Category: Art

Stone Hefter in High Winds

On By NW FilbertIn Art, being, Language, Poetry, Writing5 Comments
Jack Baumgartner, “Stone Hefter” https://theschoolofthetransferofenergy.com/category/prints/

Stone Hefter in High Winds (at Jack’s farm, Western Easter) 

 Maybe my mind is lost 
holding the lamb 
held 
by holding the lamb -  

hope and despair 
not so different 
after all - 
as symptoms of alive  

fingering rocks
in pockets 
words 
accrued structures  

layers 
of meanings 
β€œGo on” 
Stone Hefter  

Living Tree 
Breath Brother 
Sighted Singer
no division  

only specular, 
complex, 
complicated processes -
birds, soil  

plants, mammals 
always skies 
everywhere in light 
or what is darkness for?  

he said, 
let there be...
and there is 
in beginnings  

the words
ends and means 
roots to branches 
seed to flower  

quarks to organum
charging inspired
bodies 
carbonated sparks  

in the high winds

Language/Life

On By NW FilbertIn Art, awareness, being, Confusion, creative writing, Experimenctes, identity, Journaling, Language, life, Mapping, meaning, WritingLeave a comment

This is the same struggle – (LanguageLife)

this mis-match, trans-mesh, between media (their mediums)

.

A woman arrived – beautiful.

First thought: why isn’t language like her?

no – why isn’t language Her.

The difference. Media.

Eventually I felt this about music, painting, photography.

Eventually I felt this about perception, expression, myself.

.

i.e. Why isn’t one thing another to the same effect? Why doesn’t one temporally unified multiplicity (perception) correlate adequately in another?

.

My writing, these shapes, lines, movements, and possible sounds and touches and sayings are ever as real as hers, (equal), but not her (different) <in so many ways, sort of> <and not many ways, kind of>

.

There is animated material in motion with layers of perception – interpretation – impression / meanings. And here as well.

But they are not the same,

metaphorically, experientially, actually.

And they are.

(We are, species-level, carrying similar realities in similarly leaky containers).

And we aren’t.

  • Effect (1)
  • Affect (2)
  • Mode (0)
  • Artifice (N+1 / N-1)
  • Occurrence Happening Being (=)

We are.

And aren’t.

Same Difference

.

Language lives. is alive. is not life. is life.

As also language.

And not.

She and I are. And are modally identified. Materially.

And are categorically for many striations,

same.

And not.

Effect. Affect. Also same difference, everywhere within scales. Eventually, no difference?

Eventually…only same? In a thin layer, deep and thickly.

Undone. Coordinated.

Same difference.

eventuates:

AND – – – – OR – – – – NOT

(same differencings, as each require equal potentialities)

.

Endless.

This is a slippery slope of a flat plane.

.

Therefore I love the “Book of Idolatry,” “truth,” empirical methods! Same differences, endlessly, potential, infinite variation and similitude. Swerving curves of identity deranged.

Lo how the mirror distorts in its clarity.

The painting clarifying distorted.

Voila.

Another.

The same.

Again.

Differently.

.

One might suppose differing due to activity – close circle – if static could be posited or possible we’d see (as we are seen). But seeing is active. As is that seen.

therefore, indeterminate

that is, knowably unknowable

i.e. uncertain in its certainty

Voila!

What?

same difference

BEING

matters

Light, as a feather

On By NW FilbertIn Art, creative writing, friendship, Image, Perception, Photography, Traces, Writing5 Comments

Lee_Light Feather 2018
unfixed photographic print of a feather – gift from Summer Lee

How seeing depends… opacity, clarity… foggy horizons between tumultuous sea and sky…

Light, as a feather – the dawn in darkness, or the hoping carrying despair.

What is seen, then?Β  What fore- or back- grounds an image?Β  How?Β  In mist, in motion.Β  In a dream that waking brings.

In which direction, grounding?Β  And wherefore?Β  Lightness limning itself again, again, in midst of darker swells and slighter traces.

