Ouroboros, or Autophagia

Ouroboros

I often feel that I’m dying.  Killing myself with disease. Killing myself via the activities of my “mind.”  Killing myself with alcohol.  Killing myself by over-extension, -exertion, lack of self-regard.    Worry.  Anxiety.  Perfectionism.  Wishes.  Desires.  Dying from the absence of sex (and yet orgasm is also a breathless ‘little death’).  Dying from lack of joy.  Dying of disuse, depletion, or disregard.  Dying of my own engulfing life.

Which only emphasizes the insistent FACT.  One thing we know, perhaps the ONLY certainty we’ve understood in the thousands or millions or billions of years we’ve been species-al (spec-ial) and aware of such information…is that we are dying.  Constantly.  Continuously.  Unstoppably.  Irrefutably and inescapably.  Inevitably.

Whether we do it to ourselves – amplify or expedite its course – or are at the mercies and whims of some enormous cosmic complex entanglement; whether our cells turn against “us,” or we turn our “selves” against our cells; excruciating or peaceful, ecstatic or terrifying – WE DIE.  ARE DYING.  WILL DIE.

For some, this undeniable evidence and unstoppable knowledge instigates a kind of “dead-already” worldview or perspective…a nihilism for some.  A not-ness.  A foregoing of LIVING, a preemptive attack, or some strange passion of alignment with the TRUTH – some subversion of the FACT (at the same time true, and as certain) – that a DYING thing MUST be LIVING.

An “it doesn’t matter.”  Usually tacked on with an “ultimately.”  Meaninglessness.  Pointlessness.  Purposelessness.  Something some supposed “scientist” (devoted to “objective” observable “truths”) like a psychologist, biologist or physicist; doctor or therapist or mathematician – might call “depression,” “skepticism,” “cynicism,” – when in FACT it is adherence to one of the ONLY FACTs we’ve described or descried that has held TRUE while all of our tools, technologies, expansions of knowledges and theories, inventions, medicines and so on carry on their wars against it.  A veritable CERTAINTY (indeed, perhaps the only occurrence in which a human being accords with reality).

DYING.  From there – who knows?  “At one’s own hand/operations” or “at the mercy of” environments, situations, circumstances, world… who knows?  No one.  Uncertainty.  The process of being-alive to being-dead is fraught with everything else we are able to imagine.  And almost entirely UNCERTAIN.

It happens.  Living.  Then Dead.  Each one.  Every one.  “Me,” “You,” “I’s,” “They’s,” “We’s,” “Those” and “These.”  Whatever begins…ends (in some form).  Whatever emerges, converges and devolves.  Whatever occurs…deceases.  Ceases “to Be.”

And so what do we do…what do “I” do…with this LIVING?  In full awareness of the synonymity – LIVING/DYING – why is the awareness of dying and depletion of a potency that oft outstrips its necessary , indeed indubitable counterfactual?  LIVING.  LIVING.  LIVING…

Who now, what now, where and for why?

reading dead profile

The Want for a Story : Texts for Nothing

Beckett_TextQuote

The want for a story.  For a ‘reason’ to be.  A far place, an illusion, the stomach knows its illegitimacy, its fantasy, irreality…yet the brain (mind?) dying toward, for, craving, starving after it.

A thread in a narrative…a plotline…a characterization – some momentary identity.  To be witnessed, accounted-for, counted, taken note of, recognized.  The mad dream of anOther aware of me, acknowledging my presence, sidling out of my way.  “Made way”…I exist.

The madness of atoms.  Nonsensical.  Not “to be” – a sort of fact as it goes – but “to be in awareness” – and not only, but much more – “to be in An-Other’s awareness!”  Too much!  Pure delusion.

We infect alt-awareness only via disturbance and/or unavoidability – interruptions, intrusions, sign or accident/event – a scream, a tragedy, an obstacle.  Interference.  No one selects for intrusion…it is managed and dealth with, endured or survived.  We (humans) don’t “mean to,” don’t “seek out” inconvenience.  (Or maybe we do?).  But no matter.  Not our ‘purpose,’ ‘intent.’ Not our ‘drive’ (to survive).

