Alias Alone

“it was neither the cradle nor the grave of anything whatever.  Or rather it resembled so many other cradles, so many other graves, that I’m lost.”

Samuel Beckett-

The silence.  The separation.  The solitude.  This is not novel, not uncanny, not even irregular or unexpected.

Betwixt Alias & Laramie, in fact, it would not be unusual for 1-3 years to pass without interpersonal communication.

The interruption, irregularity, or stretching intermittence of intimate interaction (current parlance “intensive interaction” – what they’re calling genuine conversation these days – a sort of treatment or therapeutic method for the autistic or ‘disabled,’ – akin to the ‘Talking Cure’ of psychoanalytics past) wasn’t really odd or unexpected or otherwise for Alias…merely unfortunate…he accustomed to his cycles and wishes, routines and desires – never mated very well with the world-at-large…his surround.

Still somehow Laramie’s “off” was different.

Perhaps.

No matter.

Alias driven back to Kafka, Beckett, Jabes, and other authors of silences whom he’s long aspired to – wishing (not so secretly) that he might require only some genuine solipsism or solitude, a kind of retreat or reversal from the cultural logorrhea (social media posts, artist’s talks, professional blogs and listservs, tweets/tumbs/grams & feeds) –

incessant reports on one’s self

– disgusting yet enticing,

If other humans ever happened to ‘like’ or ‘follow,’ ‘share’ or ‘pin-it’ or – could it be – actually care?

Alias entering thickets alone.  Laramie “off” (in every way his ‘right’).  No human (living, warm, alive, and responsive).  Alias turns to the ‘mind’ (texts, images, memories, dreams, literature, language, art, thoughts) – in any case or scenario – some abstracted cerebral, cognitive-capacity, the Human Imaginary.  The Pretend.

Meaning.    God.    Religion.    Truth.    Santa.    Satan.     Logic.     Math.

His pet feline “Luna(tic)” and fractured Chihuahua “Gizmo” as company.  And printed literature.  Recorded music.  Playback audio-visual-cinematography.  Machinic animations.  Pornography.  Movie.  Television.  Photographs.  WHATEVER.  Virtual Realities in the place of persons.

Attempts to stay alive, carry on, delude oneself that meaning and reason and experience and expression had validity and representation, communication and comprehension, and so forth.

To “keep calm…& carry on.”

Breathe.

Or…whatever.

Laramie: “OFF”

and

Alias: (“ON”)?

never the twain shall meet?

well, occasionally

(he says, he thinks, he imagines, she says, someone hopes)

The HUMAN (Alias surmises) – ‘an interminable thinking-speech,’ Alias think-speeches, “surely I read/heard/saw/overheard that somewhere.”

It’s Alias alone…free(?), unfettered, allowed, supposedly “ON”

Laramie – “OFF,” Alias sighs.

(and therefore no way to ‘think through’)…

***********************************

Point is, Alias thinks as he murmurs and walks along, there is no meaning, purpose, or point to it all.  “Think-writing” Laramie once called it (re: Alias’ poetry) – “simply inscriptions of progress, er, process…languaging what happens in your miniscule portion of the world (as you know it).”

Think-writing, write thinking, “fuck you!” Alias thinks (writes).  “How can one think without someone or something to think ‘off’ of or ‘with’ or ‘in relation to’?”  Alias grumbles – “yet you’re ‘OFF,’ gone, along, beyond, and so remains me, it, this ‘against,’ ‘in relation to,’ this withless ‘with’ (all versions of the same) ANYthing, EVERYthing, NOThing.”

Something!

“OFF” said Laramie, he

said to Alias, “simply ‘OFF’” like a switch, a light, a life, a dream, a thought, an inception of memory, an hope, ON/OFF, ON/OFF, there/gone, here/gone, you/I, yes/no,…’OFF’ said Laramie, he said to Alias that day, that last day, that latest traversal, that…

…dream,

imagining, encounter, hope, wish, Alias imaginary…

———————————-

…because no one cares, and there is surely no reason to (Alias ruminates).

