Ends – the Means to Get There; or, Laramie says “OFF.”

ON OFF image

I drill. I devour.

Kafka, Blanchot, Derrida, Bartleby.  Pessoa, Nietzsche, Jabes, Beckett.

Into the absence of hope.

Of language.

Of body.

I drill and I devour.

Myself.

Vitality.

Capacity.

I try to think my end(s).

I want to get there.

I would like to make it to the end.

I would like to make the end.

I think.  I serve.  I love.  I ask.

I care.  I touch.  I say.  I listen.

I am not fulfilling.

I am never quite what is wanted.

I have never been “right” for a situation.

I am a person who tries very hard to be what is wanted.

I am a person who tries very hard to offer what is “good”.

How would I know?

– what is wanted?

– what is good?

I do not.

I am incapable.

But I DO know:

I AM NOT THAT.

(do not) BE HERE NOW.

simply : do not.

“I would prefer not to.”

“I will not”

No reason.

No anwer.

We are just humans.

Animals.

Purposeless.

Pointless.

Without reason(s).

Without meaning(s).

Without.

Still we go on

(for now)

Still we keep on

Still

On

On

On

OFF

(he said, said Laramie to Alias. “OFF.”  He said, said Laramie to Alias.  And then he was gone.  Really.  Gone.)

Sometimes it happens this way.

Sometimes.

OFF

Simply, over.

[Often, in my case and experience.  They come, they go.  There is a rush of blood to the brain and the loins.  There is something I assume the others refer to as “hope,” – some reason to live, to go on, to pertain.  Then OFF.  Binary.  Digital.  Technology.  Culture.  Beings-in-relation.  ON/OFF.  Lights.  ON/OFF.  Progress.  ON/OFF.  Will.  ON/OFF.  Love.  ON/OFF.  Value.  ON/OFF.  Need.  ON/OFF.  Mood.  ON/OFF.  Everything binary.  Irrational.  Abstract.  Illogical.  Happenings, events, occurrences.  ON/OFF.  ON/OFF.  Life.  ON/OFF.  Life.  ON/OFF.  Life.  ON/OFF.

Life.

ON/OFF.

We are coming to an end.

I am coming to end.

We each come, to end.

The End.

 

 

The Writing of the Disaster

You think twice.  You plan.  I do these things.

Finally incapable of mind over matter.  The capacity of drunkenness.  Full experience.

The body.  The lust and wanting.  The work to let it alone.  To surpass or supersede.

Supplant desire with will.

Language works with, on and in the body.  Larynx, lung, tongue and movement.  Gut, brain and blood.

Without satiating muscle.  Without exhausting the possibilities.  Without terminating lust.

I think twice.  I plan.  You do these things.

Intention.  Commitment.  Decision.

“I will transcend the body.  I will overcome desire.  I will compensate and supplant urges with verbs.  Consonants will become my flesh’s contact and content.  Interoperation with world will equate to traversing its languages.  To write will be my sexuality.  Language my intimate other.”

I will compose my satiation.  I will think my end.  I will language my undoing and completion.  I will create what I need.

Still the body rises.  Erects itself.  Rushes and longs.  Aches.

I rub language all over it.  Stroke it with breath and sounds.  Caress every part with a term.  Toy and pleasure each hollow and tense with tongued noise.

It wants.  It desires.  I want.  I desire.  I long for what it says without diction.

 

Be Drunk

Charles Baudelaire, 1821 – 1867

You have to be always drunk. That’s all there is to it—it’s the only way. So as not to feel the horrible burden of time that breaks your back and bends you to the earth, you have to be continually drunk.

But on what? Wine, poetry or virtue, as you wish. But be drunk.

And if sometimes, on the steps of a palace or the green grass of a ditch, in the mournful solitude of your room, you wake again, drunkenness already diminishing or gone, ask the wind, the wave, the star, the bird, the clock, everything that is flying, everything that is groaning, everything that is rolling, everything that is singing, everything that is speaking. . .ask what time it is and wind, wave, star, bird, clock will answer you: “It is time to be drunk! So as not to be the martyred slaves of time, be drunk, be continually drunk! On wine, on poetry or on virtue as you wish.”

