Writing Ontologically? – the shit thickens

“It is the slowness of the art of writing, in its mechanical execution, that for years now has at times repelled and discouraged me: the wasted time of a writer throwing words on the page.

Julien Gracq – Reading Writing

for Jean Lee @ Jean Lee’s World, with apologies

I really “mean” it when I say that I don’t know what I am writing, and that the REAL WHY is because I want to write, and am able, and that I honestly have no character, event, or idea in mind or body as I apply this mediatory marking instrument (ball-point-pen) between whatever-myself-is and this-blank-lined-paper.

I truly might be WASTING LIVING TIME.

OR…might be recording something useful…providing traces…leaving marks of process…like masturbation, cooking, politics, or work – HOW LIVING TIME IS “WASTED.”

Who knows?  The scientists?  Or neurobiologists?  The philosophers or anthropologists?  Historians?  Pastors?  Sociologists?  CEOs?  Artists?  Who determines (evaluates and judges) what is “waste” from what is “significant”/”important”?  Do humans?  Does Time?

For what it’s worth, I have an ellipsis of minutes I am not (apparently) needed by children, pets, work, or world…and so I have taken up a writing tool and am drawing letters in collectives called words onto an empty section of a blank lined notebook.

Is this valuable?  Don’t we wonder or ask this regarding every action and breath?  From holding a child, to exercise; fixing plumbing to sleeping?  Laundry.  School.  DOES THIS MATTER?!?  And, if it might, to WHOM or WHAT…why?

I cannot imagine to whom it might matter that I am stumbling out sentences with nothing in mind other than WRITING, TO-BE-WRITING – excepting my insignificant eperiencing of “self” that WANTS TO BE WRITING – in any case.  Therefore, I AM writing.

All those who seem to depend on me for their well-being, survival (or SENSE of same) also SEEM to be surviving and existing at relative comfort.  Those who purchase (shamefully) my “LIFE.TIME” via employment – have proffered the day off as a normative weekend practice.  For the time being, apparently NOTHING has immediate NEED of me, so I am left to determine what to do with “TIME.”

(my LIFE).

And because I overhear myself continuously complaining, desiring, wishing and bemoaning that I ‘never have time’ to write – I AM WRITING.  Because.

As far as I can tell, I am writing nothing (of worth) because, as much as I desire to write, I actually don’t know WHAT to write, or for WHOM, or WHAT – and so i am just WRITING because.  Serving no one, not even myself, yet perhaps.  Perhaps, because the WANT or URGE “to write” as a writer…is NOT to WRITE SOMETHING (as far as I can surmise – albeit I also regularly wish I were writing something ‘great’ or ‘evental,’ etc…) but truly is simply to be IN THE ACT OF…WRITING, which I AM, and therefore I cannot know what good any of it does beyond being what I wish I were doing…becoming ACTUAL.

Wishes come true: I AM WRITING.

To no point of purpose but the fulfillment of desire: I AM DOING WHAT I WANT TO BE DOING: I AM WRITING.  And it does feel good, and part of it (I think) feels good because I am unable to discover a path, direction, or ‘way’ for it to feel good FOR.

In conclusion: I AM WRITING

and this is: WHAT I WANTED TO BE.

Mission.  Accomplished.

(to/for whomever wherever whatever)

i.e. IN FACT – I AM WRITING.

Alias Thinks Back…On…

“To bring a work to ‘a conclusion,’ as Picasso said, is like putting an end to a bull – to kill it.”

-Francois Jullien-

diaries

from the diaries…

Woke this morning with a particular feeling.  I’ve never been one to believe people could name their emotions or feelings.  The best we can say are parts.

Words like a parts catalog: indicating pieces and components, but never the working, not the operative whole.  Machines are full of mystery.  What’s hidden.

