwarm

“Let us agree to apply the word ‘talk’ to all ways of experiencing sensations, actions, and ideas in signs of any kinds, and also to all ways of interpreting signs, and [let us] apply this word ‘sign’ to everything recognizable whether to our outward senses or to our inward feeling or imagination, provided only it calls up some feeling, effort, or thought…Nothing does speak for itself, strictly nothing, speaking strictly.  One cannot bid his neighbor good morning, really, effectually, unless that neighbor supplies the needed commentary on the syntax.  If he does not, I might as well shake a rattle.”

– Charles S. Peirce

(click anywhere to enter)

Borrowing

“We are at the bottom of a ditch and there is just a parcel of air to be found, a parcel and when it is done, we push at the space, and another little space of air presents itself.  Who can talk of love?  There is only air – or none, and if there is none then there is nothing at all.”

“All of a sudden, he thought, all of a sudden, nothing is enough for me.”

“But if life is just that, just being reasonable, then there is nothing in it – nothing worthwhile.  So, the yearning that we have to keep dead things living – or to make unreasonable things reasonable.  That is why a person should live.

— Is it a paradox?

— I don’t think it is.  I think the whole thought makes sense together.  Neither side is complete.”

“I am alive, he thought, and now I am capable of living.”

–Jesse Ball, A Cure for Suicide

Ball - Gerard - Suicide

from the Ruled Writing Tablet

ruled writing tablet

Interstice

I told her that I would have told her, had I known.

-“Known what, exactly?” she said, “Really!?” she said.

Yes, I said, yes, I would have explained what I felt I understood – about the “interstice” – what I felt I understood, I would have said.

As usual, the sighs, the diverted glances, the “I-don’t-knows.”

It’s alright.  I’m pretty used to it, not that it no longer hurts, or squashes some part of me, but familiarity breeds…and it’s not contempt, at least for me.  More like resolve, or, well, I don’t know.

Still I would have conversed about the “interstice.”  Or its plural.  No one can know what we’re talking about (in my opinion) – that’s why we talk (in my opinion).  But I do like to look at her.  And sometimes keep talking so that I can look at her longer.

Thus I would have explained – or attempted to – about the “interstice”… had I known, I tell her.

– “Known what, exactly?” she asked, “Really!?”

It’s ok.  I’m pretty used to it – exasperation.  It’s a sort of fatigue that settles on my interlocutors – my family, my friends, my lovers, my children – as I triple/quadruple/undendingly (exponentially?) second (meaningless term in this context) guess whatever it is (emotion, idea, memory, event) I attempt to convey.

I find I do not trust a thing as long as it might be questioned, and I have yet to discover something unquestionable.  I like inventing titles though.

She’s looking at me – softly, sadly, gently.  Sometimes she strokes my hair and lets me rest my head (the physical part).  It helps.  But the rest doesn’t rest.

Fair enough, for the most part, I’m used to it.  It’s “me” (as we are wont to say) – what I’m accustomed to.  It doesn’t matter, or does in unquantifiable ways, but I keep at it.  Anyway.  I can’t help it.  Well, some things do – vodka, sex, sleep – but only temporarily.

Things are only temporary.

That’s the sort of idea that keeps me alive.  Temporarily.  And second-(exponentially)-guessing.

Interstices1

She’s still there, here, though.  Hence the interstice.  I try to explain.

*

As if “interstice” possessed a meaning, a definition, beyond the moment I activated or utilized it.  As if it indicated.  Meant – convergence-point (limitless above and below and around) of time and space conventions in a realm that felt (seemed) shared.  Held in common.  Nothing is “held,” or only temporarily.  Changed with its containment.  It seems.  I don’t know.  It’s certainly questionable – is it, ‘certainly’?

I don’t know.  Which I thought, or think, is the entry to wisdom, but even that – I don’t know.

She’s still here.  And I question – Who is it?  Who is still here?  And what for?  How? Why?

And where is the vibrating “here”?  And what for, how &/or why?  I can wonder.

– “Wonder what, exactly?” she inquires.

I don’t know.  I’m a human.  An odd conundrum of pieces and parts that correspond or reciprocate in hold-together activities for a while…call it “organism,” there’s that, it would seem, but seem only, digging in it is hard to convince or confirm – a location, identity, consistency, avocation or being.  It’s just so – apparently – temporarily.

Exasperation.  You see?  You dig?  What I mean!?  That’s what we’re after (together, I think) what it means.  But what that means is uncertain, I think or surmise.  We don’t know, it would seem, we’re uncertain.

We ask.

Prologue

writing instruments

Even if it’s only a prologue, it is necessary to begin.  To start with the starting itself.  Some origins are good at that: a bang, a blast, a whisper.

My starts tend to happen with fits.  Inconsistent and occasional, not inceptions, revelations, events.

Supposing it begins in a “mood” and emerges at pen.  Or simply pass by.  Aborted, forgotten.  The pen is what matters, not me.

Swerving from mood to mood, idea / experience, relation / response, passaging effect to affect to effect.  Hardly recognizable.  Yet if the pen is involved, or some other artifact-creator, symbol-maker, discretionary device, a remnant emerges, a record, a trace.