Language.  Alcohol.  Language.  Alcohol.  To void and satiate the body.  To provide full experience.  Pair satiating self.  Ache and desire.  Want and sensation.  As a whole – the desire to be drunk – to fulfill – saturation of pleasure and knowledge – perception/sensation and abstraction/thought – TO RESPOND.  Shower the body, challenge the mind.  Work the muscles.  Lingua the self.  Tickle with letters and edges; heat, fill, temper and calm  salve and sensitize the skin and organs – flood the whole: language and alcohol.  Avoid depending on kind, species, occasion.  Avoiding dependency.

How might an human organism satiate itself?

I dreamt language.  I imagined correspondence, intelligence, sexuality, the wide-openness of commerce between one human and another.  Particularity, difference, biology, culture, knowledge, capacity undoes this.  Incapacitates convergence.  Ruins union.

Intimacy with other = impossible.

Intimacy with self-system = ?

Language.  Alcohol.  Immaterial / Matter.  Body-mind.  Embodied mind.  Enminded body.  How solve desire?  Lust, want, biology, sociology, anthropology (and so on) – the logoi of BEING HUMAN.

Be wild and crazy and drunk with Love,

if you are too careful, Love will not find you.

~Rumi

 

Love depends on Other.  Love depends on converging, connection, call / response / return.  Love is impossible.  Cohesive mingling.

To say the unsayable.  The reach beyond.  The experiment, invention, imagine.  Commerce with species and kind, taking it in (language), absorbing and transforming seeds, spewing it out (language).  Giving / Giving Back.  Receiving / Offering.  Language – perfect intimacy seed.  Perfect contact and context differentiating and responding each to each, body to body, mind to mind… sans orgasm, sans drunkenness, sans satiety… regardless of ecstatic fullness.

This is the disaster.

Unfillable.

Insatiable (body)

Satisfied mind.

This is the disaster.

 

Self-metaphor

“a writer has no proper existence”

-Maurice Blanchot-

“I can’t say I want to kill myself, but I can say I don’t want to appear”

-Catherine Malabou-

byron harmon_lake louise

Malabou – Retreat Metaphor

(click link to read the lecture)

simply, naively, if I decide to retreat from others, to look from some seclusion, or solitude, or shelter, and if retreat has retreated from the distinction between its proper and its metaphorical meaning, what can I reach where and when I retreat?  Nothing proper, no authenticity, I can’t obtain any truth, any essential way of being, because the difference between the proper and the figurative, between authenticity and inauthenticity, between truth and falsity, between what is essential and what is not have withdrawn.

-Catherine Malabou-

Laramie Poeticus

Laramie liked to think himself a poet.  One attuned, natural, native to his world(s).  He liked to think he had unique feelings, perhaps an “insight,” an acute attention – that maybe he saw just a little bit more than others saw.  And was able to say so.

A farmer-cowboy type from the upper Midwest, he played a lot of sports and performed muscled labor – at times enjoying the solitude of pasture rides and the company of large mammals.  He felt a “care,” not sure for what, suspect he’d call it a kind of “connection” – with crop growth, animals, the waters and the skies.  And felt he could say so.  And he could sing.  Musician, farmer, cowboy, son.  Husband, scientist, laboring man.  Father, friend, and “poet” (he might say).  Laramie James Backstagger, dearly known to Alias.

“When you’re making it – forming words or music – do you feel somehow that you’re ‘getting it’?” Alias might ask, as they ambled the fields chopping at thistles, remedying fence.  “Do words add to experience or just chop it up?  Diminish?  Reduce?” Alias chimed.

Laramie would go silent, plodding along, smelling and listening.  Looking.

At times they’d play basketball, tennis (this was all in their youth, Alias having blown out his knees at the pigskin).  And careful.

They both went on to cities: education, enlightenment, the ‘experience’ of cultural promises.  They still had their debts to pay.