They say you cannot know.  As you age.  Cannot know if it’s the end, exactly.  Perhaps they’re right – I’ve surely been surprised in middle age, believing everything was lost, doomed, downhill and erosive, some slow and steady depleting – and then WOW!  Who could have known or imagined!  This luck, this place, this woman or experience!  Perhaps.  Perhaps.  But maybe we do.  Maybe we really know, once twilight settles.  I’ve never trusted “them” – the “experts,” the “scholars” and “scientists,” “politicians” or “leaders” or “doctors,” the “speakers for” and “authorities”…i.e. privileged observers (an illusion or delusion or both – no one ever gets to be ‘outside’ existence, any more than any other).

What with Laramie gone, and a birthday round the corner, and language just a parts catalog – my experience.

I woke with a particular feeling.  That things were near their ends.  That I am nearing ends.  Work, love, breathing, will.  That the stories I’m involved with are dwindling in pages, thin and wearing out.  These ‘particular feelings,’ “somehow we just know,” kinds of things: lay down, close your eyes, cross your hands over your chest and hope things are in order.  Or not.  Depends on inclination and values, I suppose.  What one cares about, or for.  Perhaps.  “They” say you cannot know.

I’ve been surprised.  Even wildly.  Much I’ve never been able to believe and yet it seems: my children – engendered by me and of such promise; this beautiful woman that loves me; that I’m still alive.  One never knows (is what they say).  So who knows what?  And how do “they” know that?

I think I do, what with Laramie gone, and my faulty parts catalog, and this particular way that I feel.  I’ve worked too long and too much.  Tried too failingly.  Never quite trusted or believed.  Never found my worth.  Maybe now I know.  Maybe now I’m certain of something.

The end is coming – for me – always concerned and consternated by beginnings – how to start, where to set out – and now, here (nowhere) the path, it dwindles away.  What have I done?  What did I mean to?  What did I wish?  Why didn’t I?

I wanted to write a scholarly work about something that truly obsessed me.  Something I’d spent my life searching.  Something that likely doesn’t even exist, but no matter – because Scrabble, because poems, because science.  Unscramble (by scrambling) the letters – you’ll see: it can almost be said, almost anything – existent or not – almost.  Parts constructing strange wholes and plugged in, eventual malfunctions, repairs – and yet “no matter, try again, fail again, fail better” (Sam Beckett – I’ve read and I’ve taught far too long).

And one solid work of fiction and some poems.  That’s all.  That’s what I wanted to do.

So I studied, and traveled and loved.  Raised children, made music, pushed learning and literature publicly, worked and worked, and drank and drank.  Took in stragglers and strays, made it work where I could, doubted and doubted, desired.  Everything but what I wanted – that’s how you perpetuate desire.

I woke today with a particular feeling, though “they” say you cannot know.  Cannot know for certain, that things are yet to surprise you, yet to get better.  I will not argue.  Perhaps.  But what with Laramie gone, and all that’s undone, maybe I know, maybe we do.  Maybe we’re aware when our endings are coming.  Who could know?  Who could tell us?

My ends are coming.

I can’t go on.

I’ll go on.

(still more from Beckett)

Related: Alias Harlequin

Signifying Writing – Figure 2

Sign-language

Figure 2

A relief in the unreality.  A kind of re-sign-ation and release…capitulation…to the impossible.

“how we find our way in the unknown by drawing on invisible maps of the invisible and by following…”

(Gunnar Olsson, Abysmal)

Sign-language.  Gesturing.  Ambivalent approximations.

At times unbearable.  At times a satisfaction of “all we have” and the effort of maximizing it.  At times re-solve (for x?).  At times a re-linguishing abandonment:  despair.

I study her, hair splitting and spreading, trailing inky-green over the vein-passages, delicately swollen, along the backs of her hands, superfluous and jewelry-like wrist-bones, concatenation and symphony of muscled, cartilage-limned lineations from thigh to knee-bend to calf, turning into sun-drenched marble of ankle, tendon, toes…painted, dusted, perfection…

The beauty will not hold to term.  Will never be contained.  It was impossible before it began.  Eventuated, erupted, but was not “meant” or realized for any capture.  It’s irreducible and indescribable, and I always already knew that – thus a torment, self-torture, a suicide term-inating – necessary failures I will elect to die trying: inconceivable, yet experienced; an incalculable worthless worth because unshared and uncommon.  Just perception, experience, singular…impossible.  Not factual.  Incommunicable.  HER.