Others become aware of “me” when (and ONLY when?) I get in their way.  “Intrude.”  Otherwise – sans dependence, accident, harm, or some assumed respons-ability (‘obligation’) – I find it hard to imagine drawing the care of attention of an/other.

We spread too thin.  Period.  Once we engage/respond/encounter/experience, it is blatantly evident: WE ARE NOT ENOUGH.  Perhaps nothing is.  Perhaps learning, relating, experiencing, engaging, life…NOTHING is.  Perhaps this differentiates us as a species – UNSATISFIABLE : UNMET.

And…perhaps this is a synonym for “Life/Living” – some ‘thing’ ever striving ‘further’ or ‘beyond’ itself…

Is the ‘definition’ of “Life” simply WANTING FOR MORE?

i.e. – entities remaining alive, period – according to DESIRE?

The want for a story.  A ‘reason’ to be.  To be meaning.  To signal.  To call & respond.  To exist.

But all those are “more-than.”

The Myth in the Verse

The River of Bees

BY W. S. MERWIN

In a dream I returned to the river of bees

Five orange trees by the bridge and

Beside two mills my house

Into whose courtyard a blindman followed

The goats and stood singing

Of what was older

.

Soon it will be fifteen years

.

He was old he will have fallen into his eyes

.

I took my eyes

A long way to the calendars

Room after room asking how shall I live

.

One of the ends is made of streets

One man processions carry through it

Empty bottles their

Image of hope

It was offered to me by name

.

Once once and once

In the same city I was born

Asking what shall I say

.

He will have fallen into his mouth

Men think they are better than grass

.

I return to his voice rising like a forkful of hay

.

He was old he is not real nothing is real

Nor the noise of death drawing water

.

We are the echo of the future

.

On the door it says what to do to survive

But we were not born to survive

Only to live

  1. S. Merwin, “The River of Bees” from The Second Four Books of Poems(Port Townsend, Washington: Copper Canyon Press, 1993). Copyright © 1993 by W. S. Merwin. Reprinted with the permission of The Wylie Agency, Inc.

 

Not-Belonging, Chapters

I feel somewhat apologetic, but here is one more selection from my archives.  Another that when I re-read I am unable to see how I might do better, or how I ever got it done at all, yet all my work un-published or rejected, so I know it is not “good enough” per whatever the current cultural milieu would prefer.  “No matter.  Try again.  Fail again.  Fail better.”  Perhaps.  In any case, it circles around for me like the tail-eating snake I am, in hopes it might engender something new, no, in hopes it might be put to rest.  For any who read it, I would be hard pressed to metaphor my astonishment, humility, gratitude and begging-of-patience, including a sheer and sharp ache of deep appreciation for your life’s time and likely unwarranted, gracious, attention.

does-not-belong-worksheet-worksheet

Chapters That Don’t Belong

(please click image or title for text)

many thanks

from Archives – Family: A Fiction

wandering through my own writings, and stumbling on things that surprise me.  This seems (to me) to be some of the best writing I’ve ever done, something I can’t imagine being able to do, something I’m not sure I ever did – the bewilderments – something I can’t imagine doing again.  Thought I’d share…I wonder who/what I might be.

Family

Family: A Fiction – NW Filbert (2012?)

Let Me Get This Out of Your Way

Intriguing stumble-upon.  Clearing an old flash drive for my daughter I ran across this – texts from my first and only public reading – featuring art by George Ferrandi and Laura Barbuto, which occurred in an interactive reading space with many assistants and much assistance a couple years ago.  Seemed like it belonged in this space.

space_ferrandi

  1. Sitting at table amid a narrative hum. No one speaks.

“Getting it Out of the Way: A Response”

(texts by Nathan Filbert; art/images Laura Barbuto/George Ferrandi)

 

Alias and the Ants

trailofants

Alias observes the ants in his bathroom.  Each Spring.  Spring or Fall, no matter his warfare – treating / trimming / grooming the perimeter of ‘his’ home – no difference (or differance) – Spring and Fall, a trail, a train, a miniscule “army” (whether ‘Army Ants’ or no, he could not say) of tiny insects crossing his counter from sink rim to (nonexistent) god-knows-where and back again, doing god-and-perhaps-scientist knows what…traversing, infesting, conquering, appearing, occurring…