Having always wanted, desired, craved (it might even be said) to be some strange, unrepeatable and unique (or recognizable) combination of human/person/lover/writer/philosopher/musician/writer/virile male and sensitive, omniscient (no, not ‘omniscient,’ not ‘all-knowing’ but ‘all-considering,’ ‘all-comprehending’ and ‘-allowing,’ ‘understanding’) homo sapien.

There is never any reason (Alias considers) that he should (in any way) be special, “special,” and yet, and yet…

There’s no smidgen of doubt (Alias i. e. Harlequin, piecemeal patchwork of human male – a man, a father, son, parent, professor, laborer, home-owner, some-time partner, friend, teammate, band member, student, child-like adult, mature-seeming child, and so forth…animal, patron, caretaker & guardian, public, customer, businessman, blah, blah, blah, descriptor, descriptor, word, word, term…) that Alias i.e. Harlequin, in relation to Laramie James Backstagger, in relation to J, J, K, T, A, H, O, I, Sam, Franz, Helene, Clarice, mom, sister, dad, daughter, cat, dog, cow, instructor, stranger, landscape, realm, city, genre, language, world…

wanted, even craved (it might be said)

being “special.”

Alias Harlequin.

Alone.

&&&&&&&&&&&&&&&&&&&&

A thousand shades from cynical to fine…

…medium nor method, mechanism nor machine matters…

…it’s simply the persons involved…

…the choices they make…

….ways they behave…

…what is made of it…

….making and interpreting…

…given the day, the moment, the situation…

…without matter or evidence or reason.

The world happens.

And then we die.

And then world continues.

Happens (for us) (me) (Alias) (Laramie) (you)

No more.

The equations very, VERY simple.

Here & Gone

Heaps of trouble in between

Self-causation

-regulation

Autopoeisis

 

 

Someone is Writing for Something to Happen

Someone is writing.

Writing a long story never told.  Never entire, always undone, elaborate and fabricated, once begun.

Tubes, nerves, roots and vessels.  Pathways.

Encounters, experiences, events.  Relations.

scribbles

*

Language is part of it.  Emotion.  Thought.  A strange logic (situational ordering, a kind of management of complexity, sometimes called ‘chaos’).

A rhizome, a network, a knot.

There are inputs and outputs, sources/emissions, but never clean, nary discreet.

Recursive, redundant, asymmetrically reciprocal.  Untold and untellable, it’s writing, written, writing on…

Over, through, attempting…beyond, become, a traversing or explore.  An assay.  Interactive.  Emerging.  To eventuate.

*

Someone is writing for something to happen.  To participate in occurrence, to entangle in becoming.  To begin, continue, hoping toward an unknowable end.  Writing.

Like loving, eating, dreaming, or survival – one of many ways.

Laughing, weeping, inventing, desiring,

to be…

To 2016

I am uncertain why I am sharing this, it comes from a personal email response to a friend, but as I was writing it, things that were coming up resonated profoundly in me.  Composition just does this for me.  I suppose I want it on public record for my own remembering.  That I learn things about me, that change is possible, that decay is transformative.  Okay then I am posting a personal reflection for myself – to declare it more widely in lieu of a personal social group.

chrysalis

“leaning upon nothing because nothing offers support”

-Maurice Blanchot-

The following is a response to a scholarly conversation regarding philosophy, science, cognition and so on…entirely out of place or sync, but seemed a personal confession on the passage of time and what it reveals…

Greetings —-.  It is good to hear from you.  I’ve been inundated per usual with family activities – good and tiring – and disorienting to my habits of reflection to some extent.  Feeling a bit bewildered re: semester start-up and the madness it brings, and yes, missing ANY considered interaction and dialogue.  I feel lucky to have encountered you.

Wee, random breaks and work-from-home days incite my nostalgia and bodily recall of creating creative work in language.  I ache for it.  Loss of its regularity is a depletion that changes me.  But then I read, “the process of transformation consists almost entirely of decay” from a book about butterflies.  And “we have not much language to appreciate this phase of decay, this withdrawal, this era of ending that must precede beginning” from a commentary on it by Rebecca Solnit, a fine book – A Field Guide to Getting Lost that I like to read while traveling.