“I mean, when you ‘see’ it, or ‘hear’ it, are immersed – it’s not seeing or hearing or sensing – am I right? It’s just being – and then – ?” Alias prodded, “and then – what happens?”  “You hear language, or find it or forge it, dream times or ‘intuit,’ you consider ways you’d be able to MARK it – note it down (letters or score) – recount or recreate it – even extend or rescind it – and that all seems like media to me: communication: expression or history or talk…but reduced.  Reduced to what YOU can comprise or compose – not the ‘same’ as the moments, trembling in the web, and borrowing, borrowing, borrowing – from the wind and the trees, weather and bees, family and learning, working and friends – and our culture! – all funneled and cored to some desiccated fraction of bone – eviscerated – ‘HERE LIES LARAMIE’S TAKE’: some words or an etude or painting.  Even action.  Even sowing or reaping or pruning or care…’HERE LIES LARAMIE’S TAKE’ – wow!  Really?!  Amazing!  One moment made this?!  AND WHAT CARES?  WHAT MATTERS?  WHAT PURPOSE OR POINT, BENEFIT OR CONSEQUENCE…the next ‘now’?!”

Alias could go on and on like this.  Often doing what he’d just described or decried.

And Laramie’d slow, maybe stop, often sit, and stare out.  Have a smoke (he didn’t smoke, but pretended – his children and wife didn’t like it).  And Alias would drink and get wiser.  A little calmer and sad.  And all might go quiet, save the world always humming.

Laramie Backstagger sighed.

“Well?  Whadda ya think?” challenged Alias – “how is it for you when you speak, feel or sing?”

And how would he know, ailing Laramie?  Been too many years of conflicting events and results and mixed feelings.  Too many miles that worked out without working, or failed for the working too much.  “I’m uncertain,” he said, “I’m uncertain.”  “But you’re pushing at something in me.”

By now Alias was off on his own like a mammal, had concocted a scent for to trail.  Maybe the ache was for sharing the thing they were sharing: agreement.  Maybe to get through the whole business at once, simultaneously.  Maybe to not be divided and different or just pieces of things – to be doubled or tripled or multiple?  Harlequin – pieceworked and patched, back then and now and some future.  An assemblage, a collage wanting melding.

“All uncertain,” Laramie said.  “I can’t know, just I do it and feelings will follow.  New ones.  Pains from smashed understandings, joys from promising starts, aches at the poorness I lend them – but something goes on, carries forth – it don’t end with the birds and the breeze.  The words have it too, and the voices.  The shapes and the meanings and lines.  Even tones.  It goes on, both the good and the ill, and I’m part, or it seems such.”

“How ‘bout you?” Laramie wants to know.  “Why do you carry on and keep blabbing,” he taunts.

“Just to borrow,” Harlequin murmurs.  “Just to steal.”  “To have something to say.  To keep silent.  To wish that it might carry on.”  “It’s what we’ve got, all these things.  Try as I might, I don’t know what else to do, and at times feel compelled, god dammit.  Like Foucault or Blanchot or Spinoza.  Or Buddha or Christ, Kafka or little Jane,” (little Jane was the crazy old lady – lived two miles from the Backstagger’s farm – she’d sparkle to company no matter the cause and just cackle and croon – mixing nonsense and stories, opinions and facts, just talking and talking and talking.  No one knew if it ceased when they left, it never stopped within range of the hearing).

“I hear you” said Laramie, “I see.”  To which Alias always replied “But you don’t – I don’t know that.  Have no method of saying it’s true.”  And they’d keep walking on…toward night.

 

Alias (outside) – more from the notebooks

harlequin-with-his-hands-crossed-jacinto-salvado-1923

Alias “boyfriend,” alias “daddy,” alias “instructor,” alias “friend.”  Alias “person.”  Alias “student,” alias “son;” alias “scholar,” alias “man.”

Alias “Alias.”  Always additional roles (or functions, behaviors, responses, and on…)

I.e. disciplines: philosophy, sociology, science.  Alias “arts” and “humanities” and “lover” and “partner” and “parent.”  Alias “human.”  Alias everyone.  I.e. no one.

Alias Ignatius Evgeny Harlequin, a simple human pattern, sample, example, i.e. so-far-survivor.  It’s nothing, really, but something enough to write.