…Alias is unattended…

Observing ‘his’ (not-his) ants.  A collective of interminable insects roving to and fro between a Lilliputian crack along the paint of his lavatory wall (an outside boundary of ‘his’ ‘home’), the cylindrical rim involving ‘his’ ‘vanity’ (does he still possess any of that?) sink, his children’s toothbrushes (the “family” so wishes the infestation undone) and wherever they might journey over the surface’s edge, the drainage holes, the drawers…

Ants.

Alias composes both paste and powder of Boric acid and particled sugar.  A supposed deadly mix for puny pests.  Like “life” for him.  Murderous moments of sweetness colluded with deathly compounds: vodka, cigarettes, illicit sex; bacon, buttery-fried flour, altitude…

Responsibility (instinct) and desire (impulse).

Alias is alone.  Most definitely that.  Solo and (interpretively) forsaken.

His ‘kids’ are grown.  His loves (clearly) outworn.  His ‘friendships’ recursive, reductive, assumptive, routine.  But the weed-trees, the weather and wear, the spiders, the crickets, termites, and dust…and ants, carry on in a differently (and differantly) incessant way.

Indefatigable.  Undefeatable.  (Like death.)

That within succulent sweetness, luscious limnings of love, lie poisons and trace, exposures – never a joy without risk, no ecstasy lacking its peril, no thriving without its decease.  Positives all laced with negatives, happiness balanced in depress.

Alias gazes.  He stares.  Isolated, trimming at an untrimmed beard over a sink he did not install, looking (and failing to see at all) into a mirror replicating demise…above a trail of ants he’s fed sugary poison for weeks, which appear to be active and thriving, in differance to his own ‘self’ – choking and chortling on pleasures that keep resulting in pains, experiments emerging as monstrous, efforts destroying their ends.

He sighs, does Alias.  However he seeks a team and a trail it leads him to toxin, bane eroding his chance.  Considers Laramie, Lucy (his wife), and each child.  Ruminates purpose or promise or hope.  Wonders how relief repulses its reasons.  Why remedy acts against cure.  How ants insist on their patterns.  Why exultation evinces in ruin.

 

 

A Far Story – Samuel Beckett

I wait for me afar for my story to begin, to end, and again this voice cannot be mine.  That’s where I’d go, if I could go, that’s who I’d be, if I could be.

– Samuel Beckett

Beckett - Stories Texts Nothing

Nos. 3 & 4, Texts for Nothing by Samuel Beckett

it doesn’t get better than this…unless it’s more of beckett

Antoine Volodine – from Writers

Great writing, in my opinion…

Volodine_Writers

BEGIN-ING, a story by Antoine Volodine

Volodine_begining1

Alias Impassive

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Alias awakens to disquiet.  Comprehension out of joint.  The motions, the motions, but nothing complies.  He does not feel so he touches the knee of his son.  Yes, he seems to be there.  Words with their sayings and tellings aren’t meaning.  Perhaps he hears.  Feels he doesn’t have pants on, but perceivably they’re there.  Goes to bathroom, masturbates, conjuring images of his love.  Disconnect.  He is not sure that he is here.  Or where it is he is.

Not the trees, not the road, not his car.  Many things are missing.  Not his thoughts.  Not pets, not postal service, not sky.  He’s come unfastened.

The motions, the motions, he makes coffee.  The motions, the motions, he showers.  But did he use shampoo?  Deodorize his pits?  Remember the drop of cream?  Are those his feet?  Walking into work they all take notice.  Is he bleeding?  Checks his hair, his face, his clothing.  Is he stinking unawares?  Deactivated and decoupled, unable to correlate.  He’s in his chair.

He’ll go for water.  He’ll check again.  He’ll look through letters, notes, to-dos, he’ll use his fingers.  He seems inoperable, confused.  They’re noticing.  He hasn’t spoken.  He puts on music.  Sits again.  He looks at language, hears some sounds.  He’s not authorial, nothing gives direction, nothing issues commands.    Disjointed and isolate.