I suppose as the library is closed and our work quiet and insect-like on research, curriculum, and admin reports back here…my sociality turns to the work of being open and refusing stress in interacting with my beautiful children.  Which clicks onward into the ever-insistent questioning I face regarding whether there are adult relationships that can be predominately nourishing or reciprocally intimate.  Do we offer one another boon?  Any of us?  Our interactions have consistently done so, and I am very thankful to you for that.  So much conversation wears on me with the subterfuge and maneuvering to get anywhere near meaningful discourse.  I suppose I am tired, and perhaps in a strain of melancholy.  The wishing I could sit back with a drink and listen to intelligent talk without necessity of defense or critical acumen.  Just enjoying that we can.  Imagine and inform one another as humans.  I want this to mean something for me.  To mean I go about things variantly, shy from exhaustion and welcoming to possibilities.  From where does this determination to endure come from?  To “make the most of” idle repartee, body language, archaeology of behaviorisms and attitudes, – supplying too much (or inordinately) in order to learn in situations.  I dream of the luxury of perception and interpretation without analysis.  Reception.  Or where analysis co-creates itself.  Mutuality.  Enjoyment versus labor.  Or an effortless labor to enjoy.  Ahem.  Off-track and losing…

All this, I suppose, to apologize for my lack of acumen in the dear and full emails you and —- have provided…and probably an explanation of my messages of links rather than thought.  Others’ works as hopefully substantial stand-ins for my intellectual lack or confusion.  I do not know where the path is at present.  Just spinning in a lot of literature and activity.  Confession.

Trying to view decay in a hopeful manner.  The slow tears in relationality that introduce distances.  From friends, to partners, to ‘self’ – the flux of it all.  Many seem to have a greater capacity than I for working thematically regardless of internal/external context.  More flexible beings, I suppose, less bound by circumstance and scenario.  Ah well, this is no relevant response to your missals.  Apologies.  They enliven me – simply that thought and invention are going on around me – so please share them all as they arise – it is a great matter of hope for me to watch thought and process in others.  A stay against loneliness.  Thank you.  As I age along, some confusions do seem to dissipate…particularly confusions of my own blindnesses.  What nourishes me: intimacy (emotional, intellectual and physical), the thought and imaginative work of others, people striving to process experience on multiple levels, quiet & rest & reflection.  The commerce of ideas and bodies – entangled minds and bodies – passion and gentleness and reflection.  When these dissipate or decay or are absent in some strange idiosyncratic equilibrium, life is just harder for me to insist on.  And how terribly crucial the activity of writing is for me in my own ability to process my experiencing.  A weird alchemical embodied activity for me that seems to bring forth learning, feeling, imagination and all those characteristics I would like to take root in myself, to be me.  I am better when I write.  Better when I love.  Better when I rest.  Better with meaningful dialogue.  All sounds simple and general, but revealed ever more insistently to me as my epidermis thins.

Another turn of the wheel, bellows to the desire to thrive before the end.

To 2016 then.  And hope.

Something better soon.Kockelman_Figure 9, BSTCSG

The Dual Activity of the Properties of Erosion

Having traveled 2000 miles: Wichita – to – Carlsbad, NM – to – Guadalupe Mountains Nat’l Park – to – Presidio, TX – to – Big Bend National Park – to – Wichita in the past few days, I was privy to the glories of erosion.  What it builds, what it wears away.

My 10-year-old is studying erosion in 4th grade and reminds me that the current definition is simply the movement of material.  What dwindles somewhere accretes in another…

IMG_0896

and leaves or creates (absence or presence of absence?) some glorious ruins (or productions)…

IMG_0911

In an accidental synchrony, we traveled the paths of a favorite album of mine – This Will Destroy You – This Will Destroy You, and the following clip has long moved me, perhaps as much as any music ever has…

…ever reminding me of how I’d like my living dying to go…the movements and decaying – its constructions – the thickened gradual swelling of the deep good of being alive, punctuated by weighty whiles of thriving and ecstasy, momentous significants of loss or gain, as materials move and their relations alter / evolve / generate and decompose.  Its insistence and tocking inevitability.  The (hopefully) delta-like depositing of the full lot, spreading throughout, in its end…

Here’s to our living-dying onlyness…and wishes toward beautiful erosion.