How seeing depends… on light, the eye, theΒ stimmung – the stemming of mood – and graver swirls… beg-ins and sets-out from.Β  Within.Β  Without.Β  Finding curious concord.Β  Even when there’s barely there.Β  Either.

Deepens, depends, opens out, away, in deep ends, hollow holing, turbulent tunnels, seeing unseen, a groping for/in light where none.Β  Peering is something, as the closing of the eyes – telescopic blindfold.

Perhaps dawn is down, where despair is rising.Β  Hope precipitating beyond eithers, or… differences imperceptible save the seeing…

How seeing depends… and deepens with what is searched for, what wants, who opens,Β  what feels, within each where-when, becoming there-thens, seeing how.

It begins, then, all seeing, between.Β  Bounding back-forth in light and light and any weighted things, ever shifting seeing-sea and emptied sky, re-membering differences to seamlessness, with opaque clarity, as such your “I.”

Lee Letter 2018
Text included with photograph – Summer Lee 2018

Last Days of the Year (12.31.2017)

On By NW FilbertIn absence, Aging, Art, Blogging, change, creative writing, Experience, Literature, longing, Writing2 Comments

after Helene Cixous’ First Days of the Year (all quotations from)

 

642177

β€œβ€¦writing doesn’t know the story…”

– Helene Cixous –

Writing had dissipated, eroded and erasured, β€œthe stream, the slender silent stream with its singing arms,” dried, swallowed, scabbed to dusty ground, hardened wounds, simple soundless scarring – unmarked, unmapped, uninterpreted or deciphered.

β€œWriting, that link, that growth, that orientation” and mysterious connection in the veins – beneath earth, across times, that leaky, throbbing, flowing, trickling tickle in the fingers of the throat – evaporated to ether.

Space is full of voids again, the entire body is corpse.Β  It was air that was missing – oxygen and hydrogen – a liquid, invisible, fluid force and blazing trail – its quiet tireless effort coursing, a desert without shore.

β€œβ€™It has been many years now,’… thought the author”…many years of dwindling, echoing thoughts…many years without solution or solvent, no bed, no pull, no sea or slope – an eviscerated wandering lacking movement, without promise or retreat, direction or return, rather something absent, lost, unknown.

Bedrest – a way to heal by falling fallow, running out, caesura and inaction.Β  Some old trace viewed from scale, an only remnant held by wind – a sentenced shrub, a stop of phrase.Β  Riverbedrest and desertduned unwinding – depiction’s dearth, branches clotstopping gravity’s swill or swirl, deadwooded filaments tumbling anywhere the green had been, the iron bled from vein.

β€œI am going to write,” he had thought at first… but I weigh 47 years and β€œwriting is eternal [knowing] neither weight nor time,” it will not lift and carry me, breezing past as it always has every present unto present – ageless phantom, foreign phrase I am unable to pronounce.

Vanishing link between the bodies, submerged and buried and unspoken – β€œwriting doesn’t know the story” – dumb and blind as memory’s β€˜I.’  The lost and forgotten, what will not come to be.Β  β€œTo me, this is a blow, a threat.”

β€œβ€¦the book we do not write.Β  There is a book.Β  That we do not write…” … wordless and disobeyed, unwritten extinction, disordered and undone.Β  Passage and passing of this now here.Β  This book that’s not here.Β  Irrelevant utopia.Β  A desiccated thread, a wilderness with imperceptible end, some perhaps forlorn and far-off song, long since warbled into stillness.Β  I β€œdo not have what it takes to make a book,” long-lost imagining and fabricated dreams, suffered weeping for what-is-not, what-never-was, the known and haunting will-not-be, pains of life assigned to us.