To simply see (receive, perceive, conceive) – non-transferable, i.e. ‘unreal,’ unrepeatable, or ‘not the same’ as that.  Untranslatable.

Yes, it starts to map.  A conjecture of imaginary spaces, places, locations.  Lines drawn wobbly and around, surround, what mystery?  To dialogue and dream – hypothesize, surmise, polygraphy.  I.e. to fail.

Ends in its begins, becoming something ‘else,’ as self might with each other – between showing new unknowns.

Not sure its believed in any more: “what doesn’t kill you makes you stronger.”

It goes on.

A trace, congesture, autography.

Experience.

Signifying Writing, Figure 1

Opicinus De Canistris World Map
Figure 1

Opicinus De Canistris World Map

*

The map began as a scribble, a doodle.  Begins as a failure to write, to “compose.”

In lieu of a word there’s a wiggle of pen wandering aimless in search.  Cartography-graphology-psychology – a loitering for logos.

Begins this way – in hope of words, a sort of squiggle.  A body desiring a mind.  To show up, to take over, provoke or convince – to appear, make a meaning, disclose – to figure toward sign.  Some unconcealing.

The signal’s not there, so it moves: the hand, the instrument, the breath and the heart – are they tools?  And for what?  A cartographer’s dream.  Of no training, no knowledge, even reason is lacking.

A pen making marks on a page, mapping none.  Tracing nonsense.  It begins in this way, and it leads, so he hopes (it hopes, is hope, is desire).

The scrawl travels over the page – given borders and boundaries, arbitrary and set – 6”x9” and lined with a soft viscous grey.  He (it) slows down.  Just a hand and an arm and a shoulder – in motion – holding a technical device filled with fluid – black, yes, like bile, but less tacky, diluted – it flows, threading lines – it’s con-fusion – yet taking, biting, inscribed.  Something happens.  Drawings are locked to a medium stock.  Incomprehensibles stained on a page.

It crawls on.

*

This mapping begins in a loss.  He is lost.  It is lost.  Doesn’t “know.”  Just beginning, because – with desire.  It is driven, compelled, WRITER WANTS (for to write) with “nothing to write, and no means to write it” yet constrained to keep writing, to expunge merely SOMEthing, some THING.  Which is NO thing, no THING, but to mark.  It goes on.

Makes a map, a map-ping, tangled series of lines meaning nothing, no THING, but creating TO-WARD.  Ward off absence, off void, ward off death, this is to – .

It (he) is tired.  Is forlorn.  Is an absence and loss, a re-mission, re-cursion, re-morse.  And not even that clear.

Scribbles on.  NOT a map.  NOT directions.  For NO where to go – NOW here, now HERE, no-where.  Which begins all the longing, for “he’s” heard it said, found it written – in signs, in-scribed, sign-i-fied: but NOT HERE.  Not in him or this body.  NOT THIS.  No sense.  Non-sense.  “It’s” not “working.”

Trail dwindles along cross the page.  It’s a map.  Just of being.  NOW here.  Now.  HERE.  Looks like this – some electrocardiomusculoskeletalpsycognilinguadigital-gram.  From this angle, this tool, these techniques.  As a Ouija.  No meaning.  Saussurating.  Arbitrary.  Mediate.  Only markings.

It falters.

And so it begins – as a failure to write – as a scribble – an assay – a tribute to write – that cannot, that will not, that does not…quite occur.

 

We are. Are we not.

knottyhands

Beginning this way, I have jettisoned my goal.

No one is able to say precisely when it will rain, until it is raining.  Not this one.  Nor…

At times it is raining.