Never the mood itself, not even the experience, but some marker of it, a token or emblem, remains.

Starting with the loss then.  Beginning at the bones.

There’s a boon to that, you see.  It ceases to be important: what the where.  Beginning with the pen, it doesn’t matter.  Memory, emotion or event.  Past, presence or future.  All of those – NO MATTER.  But the instrument – the tools ready-to-hand – typewriter, pencil, keyboard or pen = matter.  Some thing happens then: it begins.

Now it’s started.  Starting with the starting also leads (you must perceive).  If the aim is the action itself, the rest does follow.  Hand leading eye, leading ink, following line, copying language, searching the words, shaping the letters, changing ideas (using different terms), evoking a thought, altering memory, writing a process: a process called “writing.”  A particular animal scraping at paper with ink.

It happens.

Begins.

Follows, outstrips, and results.  Always something greater and lesser, more-than / deprived, exactly inaccurate.

Ambiguous and real.  Using language.

“A ‘beginning’ is something other than a ‘commencement’.  A new weather pattern, for example, begins with a storm.  Its commencement, however, is the complete change of air conditions that brings it about in advance.  A beginning is the onset of something; a commencement is that from which something arises or springs forth…

…Whoever begins many things often never attains a commencement.”

–Martin Heidegger, “Holderlin’s Hymns”

Heidegger - Holderlins Hymns

Media

So…fascinating and intriguing things are being done…

Kafka’s Wound – Will Self

What a Story Looks Like to Me

The Trouble Is

He feels slow, tectonic, deeply submerged even, unable to act, not able to speak, disabled (apparently) to respond, incapable even of processing.  Something seems to have happened.

She – is confused and confounded – experiencing a complex cocktail of distress and depression, pointless and pointed-out, sludged, sloughed and slathered, comatose and doomed, sad and angry in equal measures.  A compound.  A compound problem.

But she’s not.  And he can.

And they will.

The trouble is.

Yes, the trouble is.

Not easily fitted.  Because it is this time.  Again, it is now.  And now, again.  The words were made from before, or for some last time, some other.  Something foreign.  Along with the categories, analysands and diagnoses.  Along with the remedies: all for a potential future or other distinctively past.

But it is now.  Yes, the trouble is.  Is now.

Words of others.  Ideas, aspects.

Always malappropriate and inadequate.  Words are not it.  Words are something else.

This is not discrete or verifiable.  Simple.  Is.  Trouble.

Yes, the trouble is.

And the trouble is now.

She collapses.  He freezes again.  And this frozen is yearning.  Something excruciating.  Like her.  Like where she is, now collapsing.  Collapsible.  Collapsed.  That’s the trouble.

The trouble is.

He wishes and fumbles, at light-year’s remove, another era, disabled, catatonic, all too aware.

She breaks in and through her fall.  He hitches and constricts.

She gurgles a sound, a horrible mutable sound, hardly audible in her destruction and dismantling, her infolding and coming undone.  And he cries, cries out, a sort of bellow and howl of noiseless emission, helpless to keep up with time, incapable of presenting, shaped and occurring like shore-stones and wheat-seed.

She is done.  He has yet to arrive.  He will not get there.  Too far ahead and far too behind, and she is in trouble, and the trouble is.

Yes, the trouble is.  It is now.

Something has happened.

There, Thank You

sketch by Hallie Linnebur
sketch by Hallie Linnebur

There’s this first thing.  And then the side of it.  The underside.  Maybe a knot.

My shirt looks like a dress.

A darkness that comes open.  A light controlled by dimmer switch.

It’s just work.  Effort.  The cost of paying attention.  No end of account.

Start with what you might call a “feeling.”  Continue that way.  And move on.  Navigable hunch.

The roles are flipped.

And flipped again.

Flip-flop, padding along.

Topside.

I don’t remember much, but it all comes with.  Sometimes called “effects.”

Affect.  I perceive.

I watch her move, and move, and move again.  I listen.  I smell.  I wish to touch.  I like to learn.  I don’t know what.  Just find out.  It doesn’t happen.  Well, sometimes.  But not as often as I wish.

I don’t know what the wishes are.

If that’s not true, then I don’t understand.

Over.  Under.  Stand.  Other sides.

When most accurate, I breathe.  Just that, and staying there, I follow.

Staying as a sort of plodding.  A moving.  A padding along.

It seems that sounds compete.  But they collapse, constructing more.

If sights and sounds were all.  Or,

If there was a difference.

A word was used – was “murky.”

I touch the curves.  I’m searching edges.

The switch dims and brightens, dims again, brightens.

Something.  And then the side of it.  Another side.  A knot.

Outside being inside, dims and brightens, inside-out again.  Staying there.

An old and thankful argument.  To whom?  For what?  To what?  For whom?  And so on.

Or just affect.  And staying there, I move along.  And I am thankful.

Between the Spheres

sketch by Hallie Linnebur

This is what it looks like, in the one hand

Between the Spheres

I try to wrap my mind around it.

An attempt to connect the two – a keen accomplishment (perhaps unique to all the world of humans) – of right knowing what left is doing, and vice-versa.