Sightless, flightless bird without brain enough or claw for scribbles, vision canceled by the crossings-out and scratchings, greedy skimming scamper seeking recognizable seeds, some words less foreign or forgotten, that might crack in the craw and cackle a sigh, a chortle, some wheezy whisper… anything other than absence, the starving shame, the empty marrow, acrid arteries, and granulating groin.Β  Wretched rictus claw, blindly scraping at a pen, a page, a flesh-as-grass, a drop of dew, some ancient call –

HAPPY NEW YEAR ALL

…and thank you

Marking My Way

On By NW FilbertIn Art, Complexity, creative writing, Experimenctes, Language, meaning, Semiotics, Writing3 Comments
What follows is exemplary of my tendency when I open a notebook and begin to write… digression… sigh…

“a man, however intelligent, is no better at maze-running than a rat, unless assisted by notes, whether these are remembered verbally or sketched out in a drawing”

– Michael Polanyi,Β The Study of Man –

artwork – Pamela Caughey

I am beginning this story with words, for I am writing, and writing has often occurred as the transformation of experience to perceivable mark for communicable purpose: programming code, impressions in sand, lines about the mouth and eye, numbers, letters, notations and visible strokes.

The mark I begin with is β€œI.”  To imaginative purpose.Β  Say we could coordinate belief around marks (which β€œwe” already have, or β€œyou” are unable to comprehend, co-perceive or mutually interpret anything of what β€œI” am scribbling).Β  Imagine with me that we can: foster markings and gestures, sounds and expressions, that stabilize over time toward agreement…

1, I; 2, we; 3, you; 4, with; 5, world; 6,… and so on… where marks come to re-present a sharing or relation toward – together we assemble at β€œtree(4)” or β€œword(4),” at β€œsign(4)” or β€œkingdom(7),” at β€œours(4)” and β€œus(2)” and at β€œwe(2)” or whatever(8).Β  All might be marked other ways, sounded or gestured – a squirrel’s flicking tail, a whale’s sonic wail, bird twitters, rock cracks and colors, cloud movements, sighs.Β  Images, letters, motions, or sounds.Β  Impressible, expressible movements.Β  Relations enacted, touches and probes, effects and affects across spaces and times, this is language in-scribed and con-scribed –communicability – glance of finger or toe or of eye, brush of hair or of death or of light… con-tact.Β  Tactility, touchability, WITH.

Imaginatively-agreed-illusory and often elusive – β€œAbstraction (11, or 10+1, or..)” – What-is-not becoming what-is.Β  β€œCreation(8 or eight or 11111111…).”  Coordinated occurrence of subjectless objects and objectified subjects and things among things among things β€œco-existing(10),” – or so β€œwe” mark β€œit.”

I begin with a mark that is β€œi” or 1, or the slightest, least notable line.Β  β€œiota” in Greek, as Frost deftly inscribes – just a pass, accident, happenstance, hardly constructed and simple – a stick falls from a tree and leaves an β€œL” or a β€œY” in the soil, but an β€œi”?

A mistake usually, a drip.

So β€œI” use it to refer to β€œjust 1” = β€œwhat-is-not.”  No β€œone(1)” has yet known only one.Β  With β€œone(1)” there is nothing β€˜to know’ – to attend to, perceive.Β  With 1 there is only the one – less than nothing.Β  1 counts the same in negation.Β  You have nothing or one, but once perceivable three – the 1, the 0, the difference.

We make marks.

The mark I began with is β€œI,” just the least, the inception, the start of a β€œwe.”  A cry, a twitch, a tone or effect, a coloration, occurrence.Β  What’s the difference…

β€œI” could have made a sound.Β  Could have poked, puked, stomped, wriggled…simply gestured into wind…

ANYthing, EVERYthing can only happen as more-than-one.Β  More than meaningless mark (/) or vanishing point, it indicates RELATION.Β  If 1=nothing, we still get 1 + -1 = 0…all ways at least 3.Β  And if 1 is alone (β€œall-one”) there’d be no knowing, telling, perceiving, deciding without at least a β€œNONE(4, 0)” or β€œTWO(3, 2)” to proffer recognition – ALWAYS MORE THAN ONE for there β€œ2B.”

I could not propose β€œI” without other or else (no-thing could be perceived without difference, and difference demands at least two + a relation, [even similarity – which always harbors difference] – therefore 3 at the least for a mark).Β  If β€œyou” couldn’t tell a difference (perceive or experience something…how would you know some thing is?).Β  Identi(cal)ty would seem (necessarily) IM-perceptible.