He tries to sleep.  The dreams don’t follow, the eyes don’t rest.  He is confused.  He is detached.  He looks at pictures, attempts a memory.  Everything is near and quite intangible.  Everything is distant.  He cannot cry.  He cannot feel it.  He isn’t thinking anymore.  Something is unhinged.

The motions slow, the motions blur.  Not conscientious.  No recognize.  It seems there are duties.  It seems related.  It seems forgotten or never begun.  He’s too much there and not enough.  Unavoidable and out of sorts.  He cannot hide and there are others.  He tries the motions, and the motions, and they’re still without sound.  He can’t compute.  Head in his hands on his desk.  His eyes are burning.  He can’t find pain, locate discomfort.  No ability to take account.

He pushes objects.  Cuts his palm.  He walks again.  The motions, the motions.  There is no wind.  The sun pervasive.  He sees some plants.  They are not there.  They have not grown.  He is alone and everything knows this.  Dissociated.  He’ll try again.  What will he try?  He’ll try the motions, he’ll try the motions.

Alias motions with his hand.  It comes undone, it does not signal, there is no shadow.  Too much shadow.  He looks around.  There are the others.  They seem to wince, to look too much, to look away.  There is no commerce.  There is no passage.  He sits again.  He hears a sound.  He thinks the hearing.  He tries his luck.  There is no luck.  He wants to realize.  Anything.  Something.  Perhaps.  Maybe.  Motions, motions, motions.  He is not moving.  Things are vacant.

Alias impassive.  He tries to speak.  No one to speak with.  He works at thoughts.  All misremembered.  He’ll try again, he’ll try the motions, keep at the motions, the motions.  All the motions he will try.  He has no purpose.  The motions fail.  Vacuous and without intention.  Was only trying, was just to see.  He cannot see it.  The motions fail.  He moves again.  Things are dissolving.  Disestablished.  Without relation.

He calls the dog, he has no voice.  There’s no response.  He is within a vast alone.  He is not happy.  He is not sad.  He’s unaffected.  He tries the motions.  He tries again.  After all he will stop trying.  Sometime later he’ll give up, but now he tries.  He tries the motions.  He tries again.  He is disquiet, and without end…

Alias Alone

“it was neither the cradle nor the grave of anything whatever.  Or rather it resembled so many other cradles, so many other graves, that I’m lost.”

Samuel Beckett-

The silence.  The separation.  The solitude.  This is not novel, not uncanny, not even irregular or unexpected.

Betwixt Alias & Laramie, in fact, it would not be unusual for 1-3 years to pass without interpersonal communication.

The interruption, irregularity, or stretching intermittence of intimate interaction (current parlance “intensive interaction” – what they’re calling genuine conversation these days – a sort of treatment or therapeutic method for the autistic or ‘disabled,’ – akin to the ‘Talking Cure’ of psychoanalytics past) wasn’t really odd or unexpected or otherwise for Alias…merely unfortunate…he accustomed to his cycles and wishes, routines and desires – never mated very well with the world-at-large…his surround.

Still somehow Laramie’s “off” was different.

Perhaps.

No matter.

Alias driven back to Kafka, Beckett, Jabes, and other authors of silences whom he’s long aspired to – wishing (not so secretly) that he might require only some genuine solipsism or solitude, a kind of retreat or reversal from the cultural logorrhea (social media posts, artist’s talks, professional blogs and listservs, tweets/tumbs/grams & feeds) –

incessant reports on one’s self

– disgusting yet enticing,

If other humans ever happened to ‘like’ or ‘follow,’ ‘share’ or ‘pin-it’ or – could it be – actually care?

Alias entering thickets alone.  Laramie “off” (in every way his ‘right’).  No human (living, warm, alive, and responsive).  Alias turns to the ‘mind’ (texts, images, memories, dreams, literature, language, art, thoughts) – in any case or scenario – some abstracted cerebral, cognitive-capacity, the Human Imaginary.  The Pretend.