“His” body distinct in the way of all bodies, but matching no cultural icon.  “His” mind above average – no matter.  Mattered/matters little, just a human.  Related to others in lieu of dependencies – that “human” is not a species that can live on its own.  Therefore at least elements of an immediate surround are, well, ALWAYS, essential.  Genuinely.  Utterly.  Whether air or land or water; people, chemicals, fuel.  No human exists without others.  Simply.

Therefore (i.e.) even the meaningless, unnoticeable Alias Harlequin could not survive without a surround.  But might his “surround” survive without him?  On this query, Alias’ presence (and present) is hung.

Alias (inside) – a writing diary

This is long, and really, perhaps, does not belong here.  Reading through notebooks to find references to Alias and Laramie in order to continue the trail or trace of them… I happened upon a set of pages that seemed like something under or inside the emergence of Alias and thought it might be interesting to some.  Or, just something to not lose to memory, but archive in this auspicious and fragile space.

Czech-Marionettes-wooden-joker-czech-marionette-puppet-3.7ac6

Do I think this is my last probable chance (at 45)?

If so

              (it’s undecided, presently)

then this would = my final

composition

                          (undecided)

What would I tell you – you few that have made the time worth being?

T, A, I, O, S, K, H, J, perhaps J.  Arvo Part, certainly Blanchot, Pessoa, Bronk, Dostoevsky, Kafka, Jabes, Cixous, Rilke, William James, Schiele, maybe MK.  Assuredly TWDY, Bach…well, too many to mention.

            Whom else?  Whom else, really?  Dad?  Mom?

In any case – the children, H – H because truly the past two years demonstrated an adult, freely-selected relationship in a way surpassing but only referenced by S, V, PJ, perhaps, no, perhaps J – what H has explored with me re: the world and life really I’d only imagined before.

Therefore – indecision (as ever).

IF the “best” experiences rise up out from the worst (often), out of ‘end(s)’ – beginnings surprise, then how can I know (as I age) if a better-yet does not exist?

It becomes a decision of ‘enough’ or not.

A personal decision.

If I can only imagine repetition with variation, and I’m already tired and starting to ‘ail’ – then the logical decision is to stop.  To peace.  To quiet.

As re: T, A, I, O (my children) – in EVERY case what lies ahead is far beyond repetition with variation – much unknown, much novel, much uncharted territory to experience.

As regards H, and adult self-selected relations of emotion/passion/intimacy – probably (seems to me) little could surpass…only possibly in elements, but – enough?

That is the question – always

Keep living?

Stop?

If “stop,” no more.  Yes it will effect, hurt, harm, perhaps enable – the others (T, A, I, O, M, D, J, H, etc.) but I won’t be aware of that anymore.  It’s just DONE.  OVER.  SIMPLY.

If “keep going” – then demonstrating a care/concern/attention for the others’ lives – T, A, I, O, etc…) that THEIR lives are worth staying alive to see, and that – who knows?! – maybe my own life still offers more truly worth experiencing.

Perpetual conundrum, weighing lives – my own little one versus a host (however small) of others – it would seem theirs count for more than mine (alone).

Hard to say.

I guess we’ll all find out tomorrow what “I” decide.  Not ambitious to keep working just to feed and pay bills.  I have little confidence I’m capable of making something world-enhancing.  But as a parent, a friend, etc., it doesn’t feel fair to make the decision without considering their preferences as well.

I like to think I don’t like to be selfish.

I would live in the country.  Woods, preferably, mountains not too far away.  And rain, plenty and regular rain.

There would be hours in the day.  Hours for loving, hours for reading, for working, for learning, for play.  Enough hours.  Hours to think about the hours, the learning, the loving, the play, and hours to think the hours writing.

I’m aging.  Hair, beard, muscles, flesh all going long.  Mind.  Long(ing).  Time, not so.  Seems shortening, shortened, fore-shortened…by the hour.  I wish for hours.  For time.  For children, partner, places, books.  For human.

She would be there.  Close, somewhere, sometimes.  We would wander, would work, would learn, play.  Would be there, away.

The children would come.  Would visit, report, eat, learn, work, play.  Sometimes we would laugh.  Sometimes perhaps weep or cry.  Contact.