1 NEVER EQUALS 1.Β  Such is my thesis.Β  If equality and sameness are possible no one could mark it, perceive it, proclaim it – 1=1 is not perceptible.Β  For 1(β€œI”) to be identifiable, not-1(not-I) is required, which demands a 3rd(third) that might distinguish or experience – whether relation-itself 1Β±1 or Otherness to β€œtell apart” or cleave.

Identification demands Other.Β  A mark, even the slenderest, simplest, accidental dash – to be perceptible, to matter – must be different from an other.Β  Therefore, always 2 have to be for a 1 to be, and for that to be perceptible a third(5, 3) must exist… 1β‰ 1=3, and 1=1=3…

i.e. I begin with β€œI” to invoke/inscribe MANY.

I am beginning this story with words…

Signifying Writing – Figure 2

On By NW FilbertIn Art, communication, creative writing, desire, Experimenctes, fragments, Language, longing, Mapping, Perception, Semiotics, sign, Writing5 Comments

Sign-language

Figure 2

A relief in the unreality.Β  A kind of re-sign-ation and release…capitulation…to the impossible.

β€œhow we find our way in the unknown by drawing on invisible maps of the invisible and by following…”

(Gunnar Olsson, Abysmal)

Sign-language.Β  Gesturing.Β  Ambivalent approximations.

At times unbearable.Β  At times a satisfaction of β€œall we have” and the effort of maximizing it.Β  At times re-solve (for x?).Β  At times a re-linguishing abandonment:Β  despair.

I study her, hair splitting and spreading, trailing inky-green over the vein-passages, delicately swollen, along the backs of her hands, superfluous and jewelry-like wrist-bones, concatenation and symphony of muscled, cartilage-limned lineations from thigh to knee-bend to calf, turning into sun-drenched marble of ankle, tendon, toes…painted, dusted, perfection…

The beauty will not hold to term.Β  Will never be contained.Β  It was impossible before it began.Β  Eventuated, erupted, but was not β€œmeant” or realized for any capture.Β  It’s irreducible and indescribable, and I always already knew that – thus a torment, self-torture, a suicide term-inating – necessary failures I will elect to die trying: inconceivable, yet experienced; an incalculable worthless worth because unshared and uncommon.Β  Just perception, experience, singular…impossible.Β  Not factual.Β  Incommunicable.Β  HER.

To simply see (receive, perceive, conceive) – non-transferable, i.e. β€˜unreal,’ unrepeatable, or β€˜not the same’ as that.Β  Untranslatable.

Yes, it starts to map.Β  A conjecture of imaginary spaces, places, locations.Β  Lines drawn wobbly and around, surround, what mystery?Β  To dialogue and dream – hypothesize, surmise, polygraphy.Β  I.e. to fail.

Ends in its begins, becoming something β€˜else,’ as self might with each other – between showing new unknowns.

Not sure its believed in any more: β€œwhat doesn’t kill you makes you stronger.”

It goes on.

A trace, congesture, autography.

Experience.

Abysmal

On By NW FilbertIn Art, Current Reading, Language, Mapping, meaning, Philosophy, Semiotics, Wittgenstein, Writing5 Comments

A philosophical problem has the form: “I don’t know my way about.”

– Ludwig Wittgenstein –

“The silent spaces between words often speak louder than the words themselves”

-Gunnar Olsson –Β 

Signifying Writing, Figure 1

On By NW FilbertIn absence, Art, awareness, Confusion, desire, Experimenctes, Graphotos, human, Image, Language, Mapping, Semiotics, sign, Traces, Writing9 Comments

Opicinus De Canistris World Map
Figure 1

Opicinus De Canistris World Map

*

The map began as a scribble, a doodle.Β  Begins as a failure to write, to β€œcompose.”

In lieu of a word there’s a wiggle of pen wandering aimless in search.Β  Cartography-graphology-psychology – a loitering for logos.

Begins this way – in hope of words, a sort of squiggle.Β  A body desiring a mind.Β  To show up, to take over, provoke or convince – to appear, make a meaning, disclose – to figure toward sign.Β  Some unconcealing.