 

Pursuing what Eludes…Borrowing : Blanchot / Bataille

“Perhaps dread is always the more powerful; 

perhaps the joy granted to the only animal that knows it is not eternal is poisoned from the very beginning.”

Philippe Lacoue-Labarthe – Ending & Unending Agony: On Maurice Blanchot

reading dead profile

“Indeed, man is always in pursuit of an authentic sovereignty…We shall see that in a number of ways he continued to pursue what forever eluded him.  The essential thing is that one cannot attain it consciously and seek it, because seeking distances it.  And yet I can believe that nothing is given us that is not given in that equivocal manner…”

“Thus, at all costs, man must live at the moment that he really dies, or he must live with the impression of really dying.”

“INDEED, NOTHING IS LESS ANIMAL THAN FICTION…”

Profile

“It is not Hegel alone, it is all of humanity which everywhere always sought, obliquely, to seize what death both gave and took away from humanity”
“In order for a person to reveal himself ultimately to himself, he would have to die, but he would have to do it while living – watching himself ceasing to be…”

government-logo-US-Library-0018-1383-brand

“Man does not live by bread alone, but also by the comedies with which he willingly deceives himself.

In Man it is the animal, it is the natural being, which eats.  But Man takes part in rites and performances.

OR ELSE HE CAN READ:

to the extent that it is sovereign – authentic – LITERATURE prolongs in him the haunting magic of performances, tragic or comic.”

Georges Bataille – Hegel, Death & Sacrifice

Borrowing

“We are at the bottom of a ditch and there is just a parcel of air to be found, a parcel and when it is done, we push at the space, and another little space of air presents itself.  Who can talk of love?  There is only air – or none, and if there is none then there is nothing at all.”

“All of a sudden, he thought, all of a sudden, nothing is enough for me.”

“But if life is just that, just being reasonable, then there is nothing in it – nothing worthwhile.  So, the yearning that we have to keep dead things living – or to make unreasonable things reasonable.  That is why a person should live.

— Is it a paradox?

— I don’t think it is.  I think the whole thought makes sense together.  Neither side is complete.”

“I am alive, he thought, and now I am capable of living.”

–Jesse Ball, A Cure for Suicide

Ball - Gerard - Suicide

from the Ruled Writing Tablet

ruled writing tablet

Interstice

I told her that I would have told her, had I known.

-“Known what, exactly?” she said, “Really!?” she said.

Yes, I said, yes, I would have explained what I felt I understood – about the “interstice” – what I felt I understood, I would have said.

As usual, the sighs, the diverted glances, the “I-don’t-knows.”

It’s alright.  I’m pretty used to it, not that it no longer hurts, or squashes some part of me, but familiarity breeds…and it’s not contempt, at least for me.  More like resolve, or, well, I don’t know.

Still I would have conversed about the “interstice.”  Or its plural.  No one can know what we’re talking about (in my opinion) – that’s why we talk (in my opinion).  But I do like to look at her.  And sometimes keep talking so that I can look at her longer.

Thus I would have explained – or attempted to – about the “interstice”… had I known, I tell her.

– “Known what, exactly?” she asked, “Really!?”

It’s ok.  I’m pretty used to it – exasperation.  It’s a sort of fatigue that settles on my interlocutors – my family, my friends, my lovers, my children – as I triple/quadruple/undendingly (exponentially?) second (meaningless term in this context) guess whatever it is (emotion, idea, memory, event) I attempt to convey.

I find I do not trust a thing as long as it might be questioned, and I have yet to discover something unquestionable.  I like inventing titles though.

She’s looking at me – softly, sadly, gently.  Sometimes she strokes my hair and lets me rest my head (the physical part).  It helps.  But the rest doesn’t rest.