Wood would be sawed.  Water drawn.  Yes it hurts now – knees, shoulders, joints, bones.  Slowed.  Steady, almost.  Still dark but peppered, frosted with gray.  I’m aging.  Tired.  Memory almost all made up already.  Thought always seems new, possible.  Touch.  Strength.  Sound.

Hours.  Gone ever so soon.  Thought, then paper, then feeling begins (or the other ways around?), then gone.

The pen.  The paper.  Lust.  Flesh.  Language.  Learning.  Where is the time?  Too much required for each daily need.

A joker, a harlequin.  Another, another.  Another other in the midst of me.  Mottled mangle, Alias.  Running out of time.  Running down the times, the memory, the full flesh of desires, its theory and knowledge, its aspects and affects.  So very many aspects.  Hand gains speed, cursive loops thin to lines.  Skimped satisfaction.

I like it to take time – loving, learning, working, play.  But the hours grow thin.  Shortcuts, swerves, abbreviations, tastes.  Hints now.  Breezes.  Nostalgia.

Growing monument – what cannot be said – will not – the ineffable – unsayable.  Ungrasped.

How though, to here?  Piecemeal person.  Farm labor, religion, sport, education, family.  Plains, harvest, accidents.  Mountains, Mexico, Europe, lists.  Music, poetry, philosophy – earliest companions – a few pets, kaleidoscope of selves, the river, the sky.

Deaths.  But no death here (yet).  Just on, scrappy, incisive, insecure, haphazard.  Books.  Remiss without mention of books and relentless ache for books and ‘broads.’  Women and words, the headstone says.  Women, words, wisdom(?).  Nature.

To explore.  Internal, external, outward, inward bound.  Sciences and arts.  Creativity and logic.  Psychology, anthropology, complexity and chaos, nihilism.  Literature and lust.  Words and women.  Matter and mind.

I’d have quiet mostly.  No mouths to feed, no herds or pets or things to tend.  Nothing to care for.  Hours.  Hours to tend.  With mind intact, a library, papers and pens.  And lonely land, mostly cloudy, cool, drizzly, wet.  And legs to stand on, arms to haul.  Eyes to see, please keep these eyes a-seeing – yes they’ve heaps of assistance – but please not a final fail.  Not the inner darkness, nor colorless clouds.  Hearing first, before vision.  If the vision is gone – ?

Breath.  Biosemiosis.  The sign and signal of being – a body for meaning.  Complex.  Confused.  Barely contained.  Unspecified.  Though wobbling to, fro, sound, precept, percept, interpret, sense.  Hope.  Hope of vision, of sex, of knowledge, health – something, something – beyond, more, still…

Alias sighs.  Perhaps beautiful still, but soiled and tired.  Undone.  Who is this one?  Which one?  How.  Who this be?  Alias i. e. Harlequin.  Unnameable, the attempt to name, creating traces of not-these.

“man is but a patched fool”

-Shakespeare, Midsummer Night’s Dream, Act IV, scene i

Laramie & Alias

Nobody

Laramie and Alias play ball.  Laramie or Alias.  Alias, Laramie.  What game are we playing?

Riven, desiccated, they lag.  Every day there is more to it.  More and less to them.  Laramie, Alias, friends as long as they can remember, or markers of memory and experience for one another that initiated chronos, now an aeon, now all of what they know.

Laramie falls behind.  Laramie, a little hoarse from laughing, spits out a “hold back!”

“C’mon you little horse,” Alias decries.

What are they playing at?

Long enough that when Laramie commands “Alias Harlequin!,” at this age,  the same mixture of guilt and fear, defensiveness and shame, defiance and harshly judged helplessness Alias feels when seriously called out by parents or lovers shivers his body.  Occupies his mind.  Why?  Why are these things in me, Alias looks down and away.

There is no ball.  It wasn’t a game.  Laramie and Alias walk and wander.  In woods, on paths, through fields.  They try to think together.  Alias has always wondered who he was, or is, or might be.  Laramie never knew, but did it anyway.  Somehow together they were themselves, or felt that way, felt like nothing at all, just present and curious and comforted.  Like learning, Alias thought.  I feel like I’m learning with Laramie.  Always learning something neither of us know.  They talk together.  They call this thinking.  Many refer to it as a game.