 

When will I be here? Or, better, perhaps – When am I here?  (Already?  Again?)  How?

Am I when and where I love you?  And how?  Forego why, too complicated.

 

Say “I am this one who loves you” now and now and now again.  As if a presence on repeat, differently again.  Registers and tones; layers, levels, circumstance; sense/nonsense and the liquid continuum between.

Who are you?

Say “you are the one this one loves.”  Or the many.  Or the one this one loves in relation to I.  Or the other-than-one loving other-than-one, here, now, again, again, differently.

When is this love?  And how?  Dropping why in the craggy abyss, as it dissipatively floats, up and away.  Where is this love?

I begin.  It is raining.  Say that you are.  If I say that you are, or how, when, or why, I have failed what I set to inscribe (you).  Say now.  I just missed it.  Say love, saying what?

I’m aware of your absence with pain I can’t tell.  I say “love.”  I say “miss.”  I say “yearn.”  Goal discarded.

Please say that you are.  I will be that relation.  Will not.  And I am.

It is raining.  What it?  Say I am and you are.  Less than one and still more, it’s becoming.  Undone.  The suture begins in the cut.  We are we.  We might be, when we are.  Now and now, say now, and is differently.

We’re unfound in this you and this I inter-change.  Inter-change-able as we.  And we’re not.  Either you or an I as these two, but not quite, there’s an extra: BETWEEN.

Which is nothing, like water in air, molecules known by connections.  Re-cognized.  Understanding might pull them apart, separate, while reason(s) constructs some assemblage.

Say I love you, as this one to this.  Say it’s so, without knowing, ‘cause with.  In between, together; understanding, a part; reasoning a sort of equation.

Where am I?  I appear in this with.  Who are you?  This one forming between.  When now comes it is raining, again, again different.  Some of the notion we are.

Impossible objects – Possible beginnings

Question-Mark-HD-Wallpaper15

“We enter into thought, and especially our own, only by questioning”

-Maurice Blanchot-

This then, an impossible object with possible beginnings.  What says, what writes, what IS – all filled up with what is NOT.

Capture, mediation, confluence.  The impossible attempts, the radical effort: I attempt to SAY, to INSCRIBE, that which is incapable of being said, inscribed, touched or revealed: experience, THIS-NOW-HERE, YouMe.

This is what, then, I will create / not-be-able-to-create.

click here for more…

Fierce Splittings

Teton-Range

Mountains.

At the base of them, miles and miles into Montana, lay Laramie.  Laramie’s horse Sensei is uncertain what to do.  A storm is rolling in.

Lucy knocks at Alias’ door.  “Going for a walk,” she says, “you okay?  Need anything?”  Alias ponders.  “I’ll be taking the dog,” she adds to the nerve-troubled silence.  “You’re welcome to join.”

The fierce splittage that occurs.  Rife.

  1. I always want to go, and madly.  Tromp nature, move our bodies in time, together.  Hear you, explore, see the muscles work your thighs, your calves, their clench and stretch.  Peer at what your eyes respond to, share what registers in your ears.  Be privy to what physicality, adventure, novelty and motion unwind and unravel in you.  Want you as much as myself.  Want to touch and observe, share and protect you.  Crave you.
  2. I need to stay with these thoughts, stick at these questions, interrogate myself, my loneliness, my ecstasy, my want.  I am remiss, longing, wishing.  Forever turning aside for another (spouse, friend, vocation, pet, children) – NO! – I must stay here with myself, plumb some illusory depth, a hell, potential potency.  Must keep scribbling, keep ‘taking up and reading,’ until the moment occurs that seems revelatory, meaningful, significant.

YES                   /                     NO

Silence.                                                                          She goes.

And Laramie’s lain still, a long while.

Sensei turns and trots, after houghing along his body.

Lucy goes.  Exchanging kisses and assurances, both of them wishing, both of them aware, both of them happy and sad.