The signal’s not there, so it moves: the hand, the instrument, the breath and the heart – are they tools?Β  And for what?Β  A cartographer’s dream.Β  Of no training, no knowledge, even reason is lacking.

A pen making marks on a page, mapping none.Β  Tracing nonsense.Β  It begins in this way, and it leads, so he hopes (it hopes, is hope, is desire).

The scrawl travels over the page – given borders and boundaries, arbitrary and set – 6”x9” and lined with a soft viscous grey.Β  He (it) slows down.Β  Just a hand and an arm and a shoulder – in motion – holding a technical device filled with fluid – black, yes, like bile, but less tacky, diluted – it flows, threading lines – it’s con-fusion – yet taking, biting, inscribed.Β  Something happens.Β  Drawings are locked to a medium stock.Β  Incomprehensibles stained on a page.

It crawls on.

*

This mapping begins in a loss.Β  He is lost.Β  It is lost.Β  Doesn’t β€œknow.”  Just beginning, because – with desire.Β  It is driven, compelled, WRITER WANTS (for to write) with β€œnothing to write, and no means to write it” yet constrained to keep writing, to expunge merely SOMEthing, some THING.Β  Which is NO thing, no THING, but to mark.Β  It goes on.

Makes a map, a map-ping, tangled series of lines meaning nothing, no THING, but creating TO-WARD.Β  Ward off absence, off void, ward off death, this is to – .

It (he) is tired.Β  Is forlorn.Β  Is an absence and loss, a re-mission, re-cursion, re-morse.Β  And not even that clear.

Scribbles on.Β  NOT a map.Β  NOT directions.Β  For NO where to go – NOW here, now HERE, no-where.Β  Which begins all the longing, for β€œhe’s” heard it said, found it written – in signs, in-scribed, sign-i-fied: but NOT HERE.Β  Not in him or this body.Β  NOT THIS.Β  No sense.Β  Non-sense.Β  β€œIt’s” not β€œworking.”

Trail dwindles along cross the page.Β  It’s a map.Β  Just of being.Β  NOW here.Β  Now.Β  HERE.Β  Looks like this – some electrocardiomusculoskeletalpsycognilinguadigital-gram.Β  From this angle, this tool, these techniques.Β  As a Ouija.Β  No meaning.Β  Saussurating.Β  Arbitrary.Β  Mediate.Β  Only markings.

It falters.

And so it begins – as a failure to write – as a scribble – an assay – a tribute to write – that cannot, that will not, that does not…quite occur.

 

Becoming What and Who

On By NW FilbertIn Art, creative writing, Critical Thought, Literary References, Literature, meaning, Writing3 Comments

I would find it difficult to praise this work enough and urge you to engage it if you share a deep love of creating and participating in literature and works of art.

Toward a Reading of Forms – by Jean Rousset

rousset120

Meaning-Making in Living Systems, or, 15,000 Things

On By NW FilbertIn Art, Journaling, Knowledge, Literature, meaning, Philosophy, Reflections, Science, thought, Writing8 Comments

subatomic

is a phrase and a theory I have queried, contemplated, spelunked and pursued for the past few decades of my β€œliving.”  Since (apparently) before I can remember, I’ve been addicted to a kind of figuring-out – some offspring of β€œunderstanding,” any concept / idea / or belief-faith – that might elucidate to me my (experienced) compulsion to β€œmeaning” or β€œsignificance” – to matter as matter-in-relation.

I’ve encountered many gurus (preachers, priests, philosophers, psychologists, scientists, mathematicians and artists, farmers and engineers, poets = β€œpeople”) along the way who have sent, directed, swerved, commanded, troubled, commended, interrogated, suggested and questioned this impulse of mine.Β  From sarcasm to scholarship I’ve been told I will not find that which I seek.Β  Or recommended resolutions that don’t withstand my particular scrutiny and skepticism.

It is sunny and light, Spring-y and gentle in Kansas today.Β  I took my lunch, after a walk, at a table among trees.Β  Birds were active, dogs ambling by, flowers in bloom, and a breeze.