Laramie’s butt is on a bench.  He is smoking.  He doesn’t smoke.  His wife doesn’t like it.  His kids don’t like it.  His body, even, has begun to finally recoil.  Alias takes a drink.  Leans against the bench, still guilty, still staring into the trees.  He doesn’t want Laramie to die.  He doesn’t like death much.  It scares him, and it seems simple and true – unavoidable – simply ruinous.

Alias Harlequin sighs.

And Laramie asks what he is thinking.  Or feeling.  Or what is going on, at that moment, for him.

Alias is silent.  How could he know?  If he reaches in, or pays attention to any part – a limb, his gut, the sithering language slithering in what seems like his head – he’ll be inaccurate.  He can only tend to fragments.  Figments of experiencing.  But he doesn’t want the game to be like that.  He’d always hoped someone might know.  Like maybe Laramie knows and is just waiting to see what aspect Alias would select.  Might know something else about Alias’s present that comes from outside of him, that can observe him as a whole, that looks in another direction.

“What do you think?” Alias says.

“Nostalgic,” Laramie reports.  “Some sort of melancholy in lots of places at once.”  “A wend, a bundle, an amorphous pool of forms.”  “This is how it comes and goes at our age,” he breathes.

Nothing.  No response.  Not now.  But it’s an infinite conversation.

Laramie and Alias

Ecriture – ‘I write’ – Why write?

ecstasy - st therese

Nihilism – Melancholy – Language – Silence

No meaning (no matter)

                                            Sorrow (fail again)

                                                                                Speak (try again)

                                                                                                             Silence (fail better?)

A darkness.  Immersion.  This life.  The living it.  Ever to and toward a pointless death (again, another, also).  To be.  To be (as human).  To wish.  To wish for otherwise(s).  To IMAGINE.

Music.  Vision.  Feeling.  Sound ~ Meaning.

I am (one) capable of crafting a fine sentence.

And so – ?

She sings, birdlike, wind-like, tree-like, animal, a hiss of land.

He cavorts shapes, models, architecture – opportunities of space – perhaps, perhaps not yet, perhaps becoming.  In progress…

That one strikes a chord: says.  Plays.  Possible resonance.  Possible possible.  Manufacturing potential.

I am forlorn.  Shorn.  Shriven, stricken, silent.

Working within the arranging of existing things – without vision – mathematician with its figures, logician with axioms, linguist syllabic syntagms.  Utilizing signs.  Pre-existing me – letters and language – scratches and symbols – touches and sights – emotions and thoughts and exhaust…

Minima Philologica

“Very little…almost nothing”

A signal, a marking, a shape inferring sound

(above some hopeful/hopeless void)

And yet…

Organism ~ orgasm.  Biologically an entity capable of immersive ecstasy.  What can, might, has the potential to be – la petite mortweakening of consciousness, swoon, a likening unto death.  This life.  The living it.  Ever to and toward a pointless death (again, another, also).  To be.  To be (as human).  To wish.  To wish for otherwise(s).  To IMAGINE.

As much or as often as possible.  Regardless of structure, import, complexity, complication or difficulty, even desire – BODILY – as organism ~ orgasm FEELS whole, full, exceptional.  Pain, lack, abuse, obtrusion, power, inequality, mystery, vanish, abandon…and yet… the body in orgasm is ecstatic – a weakening of consciousness, swoon, a likening unto death.  Ecriture.

Without meaning

Without import

Without portent

Without purpose

Try (again), ask for (fail again), achieve (fail better)

Anyway, anyhow, silence.

THERE IS ONLY SO MUCH TIME!

The rest go hang – come undone – fail, fall, try harder, wish, hope, imagine – make sense, sensibility, concept, meaning – IN ANY CASE: organism ~ orgasm – more pain and more pleasure will come, will follow upon, will remember, remain – time and consequence – a weakening, a swoon, a likening unto death.