Lost along the way.

I describe it as a process – indicating neither beginning nor end-directing goal, but rather recursive procedural motions.  Realm of natural orders?  Reversible time?  Or indifferent to?

Can’t tell one from the other – hypothesize function – track trace with technology.  Pretend data.  Posit interpretation as theory.  Wind up again.

Variously termed reentry.  Autopoiesis.  Self-organization, containment, production.  Ouroborous.  Infinite regress.

Middle is muddle.  Diversely called.  Corpus Callosum.  Hermeneutics.  Subjective objectivity. The observer effect.  Confusion.

Fusion-with.  Heads and tails are absent, or amount to the same.  Keeping an eye (I) on the eye (I), so to speak.  There are no levels of perception, simply additive, truly more of the same.  No stacking, just tangle.  Alongside, underneath, around, beside, below and through, but ever bound by hemispheres.

Imagine dynamo-balls – activated collectives of interdependent energized cells humming, buzzing or otherwise functioning according to their wired connective wholes-in-part.  Betwixt the vibratory masses some buffery twingled transmission zone irrepressibly attempting translation of pulse-sorts, glyph-types, data blips…circuitously globe-to-globe.

I try to wrap my mind around it.

Wrapping, coiling, carrying…sire-wires…another organizational knottage of wattage…behavioral systems, courier-tropes, internal/infernal communications rife with all the residual, syntactical, emergent and scumbling give-and-take, mis-interpretation and noise.

Submarines and warships, encryption and decoding, fuzzily idiosyncratic as love or larger loops.  Chaos all the way down or ‘round.  Patterning bottom’s-up or through.

This is what it looks like, in the one hand.

A book review of sorts –

A “Book Review” – complements The Whole Hurly-Burly

Vila-Matas - Dublinesque

Dublinesque

By Enrique Vila-Matas

            We are able to “keep up appearances” – some habitual collage of identities – for quite a long time.

I don’t have ANYthing to say, to speak of, when I encounter – READ – the work of a great writer / a great written work [or writerS – the book above is in translation, and that by two others].  Alas.

Broken.  Spellbound.  With nothing to add, say, profess, testify – unable to stop speaking.

: Literature, no?

The frozen sea within me (fraud, image, appearance, presentation, mis-representation) AXED?

It feels that way: like being stumped in a crucial interview by a question one never expected – exposed – somewhere beyond your bones – on into some uncanny…

Like that.

So I read, with the feeling of partaking of fine food outstripping my station.  So tasteful, delicious and exquisite that the experience teeters at throw-up or orgasm…nearly too much pleasure…too much exposure…too much experience.

And the concomitant deflation, flattened, realizing that I am none of something, perhaps too many of somethings,

disordered, disorganized, confused.

Undone.

Vulnerable and laid bare – with nothing showing.

I am not that

Frightening (terrifying even, at some level) and freeing (or, unknown, unpredictable, possible).

Potential, unlikely, impossible to prove or ascertain – uncertainty – unknowable

to my ‘self’ in my body, as a name, or a father, a partner, a person, a friend.

A cipher.  Undeserving of accolades or attributions, unaware of facts or characteristics –

just a long train of habits,

histories, perceptions and behaviors.  A long, long trail of showing up…taking space…acting…AS.

With nothing else: not more-than or without, not subterfuge or false, no accomplishments or occurrences in lieu of AS.

The residue of NOTHING.

Bereft then, but not of substance.  Empty, but not of force.  Simply laid bare, examined, investigated…

…and found wanting.

I stare.

There are things I can perform, ways I interact, roles fulfilled, tasks achieved, conversations replete with reactions and response,

but that is all.

I have a shape, I’ve garnered knowledge, mastered speech and comprehension, can use my cock, can analyze, interpret and produce.  Can keep alive and support others, draft language and record.  Able to run, walk, sit, stand.  To do, make, say and think.  In other words – TO BE – and be HUMAN (passably), but undefined, unqualified, ephemerally labeled, nothing “sticking,” “fitted,” by which I might be “called.”

Just a human lacking content, wriggling survival as a beast.  An educated beast.  And unwitting, unaware and unforeseen.

AN EMPTY ‘I’.  (Replace with senses – it means the same).  A processing thing, operative organism – a complex or compound of certain circumstances, situations, affordances, of contexts.  But nothing special, just unique.  An additional example of a being.

Being false.  In sense of veiled, covered over, costumed and behaved.  Or misbehaved, rankly naked, shown-up short, struggling by.

It doesn’t matter as a seem or even category, division, or multi-ply.  Can’t reach zero, can’t be counted, a kind of circumstance of pi.  A virtual reality that’s not quite real, not loved quite right to rub it so.

A becoming, misshapen, and clumsily adorned, fooling-no-one.  There is no one.  Only you.  Me.  Us.

“an unleashing of erroneous energy”

Derivative and fake.  A mistake, mistake uncalled-for and unnecessary, and untoward.  A simple “me.”  Empty.  Formed.

An empty ‘I’ inside myself (shelf, shell).

In any order, or, perhaps,

on shuffle

5/5/15