Meaning.    God.    Religion.    Truth.    Santa.    Satan.     Logic.     Math.

His pet feline “Luna(tic)” and fractured Chihuahua “Gizmo” as company.  And printed literature.  Recorded music.  Playback audio-visual-cinematography.  Machinic animations.  Pornography.  Movie.  Television.  Photographs.  WHATEVER.  Virtual Realities in the place of persons.

Attempts to stay alive, carry on, delude oneself that meaning and reason and experience and expression had validity and representation, communication and comprehension, and so forth.

To “keep calm…& carry on.”

Breathe.

Or…whatever.

Laramie: “OFF”

and

Alias: (“ON”)?

never the twain shall meet?

well, occasionally

(he says, he thinks, he imagines, she says, someone hopes)

The HUMAN (Alias surmises) – ‘an interminable thinking-speech,’ Alias think-speeches, “surely I read/heard/saw/overheard that somewhere.”

It’s Alias alone…free(?), unfettered, allowed, supposedly “ON”

Laramie – “OFF,” Alias sighs.

(and therefore no way to ‘think through’)…

***********************************

Point is, Alias thinks as he murmurs and walks along, there is no meaning, purpose, or point to it all.  “Think-writing” Laramie once called it (re: Alias’ poetry) – “simply inscriptions of progress, er, process…languaging what happens in your miniscule portion of the world (as you know it).”

Think-writing, write thinking, “fuck you!” Alias thinks (writes).  “How can one think without someone or something to think ‘off’ of or ‘with’ or ‘in relation to’?”  Alias grumbles – “yet you’re ‘OFF,’ gone, along, beyond, and so remains me, it, this ‘against,’ ‘in relation to,’ this withless ‘with’ (all versions of the same) ANYthing, EVERYthing, NOThing.”

Something!

“OFF” said Laramie, he

said to Alias, “simply ‘OFF’” like a switch, a light, a life, a dream, a thought, an inception of memory, an hope, ON/OFF, ON/OFF, there/gone, here/gone, you/I, yes/no,…’OFF’ said Laramie, he said to Alias that day, that last day, that latest traversal, that…

…dream,

imagining, encounter, hope, wish, Alias imaginary…

———————————-

…because no one cares, and there is surely no reason to (Alias ruminates).

Having always wanted, desired, craved (it might even be said) to be some strange, unrepeatable and unique (or recognizable) combination of human/person/lover/writer/philosopher/musician/writer/virile male and sensitive, omniscient (no, not ‘omniscient,’ not ‘all-knowing’ but ‘all-considering,’ ‘all-comprehending’ and ‘-allowing,’ ‘understanding’) homo sapien.

There is never any reason (Alias considers) that he should (in any way) be special, “special,” and yet, and yet…

There’s no smidgen of doubt (Alias i. e. Harlequin, piecemeal patchwork of human male – a man, a father, son, parent, professor, laborer, home-owner, some-time partner, friend, teammate, band member, student, child-like adult, mature-seeming child, and so forth…animal, patron, caretaker & guardian, public, customer, businessman, blah, blah, blah, descriptor, descriptor, word, word, term…) that Alias i.e. Harlequin, in relation to Laramie James Backstagger, in relation to J, J, K, T, A, H, O, I, Sam, Franz, Helene, Clarice, mom, sister, dad, daughter, cat, dog, cow, instructor, stranger, landscape, realm, city, genre, language, world…

wanted, even craved (it might be said)

being “special.”

Alias Harlequin.

Alone.

&&&&&&&&&&&&&&&&&&&&

A thousand shades from cynical to fine…

…medium nor method, mechanism nor machine matters…

…it’s simply the persons involved…

…the choices they make…

….ways they behave…

…what is made of it…

….making and interpreting…

…given the day, the moment, the situation…

…without matter or evidence or reason.

The world happens.

And then we die.

And then world continues.

Happens (for us) (me) (Alias) (Laramie) (you)

No more.

The equations very, VERY simple.

Here & Gone

Heaps of trouble in between

Self-causation

-regulation

Autopoeisis