For the most part I β€œeat” cause I’ve believed that otherwise I would fail (as a being) and die.Β  I like to enjoy food, but most often it’s presumed β€œpreparation” falls to me, and therefore becomes a complication of time I would prefer not to.

So I sat and I drank (so much easier).Β  Water & coffee & other things to my pleasure.Β  And β€œpondered,” I guess – what I do, when (apparently) no one requires immediate need of me.

I was alone, in a way.

And thinking of β€œmeaning-making,” and β€œknowledge,” β€œbelief” and β€œdesire” – human shit.Β  (It’s what I do – that compulsion).

*** As I was contesting people’s behaviors and language recently in my home, my unanticipated fortune of something like a life-partner offered the response β€œthere are 15,000 things it could be.”  Which struck hold and has become something of a clichΓ© in short order in our home.Β  Imponderables, indefinables, indescribabilities.Β  For any action any thing might perform – there are nigh infinite possible β€œreasons” (most likely irrational) – these courses are taken.Β  β€œPersonal knowledge” is not something we have.Β  Systems do what they do – what is done is what’s done – and the likelihood of our assessments being correct is near null.*** [that’s all an aside]

I can be critical.

And quite gracious and kind.

β€œDepending.”

On what?

15,000 things.

I am rambling.Β  And have decided to do so.Β  Readers, you must know, I don’t write because I have something to say.Β  (15,000 things).Β  I have drives to express (inexplicably) – and most often what I write is precisely a declaration of what I don’t know.

β€œThe more we know, the more exposed we are to our ignorance, and the more we know to ask”

– Marcelo Gleiser, The Island of Knowledge–

Well that’s a positivist view.

When I write, I expose all my ignorance.Β  Compose hunches and urges, fascinations and fears.Β  Ache to pull my ineffables toward tongues.Β  Talking’s the same.Β  I don’t know what I’m saying – just hoping experience finds text.Β  Immaterial materializing.Β  We might get β€œsomething to work with.”  I don’t understand any of it.

Sitting then, in the sweet Kansas day, 20/30 years of my life gained a traction.Β  β€œMeaning-making,” to make meaning, was obscuring infinite unknowns.Β  Underlying such a contention – that meaning is made – swum its absence = there’s no meaning β€œthere.”

β€œPerson-hood” aptly decreed – β€œperson” a β€œhood” that we wear.Β  β€œPerson-ality” – some ability we possess to appear as in situations.Β  β€œMeaning” – a something we might craft to suit our unaccountable occurrences.Β  I don’t mean anything, significance is made.Β  If I’m lucky the people around me choose to do so with my existence.Β  Otherwise it’s matter of course.Β  We’re Matter…of course.Β  But who knows?Β  Also the problem of β€œknowledge” – the only β€œknowledge” we have is our own and some idiosyncratic communal bastardization of what our Species has MADE.

Not quite nihilism.Β  Just meaninglessness.

I like the idea of β€œmeaning-making” – finding it in the relation of atoms, of stars, of humans and beasts.Β  Of dreams and delusions, of science.Β  I like β€œknowledge” – created cultural artifacts and residue, flotsam & jetsam, structures and practical theories.Β  AND it would seem it obscures what surrounds.Β  For every academic discipline that drills its way into a world we experience (as humans) and stacks up hypotheses and –pedias…there’s still the wide world there from every other perspective and experience – the ant, paramecium, subatomic particle, sky.Β  Your spouse or your child, parent or friend, or the foreign, the stranger, the Other, the β€œthem.”

Myopia.Β  Perception.Β  The experience of meaning.Β  Attribution of significance.Β  What matters in matter to ME.Β  IF matter – for even matter’s a human contribution to what seems to be.

Perhaps it comes down to particularized β€“β€œhoods” and β€œ-abilities” – β€œeach one’s” momentary personhood and personality – whether experience is an occasion to β€œmake meaning” or glide on in its unnecessary meaninglessness.Β  I don’t know.

What remains is my deranged and crazy compulsion – my β€œhood” I guess, and ability.

So many words come to mind.