Alias moves to the piano.

Wanting to extrapolate a sense – but there are far too many senses and sensings.  Children: infants to adults, jettisoned and on.  Sensual aches and lustings – the million maneuvers to orgasm at every angle and scale.  Big Pictures and Miniscule Mundane all wrapped up.  A blooming iris.  Pregnant decisions.  Salivation for vodka, for book, for solitude and quiet.  Augmented chords, then rolled, then extended, then simply a single note.  Promised to language, yet full of sound and fury.

He plays, he drinks, he writes, he doubts, he fears, he wishes.

As if it were imperative.

As if fierce splittings of rationality or cognition and confused whelmings of senses and emotions were condemned toward disruption.  As if it were unknowable.  Could not be known.  Could not be said (or written).  Could not be true.

Human axis.  Axis of being.  Overloaded and irreducible.

A swoon, a swarm, an agony and ecstasy.  A finite loop and laugh.  A tangle.

Alias loves and longs his Lucy, Laramie, children and books.  Alias loves and longs a self that makes sense.  He loves and loathes that it does not.

Lucy goes.  Dog in tow.  At the mercy of externals.  The risk of world and other.  She heads to the Outside.

Alias turns in.

Laramie’s turned in.  On himself.  On the world.  On ‘in.’  Plumbing the depths.  A hell.  Of ending.  Of being.  Of moments and instances.

Sensei breaks to a gallop.

There are the mountains.  Fierce splittings.  Here we go.  Everyone at the mercy of.  Inside/outside.  Too many tenses and senses.  Everyone and the mountains, or for some it might be sea.  Or both, or any.  What happens there.

Lucy in woods with dog.  Alias at desk in plains.  Laramie lying at the foot of the mountains, still.  And everyone else at their everywhere.

 

Laramie & Alias & possible ways to end

Not Found
Not Found

“Just find a way through to an end,” Laramie thinks, fallen there, and hurting.

“the void is waiting for vocabulary,” Alias reads, and ponders alone what the void might be comprised of.  “Perhaps the void is composed of perhapses,” he writes, “combined with some organization of relations we are incapable of imagining, cannot begin to fathom.  Awaiting and constraining possibilities, likelihoods and unforeseens in a kind of complex and chaotic equation or balance.”  Irreducible, inexhaustible, and unsayable, he marks on the wall-sized whiteboard in his office.

“If I figure how to end…make it to an end,” Laramie whispers, hoarsely, internally, excruciatingly, silently.  He cannot sense his horse, nor smell the fire.  It will begin to rain.

“Perhaps,” Alias cursives at his desk, dire, lonely, remiss.  “Perhaps each motion, feeling, thought…perhaps the shaping of an ‘a’ instead of an ‘I,’ perhaps this particular curve or flutter of line, this pen rather than another, the way it sits in my hand, perhaps the letter-to-word conjured depends on so much more than I can conceive or dream: smoke rising to atmosphere in some African desert; a precise selection of neurons inhibited and allowed in my body; the varying flow of blood and calculus of cells active in my thighs, my ankles; the trajectory of wind – its velocity.  Perhaps what registered itself in my synapses and muscles 17 years ago is playing out in curves versus straight; what she said; or his coughs in the night.  The amount and location of sperm; exact army and height of each dandelion stem; the president’s breath; engine ignition in China; the current temperature of Jupiter.  Perhaps.”

Laramie works to focus on his breathing, attempts to concentrate his eyes.  Seeks localization and diagnostics of injury.  His vision is “impaired.”  His legs have gone numb.  Some liquid burn fires through chest-shoulder-arm.  He cannot wriggle his fingers.

“Perhaps every ‘moment’ or movement, influence, decision, activity, intention, expression truly depends on everything else – EVERYTHING…since ANYthing occurred – however that may have become.  And the motion of my arm, its difficulties, my emotions and thinkings, what I am able to perceive, just as much participates in the perhapses and perchances as EVERYthing else – directs them accordingly while equally or ratio-reciprocally affected and determined by.  Some inexhaustible, irreducible, assemblage – unsayable from my specified and fluctuate limitations – my finitude, but imaginatively infinite (perhaps not) in chances-are,” Alias furiously scribbles.