Orga(ni)sm doesn’t care.  All impact an add-on.  Intellect / emotion / sensation / cognition / perception – derivative, invented – and yet – orgasm is an organismic moment.  La petite mortEcriture.

Generative?  Reproducing (or not).  Informative (or not).  Act, study, behave (or not).  And then…NOT.  Organismic gathering toward totality for a moment.  There is living, there is dying (and death) and they (in fact) are indistinguishable.  This life.  The living it.  Ever to, in, toward pointless death (again, another, also).  To be.  To be (as human).  To wish.  To wish for otherwise(s).  To IMAGINE.  Being orgasmically.

To live.  To die.  (breathe out).

It is windy.

The Neutre Becoming : Untitled Writing

“the writer must expose himself to his exteriority”

-William Brogan-

twombly_untitled

In the process of inscription, I am neutral.  Ambiguously being.  Neutered.

Existing via language that has not yet been written opens a sort of potential – possible becomings, as yet unknown, unidentified – possible positings of the impossible – WRITING enaction.  I am unspecified before the letters which commence demonstrating what / who / how as It (this human) encounters them – imagines, recalls, learns, selects, experiments and undoes, chooses and deletes.  Engaging with the sea.  With hearsay and learning, words read or perceived, borrowing, borrowing, sifting and hybridizing.

From wherever, therefore, whomever, toward knows-not-what…IN THE MIDST…WRITING: activity, action, attempt…Everything trying.

A human.  A person.  Acting.  Toward what ends?  Perhaps to say.  To express.  To communicate.  To discover.  Invent.  Investigate.  Imagine.  To play.  To die.  Not to die.  Becoming / evincing / composing / traversing ‘knows-not-what.’  Anything.  Nothing.  Living…to Death.

This is why.  This is why my own ‘need-to-write.’  To become.  To try.  To live on.  To keep going.  Living toward, forward, into… perhaps.

Not-knowing I do not know.  At the edge, or a limit.  Searching a way.  To say.  To discover.  To hear.  To emerge.  Wanting to express, to find out, to dialogue – capable of expressing “Very little…almost nothing,”  I “try again.  Fail again,” and hopefully (but “no matter”) “fail better.”

The internal urgency to write rather than speak, or to speak writing or even write speaking arising when I don’t know the words with which to.

‘The need to write is linked to the point at which nothing can be done with words.”

-Maurice Blanchot-

Selecting the pen, scribbling into the paper when there are no words (that I know) for that which (before words) I experience an urgency toward.

Therefore…working and playing – experiment and effort – name-changing and changeling – It commences.  Exploring.  Expeditions into letters and language.  Into sounds, mouths and breaths.  Into indeterminate dreams and dubious memories.  Desires and wishes and hopes.  To connect or converge.  To speak or hear back.  To know by finding out.  WRITING: to learn by failing.

“becom[ing] the empty place where the impersonal affirmation emerges”

-Maurice Blanchot-

Melancholy (Lispector, Pessoa, Beckett, Jabes, Kafka, Blanchot?) and ecstatic (Rilke, Mallarme?, Holderlin, Nietzsche, Cixous?) human activity/task/capacity.  “Need.”

“That there is language.”

Begin.  Again.

at the point at which nothing can be done with words

***************************

I attempt to express the extent of my experience of love…

Endeavor to language particular beauty…

Strive to tell you how I… try to say…

Make effort to describe my children, the cheek/lip/ankle/voice/presence of my beloved, the eye contact and thought-contact of a friend, paw of a kitten, core of a concept, element of a scent, a breeze, a trace, a view…

Venture some new construction, a world, characters, possibilities…directions and directives…

Ache to communicate…

Will to connect…

Crave to continue…

WRITING: TO LEARN (something?) BY FAILING

perhaps

“the attempt to open a space for the unsayable”

-maurice blanchot-

to fail…

A Literary Manifesto after the end of Literature and Manifestos – by Lars Iyer

Iyer post

NUDE IN YOUR HOT TUB, FACING THE ABYSS (A LITERARY MANIFESTO AFTER THE END OF LITERATURE AND MANIFESTOS)

by Lars Iyer

worth reading!