Fair enough, for the most part, I’m used to it.  It’s “me” (as we are wont to say) – what I’m accustomed to.  It doesn’t matter, or does in unquantifiable ways, but I keep at it.  Anyway.  I can’t help it.  Well, some things do – vodka, sex, sleep – but only temporarily.

Things are only temporary.

That’s the sort of idea that keeps me alive.  Temporarily.  And second-(exponentially)-guessing.

Interstices1

She’s still there, here, though.  Hence the interstice.  I try to explain.

*

As if “interstice” possessed a meaning, a definition, beyond the moment I activated or utilized it.  As if it indicated.  Meant – convergence-point (limitless above and below and around) of time and space conventions in a realm that felt (seemed) shared.  Held in common.  Nothing is “held,” or only temporarily.  Changed with its containment.  It seems.  I don’t know.  It’s certainly questionable – is it, ‘certainly’?

I don’t know.  Which I thought, or think, is the entry to wisdom, but even that – I don’t know.

She’s still here.  And I question – Who is it?  Who is still here?  And what for?  How? Why?

And where is the vibrating “here”?  And what for, how &/or why?  I can wonder.

– “Wonder what, exactly?” she inquires.

I don’t know.  I’m a human.  An odd conundrum of pieces and parts that correspond or reciprocate in hold-together activities for a while…call it “organism,” there’s that, it would seem, but seem only, digging in it is hard to convince or confirm – a location, identity, consistency, avocation or being.  It’s just so – apparently – temporarily.

Exasperation.  You see?  You dig?  What I mean!?  That’s what we’re after (together, I think) what it means.  But what that means is uncertain, I think or surmise.  We don’t know, it would seem, we’re uncertain.

We ask.

Old Ruled Writing Pad

Old Ruled Writing pad

today, searching for paper to make notes on for work…I grabbed a used “ruled writing tablet” of mine, last written in in 2014…and read…

“I am an educated writer who loves a lot of things.  I love language, I love learning, I love relationships – to partners, children, nature, arts, literature, and ideas – to “world.”  I love to study.

By “love” I mean that I choose and enjoy expending my available energy on these things.

I like very much to reflect and consider, experiment with and actualize what seems meaningful for living as a human individual.

That is what I know of myself, besides the facts which are unruly, shifting and so very difficult to capture or recount with accuracy.  All the terms (‘born,’ ‘lived,’ ‘married,’ ‘completed,’ ‘received,’ ‘produced,’ ’employment,’ ‘accomplishments,’ ‘age,’) and their explications are far to vague to be useful here.”

The Loving(?) [dis]Organization of Fire

for lispector

“and it came, with its long passageways without end”

-Clarice Lispector, Soulstorm

and then again, the words, the words they came, presently, fluently, astonishingly as miracles, your body, the languid haunches – temptations, always – your breasts – these letters, formed in the hands…you, you, you, all of you, and I want/ed, I want, I am wanting to grapple, devour and subsume, consume (no, never!) you, but utterly – to the end – to everything – a swallow and fire and drowning and drought – to eviscerate, desiccate, absorb – to thorough you. I want to thorough.  I want to you, thoroughly.  Yes, that is what.  That is the who what am I?  The always when and every how – I want you thoroughly, but not you as realized by or digested in or taken or given or experienced thoroughly (without remainder) but rather

What I am saying (without remainder) What I mean is, what I am saying, shouting, quite silently shrieving, shrieking, screeing, WHAT I CRAVE REVEALING ENTIRELY BY RAVAGING TO END…

I WANT TO YOU.

And I want you to want to me, as mad, as madly, as terribly and

I am ravenous now, each instant and you for starving for me (I’d like that – have me)

but yes and I am having taking giving receiving AND YOU.

I do not understand.

It maddens, controls,

frees.

And this is what I mean.

In hopes that I was born for this…

for Hallie

The Living Dead: a Reflection

“Dad, are you living or dead..ing?” son asks at dinner (aged 9).

