The Songs I do not Know (ii)

Tell me the songs you don’t know

Dan Beachy-Quick, Of Silence and Song

Light…makes some things seen, makes some things invisible

-Sir Thomas Browne, in B-Q, Of Silence and Song

ii. “Tell me…”

bluebell. jay.

joy. blank. block.

blur. when.

what?

how. where. ever why.

now

it is very

most unknown

not knowing –

i don’t;

breathe

.

cerulean. youth.

abstract. asunder.

i wonder

what for

then

when now?

how does

one tell

not knowing

unknown

always

it sings

knowing

(its’ icon)

and melody

The Songs I Do Not Know (1)

“Tell me the songs you don’t know.”

Dan Beachy-Quick, Of Silence and Song

“–knowledge is made by oblivion.”

Sir Thomas Browne, in B-Q, Silence & Song

clips, or snippets,

the known as partial

notes

signifying

the experienced

gesturing

hymning (nearly celebrating)

its reverse –

everything

unknown

i didn’t know

the sounds of

as they were

always changing –

ever never

.

so i made noise

my shapes

transparently novel (novice)

windows

framing, marking, visibling

all i do not know –

every word an icon

view-finding

all it’s not

.

Image

Sound

Landscape

Intention

Meaning

Clarity of

.

definition

None

.

thus every song i sing

i sing of what i do not know

or hear or dream or feel

i think

but do i tell of songs

i do not know

or sing not knowing?

.

would i recognize

unknown

song?

do i?

sing?

.

it’s hard to tell

meaningful questions

from questioned

meanings,

meaning

tones

notion

her eyes

the water

sky

adroit

wonder

or passion

.

not known

i sing.

Language/Life

This is the same struggle – (LanguageLife)

this mis-match, trans-mesh, between media (their mediums)

.

A woman arrived – beautiful.

First thought: why isn’t language like her?

no – why isn’t language Her.

The difference. Media.

Eventually I felt this about music, painting, photography.

Eventually I felt this about perception, expression, myself.

.

i.e. Why isn’t one thing another to the same effect? Why doesn’t one temporally unified multiplicity (perception) correlate adequately in another?

.

My writing, these shapes, lines, movements, and possible sounds and touches and sayings are ever as real as hers, (equal), but not her (different) <in so many ways, sort of> <and not many ways, kind of>

.

There is animated material in motion with layers of perception – interpretation – impression / meanings. And here as well.

But they are not the same,

metaphorically, experientially, actually.

And they are.

(We are, species-level, carrying similar realities in similarly leaky containers).

And we aren’t.

  • Effect (1)
  • Affect (2)
  • Mode (0)
  • Artifice (N+1 / N-1)
  • Occurrence Happening Being (=)

We are.

And aren’t.

Same Difference

.

Language lives. is alive. is not life. is life.

As also language.

And not.

She and I are. And are modally identified. Materially.

And are categorically for many striations,

same.

And not.

Effect. Affect. Also same difference, everywhere within scales. Eventually, no difference?

Eventually…only same? In a thin layer, deep and thickly.

Undone. Coordinated.

Same difference.

eventuates:

AND – – – – OR – – – – NOT

(same differencings, as each require equal potentialities)

.

Endless.

This is a slippery slope of a flat plane.

.

Therefore I love the “Book of Idolatry,” “truth,” empirical methods! Same differences, endlessly, potential, infinite variation and similitude. Swerving curves of identity deranged.

Lo how the mirror distorts in its clarity.

The painting clarifying distorted.

Voila.

Another.

The same.

Again.

Differently.

.

One might suppose differing due to activity – close circle – if static could be posited or possible we’d see (as we are seen). But seeing is active. As is that seen.

therefore, indeterminate

that is, knowably unknowable

i.e. uncertain in its certainty

Voila!

What?

same difference

BEING

matters