Attempts to roll over.  Effort towards sky.  Finds himself clutching left arm, his legs akimbo but working into a ball.  Breath harsh and labored.  Sight unseen.  Somewhere far, separate, Laramie is suffering.  Finding a way to an end.

“Perhaps,” Alias drones.  “Perhaps deaths and births, seedings and desiccations, galactics and atomic behaviors, cheetah-screech and egg-breaks, politics and business transactions, theories and documents and artifacts, particular weights of the world and all of their unformed-formings gather every instant to become again, particularly.  Planar, scalar, interactive and recursive, never still, never stable, not quite patterned – ever potent, ever determined, ever possible, ever realized – EVERYWHERE + HOW + WHY + WHO + WHAT – always possible and continually actual – without possible worlds – just IS.  Just IS.  Just IS, again.”  Alias slumps.  Decides again to drink.  Looks at porn.  Longs for intimacy, for desire – to be craved, wanted and longed-for.  To be satisfying, satiating.  To be some whacky, untellable, sort of “enough.”  Wishes and wishes – 15,000 things.

Nothing now but distress, pang, shards, fire.  Something like the neigh or whinny of a horse.  A coyote yelp or yip.  Dying insects, a squashed ant.  Sparks fizzled in mist and wind.  Harsh, hard, and consuming.  Consumptive.  Agony.  Laramie unable to locate his body, his voice…himself.

data-rot
data-rot

Ouroboros, or Autophagia

Ouroboros

I often feel that I’m dying.  Killing myself with disease. Killing myself via the activities of my “mind.”  Killing myself with alcohol.  Killing myself by over-extension, -exertion, lack of self-regard.    Worry.  Anxiety.  Perfectionism.  Wishes.  Desires.  Dying from the absence of sex (and yet orgasm is also a breathless ‘little death’).  Dying from lack of joy.  Dying of disuse, depletion, or disregard.  Dying of my own engulfing life.

Which only emphasizes the insistent FACT.  One thing we know, perhaps the ONLY certainty we’ve understood in the thousands or millions or billions of years we’ve been species-al (spec-ial) and aware of such information…is that we are dying.  Constantly.  Continuously.  Unstoppably.  Irrefutably and inescapably.  Inevitably.

Whether we do it to ourselves – amplify or expedite its course – or are at the mercies and whims of some enormous cosmic complex entanglement; whether our cells turn against “us,” or we turn our “selves” against our cells; excruciating or peaceful, ecstatic or terrifying – WE DIE.  ARE DYING.  WILL DIE.

For some, this undeniable evidence and unstoppable knowledge instigates a kind of “dead-already” worldview or perspective…a nihilism for some.  A not-ness.  A foregoing of LIVING, a preemptive attack, or some strange passion of alignment with the TRUTH – some subversion of the FACT (at the same time true, and as certain) – that a DYING thing MUST be LIVING.

An “it doesn’t matter.”  Usually tacked on with an “ultimately.”  Meaninglessness.  Pointlessness.  Purposelessness.  Something some supposed “scientist” (devoted to “objective” observable “truths”) like a psychologist, biologist or physicist; doctor or therapist or mathematician – might call “depression,” “skepticism,” “cynicism,” – when in FACT it is adherence to one of the ONLY FACTs we’ve described or descried that has held TRUE while all of our tools, technologies, expansions of knowledges and theories, inventions, medicines and so on carry on their wars against it.  A veritable CERTAINTY (indeed, perhaps the only occurrence in which a human being accords with reality).

DYING.  From there – who knows?  “At one’s own hand/operations” or “at the mercy of” environments, situations, circumstances, world… who knows?  No one.  Uncertainty.  The process of being-alive to being-dead is fraught with everything else we are able to imagine.  And almost entirely UNCERTAIN.