Characteristic pause…”Well, both,” I reply.

sad skeleton

How could it be otherwise?  I’ve stayed the course, exercised my body, prepared a meal, feeling fine, alone, aware…and comes the call:  “Living or dead..ing?”  Parental response – stop.  [Why is he asking?  What is he thinking?  How is he feeling?  Bodily signs?   Follow the language – “living or dead…dead..ing…dying.”  What is called for here?]  He thinks the living dead a lot,  so I respond directly:  “Well, both, and how could it be otherwise?  I couldn’t very well be dying if I wasn’t alive, no?  And the process of dying is constructed of living, yes?  So it’s all in one moment I s’pose.”

We move on.

But I don’t.  Not so much.  It’s a good question.

It reminds me why I’m a philosopher, a poet.  Why we tend toward the same, differently.  We watch for the shared, the communal in our experience, anywhere.  We work the same queries.  In a living ruled by science, by probabilities and hypothetical cause, by vague notions of what-might-happen-next given conditions and dynamically complex systems…philosophers, poets and artists tend to seek out what’s certain – what is nevertheless the case: we feel, we think, we live, we die, a world is there – the details change with the order of the day.  Or night.  The language or discipline.  The methods or culture, practice or beliefs.  Depending on the questions.  Who’s asking and how.

We happen – become – and unhappen.

Because my dad, almost 80, evinces this.  Because I’ll be half-90 in 48 hours.  What I asked for is called Cosmic Pessimism, which says something.  I happen…vary…and stop happening that way.  How that occurs, what and who and when and why change nearly as quickly as we do.  Should I say, what we think or believe occurs?  Rationalization of experience.

Reminds me of this, of the action of writing.

I still can’t do it “live.”  Can’t inscribe it as a “post” or a “tweet” or a “message.”  I’ve got to get some static.  IN-scribe is a physical act of scratching, digging, carving in clay.  ON-scribing is more what we do – laying down ink, pounding down letters, playing with light.  Writing with materials like paper and ink relatively makes something stay put for awhile.  So we can revise.  Perhaps that’s all Rilke meant – give yourself the opportunity to edit, erase, respond to your action before you present it.  Is revision revivification?  Stay something, pause.  Apply yourself to your living and choose an occurrence.  Does this wrinkle the union of living and dying?

At work I’m struggling with teaching the methods of multi-disciplinary research.  How to template a strategy of awareness to potentially everything?  We’re living and dying and attempting to know, understand, RATIONALIZE something about that.  Literally ANYthing applies, or may nourish, correct, influence or direct that essential inquiry (and DOES!).  How does one know where to look?  How does one know how to live it?  How does one know what one needs?  To synthesize rationalizations from multiple fields and methods and practices.  To compare all the answers or theories or thoughts?  To differentiate results and observations coming from various humans and schools and materials and tools and contexts and set-ups and the myriad messiness of living/dying organisms in relations beyond our control?

“You must revise your life” (Rainer Maria Rilke).

Revising your dying.  Is it possible to live moments in such a way that they outstrip the correlative dying?  To live more than die?  Once in awhile?  I think we have experiences, moments, in which we feel more alive than in others.  “Are you living or dead…ing” he asks.  Well, waking into a maze to traverse every day – cleaning and feeding and playing the roles (father, lover, employee, friend, son, writer, scholar, blogger, house-owner, house-keeper, cook, playmate, librarian, instructor, male, man, person, reader, and so on), shopping and feeding and listening and nourishing and working and running to tire – feels a bit more like “dead…ing.”  But there are moments!  Times.  “Events,” we call them (I guess).  Twistings and turnings and something like gathered occurrences, Being + Well-Being, Whitehead might say.  A more spectacular death I suppose.  Perhaps elevated experiences of living just heighten the jouissance of death?

I don’t know.

We happen – become/unbecome – and unhappen.

The marks left from that – our inscriptions, palimpsests and paths.  Veined.  Seared-in.  Scored.  In some cases, welded – some cases cancelled, erased, blotted out.  Living-dead…ing.  Vice versa?

To edit, revise, pause – is it possible?  What did he mean?  What might it mean?    Curving back doesn’t alter the time.  Going over is still going forth.  We wend and wind and whirl and reveal we are living and dying.