It happens.  Living.  Then Dead.  Each one.  Every one.  “Me,” “You,” “I’s,” “They’s,” “We’s,” “Those” and “These.”  Whatever begins…ends (in some form).  Whatever emerges, converges and devolves.  Whatever occurs…deceases.  Ceases “to Be.”

And so what do we do…what do “I” do…with this LIVING?  In full awareness of the synonymity – LIVING/DYING – why is the awareness of dying and depletion of a potency that oft outstrips its necessary , indeed indubitable counterfactual?  LIVING.  LIVING.  LIVING…

Who now, what now, where and for why?

reading dead profile

The Want for a Story : Texts for Nothing

Beckett_TextQuote

The want for a story.  For a ‘reason’ to be.  A far place, an illusion, the stomach knows its illegitimacy, its fantasy, irreality…yet the brain (mind?) dying toward, for, craving, starving after it.

A thread in a narrative…a plotline…a characterization – some momentary identity.  To be witnessed, accounted-for, counted, taken note of, recognized.  The mad dream of anOther aware of me, acknowledging my presence, sidling out of my way.  “Made way”…I exist.

The madness of atoms.  Nonsensical.  Not “to be” – a sort of fact as it goes – but “to be in awareness” – and not only, but much more – “to be in An-Other’s awareness!”  Too much!  Pure delusion.

We infect alt-awareness only via disturbance and/or unavoidability – interruptions, intrusions, sign or accident/event – a scream, a tragedy, an obstacle.  Interference.  No one selects for intrusion…it is managed and dealth with, endured or survived.  We (humans) don’t “mean to,” don’t “seek out” inconvenience.  (Or maybe we do?).  But no matter.  Not our ‘purpose,’ ‘intent.’ Not our ‘drive’ (to survive).

Others become aware of “me” when (and ONLY when?) I get in their way.  “Intrude.”  Otherwise – sans dependence, accident, harm, or some assumed respons-ability (‘obligation’) – I find it hard to imagine drawing the care of attention of an/other.

We spread too thin.  Period.  Once we engage/respond/encounter/experience, it is blatantly evident: WE ARE NOT ENOUGH.  Perhaps nothing is.  Perhaps learning, relating, experiencing, engaging, life…NOTHING is.  Perhaps this differentiates us as a species – UNSATISFIABLE : UNMET.

And…perhaps this is a synonym for “Life/Living” – some ‘thing’ ever striving ‘further’ or ‘beyond’ itself…

Is the ‘definition’ of “Life” simply WANTING FOR MORE?

i.e. – entities remaining alive, period – according to DESIRE?

The want for a story.  A ‘reason’ to be.  To be meaning.  To signal.  To call & respond.  To exist.

But all those are “more-than.”

The Myth in the Verse

The River of Bees

BY W. S. MERWIN

In a dream I returned to the river of bees

Five orange trees by the bridge and

Beside two mills my house

Into whose courtyard a blindman followed

The goats and stood singing

Of what was older

.

Soon it will be fifteen years

.

He was old he will have fallen into his eyes

.

I took my eyes

A long way to the calendars

Room after room asking how shall I live

.

One of the ends is made of streets

One man processions carry through it

Empty bottles their

Image of hope

It was offered to me by name

.

Once once and once

In the same city I was born

Asking what shall I say

.

He will have fallen into his mouth

Men think they are better than grass

.

I return to his voice rising like a forkful of hay

.

He was old he is not real nothing is real

Nor the noise of death drawing water

.

We are the echo of the future

.

On the door it says what to do to survive

But we were not born to survive

Only to live

  1. S. Merwin, “The River of Bees” from The Second Four Books of Poems(Port Townsend, Washington: Copper Canyon Press, 1993). Copyright © 1993 by W. S. Merwin. Reprinted with the permission of The Wylie Agency, Inc.